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PMminer

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  1. I posted this in another thread but thought I'd make a separate topic for it: When shipping books do you insure for the full FMV of the books? I may be paranoid, but the idea of insuring a package for thousands of dollars makes me feel like I've just put a big red target on my package for any less-than-honest employee to swipe or "lose". It also doesn't help that I may also add the name of an auction house in the address. I just dropped some books off at UPS and got some extra insurance (not FMV), had the name of an auction house in the address, and was asked what was being shipped. Didn't like the feeling of walking away and thinking; "Did I just ask someone in the chain of delivery to steal that?"
  2. When shipping books do you insure for the full FMV of the books? I may be paranoid, but the idea of insuring a package for thousands of dollars makes me feel like I've just put a big red target on my package for any less-than-honest employee to swipe or "lose". It also doesn't help that I may also add the name of an auction house in the address. Just dropped some books off at UPS and got some extra insurance (not FMV), had the name of an auction house in the address, and was asked what was being shipped. Didn't like the feeling of walking away and thinking; "Did I just ask someone in the chain of delivery to steal that?"
  3. I just got a couple of the plastic BCW CGC storage boxes and they're pretty good. Since I like to store my slabs flat I just turned the boxes on their ends so the books still lie flat. And since they come with a divider, putting one in the middle of the stack helps keep all of the weight off the books so that only about 12-15 are actually pressing down on each other.
  4. I watched this and basically it sounds like having a safe only buys time, not security, as he mentions. Also having several layers of security is important. I appreciate all the advice. For me it's about protecting my slabbed books so hiding them among my raw books in long boxes wouldn't work. They stand out like a sore thumb and are pretty obvious that they're something different/valuable.
  5. Wow, that's insane about the safety deposit boxes. I've never had a liking for banks anyway. Going down this rabbit hole, it's easy to get paranoid. Aside from insurance it seems like the only real option is to just hope that nothing ever happens.
  6. I've looked into insurance over the years but haven't pulled the trigger for various reasons. The way I store them now is fine - horizontal, dark, climate control. Just curious about finding a solution against theft, fire, acts of god and the like. Where I am now there's no private vault companies that I can find.
  7. Sorry if this has been covered, but I'm looking for advice on the best way to store higher priced CGC books. Not just to keep them out of the sun in a cool dark place, but more for safety and security purposes: fire, theft etc. Because of their size I don't see keeping them in a bank safety security box. Also I think I've heard that there might be issues with humidity with those too? Same with a home safe. Not sure about that though. Any advice would be appreciated.
  8. Wow, thanks for that. I came into this thread kind of embarrassed to even show something I thought was so obviously fake. And it may still be. But at this point, knowing the history of this book as I do, and the info posted here by people way more knowledgeable than myself, I'm going to consider it legit. Once again, I may be wrong, but since Kirby had such formative influence on my life growing up I'd like to believe it's the real deal now that it doesn't seem so implausible.
  9. Just to follow up on this, after almost a year at CGC the book is coming back a 2.5 Universal grade. I asked for a blue label instead of green.
  10. Is there a time limit for holders? Are they good indefinitely, or should books be re-encapsulated after a certain number of years?
  11. I think the best way they could handle something like this (where the book fits into a category of receiving a green label) would be to give the submitter a choice, e.g. "After grading we've determined that your book is either a 4.5 blue label, or a 5.5 green label. Which would you prefer." That way you can make an informed decision. The whole process of submitting a book and hoping for a grade can be stressful enough without adding more uncertainty to the mix. Plus, it's not like they're doing this for free. They're being paid so I see no reason why this couldn't be part of their service to the customer.
  12. This was so long ago I can hardly remember, but I didn't buy it from a store or dealer. A friend and I found an ad in the paper (I believe) from a guy selling all sorts of books and original art out of his apartment. So we would stop by occasionally when we had some money to buy whatever he had on hand. Being so young and poor I can't imagine I paid more than maybe $10 - $20 for it, but that's just a guess. We never really talked grades. It was just a matter of, did I think something he had was cool or not, and could I afford it. And as far as I remember he treated it as the real deal and a bit of a bonus, but I think the signature meant more to me than it did to him.
  13. This won't mean much to you guys since I'm the only one that can truly know, but I will say that I did buy this book back in the early 80's just as you see it in the photos, with the red marker signature. Since then it's been bagged and boarded and kept in good conditions. I wish I would have thought to take a pic of the interior cover, but it didn't occur to me before sending it off.
  14. :-) Yeah, it would be nice if they were a bit tighter in and higher res, but knowing the book firsthand from before I can say it looks much better.