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427Impaler

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  • Occupation
    Sales Manager
  • Hobbies
    Collecting comics, restoring musclecars
  • Location
    Burnaby, Canada

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  1. Nice splash page from John Wayne Adventures #2 ending Nov 19 Heritage Dallas Auction. Signed by both artists. link: Williamson/Frazetta splash page
  2. Currently boxed and destined for Clink, but I will do a sharp price for any one interested. ASM 50, 4.0 Universal, UK price variant. Looks much higher but cbc keeps it at 4.0. One just sold a bit over 900, this one is $700 shipped. I’ll pull it out of the box and send pics if anyone is interested.
  3. Miss Fury #8, nice fresh 7.5 slab. An 8.0 sold for 3700 last year. Quick sale at $1750 shipped in North America
  4. Book 3, Tales From The Crypt 24, CGC 4.0. Presents much higher but had glue around top staple that had to be removed resulting in slight paper loss but still attached price: SOLD
  5. Terms of sale: PayPal preferred (within 24 hours unless prior arrangements) Shipping included in continental North America No return on CGC slabs I have lots of references here and elsewhere (available on request), purchase with confidence First book: Human Torch #22, 4.0 Universal, recent sale at $920.00, Sell at $750 shipped
  6. PayPal payment Shipping in North America included No returns (graded) I gave many references here and on IG. $2100 shipped
  7. Williamson/Frazetta OA. Splash page OA from John Wayne’s Adventure Comics #2 1950. Beautifully framed with museum quality UV glass. Frazetta signature included $6000 shipped
  8. Terms of sale: Paypal payment Shipping in North America included Returns accepted $2500 usd Here is one of the better Ward pieces I have seen. Large scale (24” X 18”). Signed. Lots of references here and on IG as well, regret to sell this but here we go:
  9. Legitimate questions and of course the main reason for the varied types of storage and testing. The whitening is a nice benefit but the main focus is longevity of paper and stability. I’ve done my own personal testing on artificial aging, lignin content, etc. Of course those results don’t hold much water in the public domain hence all the third party testing underway. The oldest test piece shows the same suppleness and fold resistance as when it was first treated, as third party results come in I will be happy to show them here regardless of success or failure
  10. Lol, that is exactly what is going to happen to all books (or any paper items rich in lignin) over time without improvements in conservation science. 10 years of comic book and other paper artifact test subjects are still part of the research. Some raw and unprotected, some in various types of storage: Mylar, poly, slabbed, vacuum sealed. So far none have exploded😄
  11. Hi, been busy and away from the boards for a while. While I have not tried the process on OA pieces I have used it on 19th century lithographs with good results. As with all conservation projects there would be some inconspicuous testing at the beginning to determine colorfastness of paper and ink type. Often there are pieces glued in place that may or may not complicate things a bit. Current state of affairs is spectrographic analysis by a third party laboratory to quantify exact amount of lignin removed and any other changes in paper chemistry