aokartman Posted November 20, 2019 Share Posted November 20, 2019 5 minutes ago, batman_fan said: I am still high bidder on three items and I don't expect any of my current bids to hold through Thursday. Bad thing is I am traveling when the auctions are live so I may have to put in crazy bids before boarding a plane. And I salute you for your dedication to the original comic art community. David Rick2you2 1 Link to comment Share on other sites More sharing options...
Mmehdy Posted November 20, 2019 Share Posted November 20, 2019 6 hours ago, grapeape said: I still think for the comic OA we’re going to see current under performing bids catch up on final day. Is there a wary ness due to the hack last month? I agree a lot of last min bids...look art the classic Mad cover #59....its at half price at a minimum aokartman 1 Link to comment Share on other sites More sharing options...
ESeffinga Posted November 20, 2019 Share Posted November 20, 2019 There's been so much recession talk the last few months, and the holidays looming large, only the final results will reveal if this might be impacting people's decisions on how they feel about spending big bucks right now. The rest could be everyone else playing wait and see what the other guy does. Everyone hoping against hope no one else is looking at what they want. Link to comment Share on other sites More sharing options...
Rick2you2 Posted November 20, 2019 Share Posted November 20, 2019 8 hours ago, grapeape said: I still think for the comic OA we’re going to see current under performing bids catch up on final day. Is there a wary ness due to the hack last month? There may be something else going on here. An article in the Wall Street Journal involving fine art suggested that there may be too much debt out there involving fine art, thereby slowing down the market. We also know generally that wage growth has not kept up with overall economic growth, and personal debt is at an all time high. Add these together, and you may be seeing the beginning of an OA “recession” (not in the literal sense”). Link to comment Share on other sites More sharing options...
Rick2you2 Posted November 20, 2019 Share Posted November 20, 2019 1 minute ago, ESeffinga said: There's been so much recession talk the last few months, and the holidays looming large, only the final results will reveal if this might be impacting people's decisions on how they feel about spending big bucks right now. The rest could be everyone else playing wait and see what the other guy does. Everyone hoping against hope no one else is looking at what they want. Wow, you beat my post while I was writing it. “Great minds think alike”. Link to comment Share on other sites More sharing options...
vodou Posted November 20, 2019 Share Posted November 20, 2019 and then there's this - https://news.artnet.com/opinion/kenny-schachter-on-the-2019-fall-new-york-auctions-1708122?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=US 10:15 a.m. newsletter for 11/19/19&utm_term=New US Newsletter List Link to comment Share on other sites More sharing options...
dichotomy Posted November 20, 2019 Share Posted November 20, 2019 22 hours ago, Bronty said: And yet bids will end up robust! the only thing rarer than some of these pieces is getting a steal on a heritage auction Thought I’d share - I just sold a piece Yesterday, that I picked up from Heritage May 2018, for 150%. Pre-auction at the moment I’m seeing a couple similar opportunities. Link to comment Share on other sites More sharing options...
Bronty Posted November 20, 2019 Share Posted November 20, 2019 1 hour ago, vodou said: and then there's this - https://news.artnet.com/opinion/kenny-schachter-on-the-2019-fall-new-york-auctions-1708122?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=US 10:15 a.m. newsletter for 11/19/19&utm_term=New US Newsletter List yawn. must have been a slow news day for Kenny. Link to comment Share on other sites More sharing options...
vodou Posted November 20, 2019 Share Posted November 20, 2019 (edited) 31 minutes ago, Bronty said: yawn. must have been a slow news day for Kenny. Oh. I thought the various shenanigans were interesting. Did you read to the end? Yes, my morale has been bruised, but I am still uplifted every day by looking closely at art despite selling a portion of my collection at a single-owner Sotheby’s online sale and London exhibition titled “The Hoarder,” December 11th to 18th (for your one-stop holiday shopping convenience). Unlike Marc Jacobs, who sold his entire collection at Sotheby’s—or tried to, anyway—I’ve still got three warehouses and a new Manhattan residence (already) filled to the brim. Edited November 20, 2019 by vodou clarity Link to comment Share on other sites More sharing options...
Bronty Posted November 20, 2019 Share Posted November 20, 2019 4 minutes ago, vodou said: Oh. I thought the various shenanigans were interesting. Did you read to the end? Yes, my morale has been bruised, but I am still uplifted every day by looking closely at art despite selling a portion of my collection at a single-owner Sotheby’s online sale and London exhibition titled “The Hoarder,” December 11th to 18th (for your one-stop holiday shopping convenience). Unlike Marc Jacobs, who sold his entire collection at Sotheby’s—or tried to, anyway—I’ve still got three warehouses and a new Manhattan residence (already) filled to the brim. To me he comes off as a bit of a wanker TBH Link to comment Share on other sites More sharing options...
Bronty Posted November 20, 2019 Share Posted November 20, 2019 1 hour ago, dichotomy said: Thought I’d share - I just sold a piece Yesterday, that I picked up from Heritage May 2018, for 150%. Pre-auction at the moment I’m seeing a couple similar opportunities. Congrats! Link to comment Share on other sites More sharing options...
vodou Posted November 20, 2019 Share Posted November 20, 2019 2 hours ago, Bronty said: To me he comes off as a bit of a wanker TBH I can see that; my interest in sharing here, as always, was message not messenger. Link to comment Share on other sites More sharing options...
Bronty Posted November 20, 2019 Share Posted November 20, 2019 (edited) 14 minutes ago, vodou said: I can see that; my interest in sharing here, as always, was message not messenger. thats Cool, but the two are linked at the same time. Obviously we all pay a little more attention to lawyers on legal matters and bankers on say, security for debt. The trouble with listening to a wanker’s message is that he’s just talking to hear himself in print and living for the last sentence when he tells everyone what he has. Or such is my perception from reading that. In other words, he comes off as an attention whore Edited November 20, 2019 by Bronty Link to comment Share on other sites More sharing options...
vodou Posted November 20, 2019 Share Posted November 20, 2019 35 minutes ago, Bronty said: Obviously we all pay a little more attention to lawyers on legal matters and bankers on say, security for debt. ... The trouble with listening to a wanker’s message is that he’s just talking to hear himself in print and living for the last sentence when he tells everyone what he has. I'll admit I was only aware of Kenny from his artnet articles over the last, dunno, six or seven years. To be fair, I had to look up his bio. Anyway, bona fide's look good to me; you? No disagreement on his writing style, or his comportment though -definitely a bit snotty. https://roveprojects.com/bio.html Curated Shows Sandra Gering Gallery, New York, NY, GERMAN PAPER, October 20 - November 30, l990 BACA Downtown (Brooklyn Arts Council), Brooklyn, NY, FROM SCULPTURE, April 26 - May 25, 1991 Natalie Rivera Gallery, 89 Greene Street, New York, NY, DECOROUS BELIEFS, June 15 - July 13, 1991 Flamingo East, 219 2nd Avenue, New York, NY, OPEN BAR, August 1 - 15, 1991 The Lobby Gallery, Deutsche Bank, New York, NY, CERTAIN UNCERTAINTY, August 5 - September 13,1991 142 Greene Street, 4th Floor, New York, NY, UNLEARNING, December 4, 1991 - January 26, 1992 Flamingo East, 219 2nd Avenue, New York, NY, KANAIYA - RESTAURANT HORROR VACCUI, March, 1992 Flamingo East, 219 2nd Avenue, New York, NY, CURTIS CUFFIE, Recent Sculpture, May 5 - May 26, 1992 Postmasters Gallery, 80 Greene Street, New York, NY, MORALITY CAFE, June 7 - August 2l, 1992 Flamingo East, 219 2nd Avenue, New York, NY, KITSCHEN, August 10 - September 2, 1992 The Institute for Contemporary Art, PS1 Museum, NY, BINGEING, November 8, 1992 - January 10, 1993 Flamingo East, 219 2nd Avenue, New York, NY, HIGH, January 7 - February 5, 1993 Dooley Le Cappelaine, 252 Lafayette Street, New York, NY, PHONE! January 16 - February 13, 1993 238 Mulberry Street, New York, NY, I WAS BORN LIKE THIS, January 21 - March 6,1993 Flamingo East, 219 2nd Avenue, New York, NY, FOR SALE, July 28 - August 14, 1993 81 Greene Street, New York, NY, SHOOTING BLANKS, September 1 - October 15, 1993 Puffin Foundation, 435 Broome St., NY, PRE-EXISTING CONDITION, January 21 - February 21, 1994 Printed Matter Bookstore at DIA, 77 Wooster Street, New York, NY, PLAYED, March 9 - March 31, 1994 109 Spring Street, New York, NY, I COULD DO THAT, April 16 - May 16, 1994 Puffin Foundation, 435 Broome Street, New York, NY, IDENTITY CRISES, April 15 - May 15, 1994 Flamingo East, 219 2nd Avenue, New York, NY, ARTYCHOKE TV BENEFIT, July 5 - August 5, 1994 479 Broome Street, New York, NY, UNSUCCESS STORY, September 10 - October 8, 1994 62 Greene Street, New York, NY, JOHN LEKAY RECENT SCULPTURE, November 1 - December 4, 1994 The Sculpture Center, 167 E. 69th St., New York, NY, LOOKY LOO, April 1 - April 25, 1995 66 Crosby Street, New York, NY, HIGH ANXIETY, April 18 - May 31, 1995 Flamingo East, 219 2nd Avenue, New York, NY, EITHER/OR, July 12 - August 6, 1995 121 Greene Street, New York, NY, OY! September 30 - November 7, 1995 London Artforms, London, England, SEX & DRUGS & EXPLOSIVES, March 28 - May 23, 1996 480 Broome Street, New York, NY, THE DEATH OF THE DEATH OF PAINTING, June 2 - June 30, 1996 Flamingo East, 219 2nd Avenue, New York, NY, SUMMER TRASH, August 9 – August 31, 1996 Arlington Museum of Art, TX, FACING THE MILLENNIUM: THE SONG REMAINS THE SAME, November 1996 – January, 1997 25 Broad St., Benefit for City Harvest, New York, NY, TAKING STOCK, November 7 - November 17, 1996 Lombard-Freid Gallery, New York, NY, THE EXPERIMENTERS, December 18, 1996 - January 18, 1997 Pernod Liquid Art, New York, NY, 4TH ANNUAL AWARDS EXHIBIT, January, 1997 Hoenthal und Bergen, Cologne, Germany, VIDEO FLASH, February, 1997 32 Mercer St., New York, NY, INSIDE OUT ARTFAIR, May, 1997 526 West 26th St., New York, NY, CAMBIO, November, 1997 Sandra Gering Gallery, New York, NY, CAMBIO, January, 1998 534 LaGuardia Place, New York, NY, HEY, YOU NEVER KNOW, March through April, 1998 508 West 26th Street, New York, NY, LISA RUYTER, May 1998 Chopo Museum, Mexico City, Mexico, CAMBIO: MEXICO-US EXCHANGE, August/September, 1998 526 W. 26th St., New York, NY, JONATHAN HOROWITZ, Bach Two Part Intervention #9, October 1998 526 W. 26th St., New York, NY, RICCI ALBENDA, Color-i-me-try, November - December 1998 Exit Art, New York, NY, PARADISE 8, Co-curated exhibition, January – April, 1999 601 W. 26th St., New York, NY, POST , March - April, 1999 CARDOZO SCHOOL OF LAW GALLERY, 55 5th Ave., New York, LIFER, September – October, 1999 60 Lispenard St., New York, NY, SWEET'N LOW, February – March, 2000 107 Shoreditch High St., London, UK, I HATE NEW YORK, May-June, 2000 547 W. 27th St., New York, NY, FULL SERVE: 10 Year Anniversary, October 25 - December 9, 2000 132 Perry St., New York, NY, TENSIONISM, February 8 - March 22, 2002 conTEMPorary, 14 Charles Lane, New York, NY, ARCHITECTURE, June 27 – August 10, 2002 Exhibition Space conTEMPorary, New York, NY, established experimental exhibition space, which was the first interior space designed by Acconci Studio headed by artist Vito Acconci, June 2002 to the present Grants Royal Netherlands Embassy, UK To produce catalogue for series of exhibitions in US and UK, 2000 Mondriaan Foundation, NL To produce catalogue and facilitate participation of Dutch artist in shows, 2000 Institute of Contemporary Art, Lisbon To curate Exchange Shows in Lisbon/NY, 2000-2001 Mondriaan Foundation & Dutch Consulate of NY International Visitors Program, November, 1999 US-Mexico Fund for Culture (Rockefeller Foundation, Mexico National Fund for Culture and Arts, Bancomer Cultural Foundation) To stage exchange exhibits between US and Mexico, with catalogue and internet site, August, 1997 Mexican Cultural Institute of NY To facilitate curatorial project between US and Mexico, February, 1997 London Arts Board To curate show of American artists in London, March, 1996 Teaching SCHOOL OF VISUAL ARTS, Thesis Adviser in MFA Photography and Related Media department, 1997-98 SCHOOL OF VISUAL ARTS, Thesis Adviser in MFA Photography and Related Media department, 1999 FASHION INSTITUTE OF TECHNOLOGY: Exhibition & Interpretation: Theory, Planning & Design, Graduate Seminar, culminated in exhibition in temporary location entitled "Next", at 526 W. 26th St., NY, 1997-8 NEW YORK UNIVERSITY: The Ethics of Display, MFA Seminar, Spring 1997 COLUMBIA UNIVERSITY, Planned and implemented MFA off-site art exhibition, Spring 1996 NEW SCHOOL FOR SOCIAL RESEARCH/PARSONS, NY: Contemporary Art/Contemporary Society, Spring 1993; Marcel Duchamp and the World of Conceptual Art, Fall 1992 Lectures/Panels NEW SCHOOL FOR SOCIAL RESEARCH, NY, Outside the White Cube, October 13, 1992 NEW YORK UNIVERSITY, NY, Incoming Freshman Art Students/Graduate sculpture Seminar, Nov. 3,1992 ARTISTS TALK ON ART, NY, Curating in Alternative Spaces, March 20, 1992 EMPIRE STATE COLLEGE, STUDIO SEMESTER PROGRAM, NY, Graduate Seminar, March 20, 1992 S.U.N.Y. OLD WESTBURY, NY, Introduction to Art, April 29, 1993; Undergraduate Sculpture, April 29, 1993 UNIVERSITY OF MIAMI, Graduate Sculpture Seminar, May 15, 1993 ART INITIATIVES, NY, Moving Forward: Critics and Curators, October 6, 1994 WESLEYAN UNIVERSITY, Current Issues of Contemporary Art Production, May 8, 1995 UNIVERSITY OF NORTH TEXAS, Graduate Art Seminar, May 16, 1995 NEW SCHOOL FOR SOCIAL RESEARCH, NY, Artists and Curators, October 10, 1996 DENVER ART MUSEUM, Museum curators and benefactors, October 24, 1996 UNIVERSITY OF NORTH TEXAS, TX, MFA Students, October 28, 1996 TEXAS CHRISTIAN UNIVERSITY, TX, MFA Students, October 29, 1996 SOUTHERN METHODIST UNIVERSITY, TX, MFA Students, October 30, 1996 UNIVERSITY OF TEXAS, ARLINGTON, TX, MFA Students, October 31, 1996 TEXAS A&M UNIVERSITY--COMMERCE, TX, MFA Students, October 31, 1996 BOOKER T. WASHINGTON HIGH SCHOOL FOR THE PERFORMING AND VISUAL ARTS, TX, November 1, 1996 BROOKLYN ARTS SUMMIT '96 (BROOKLYN ARTS COUNCIL), NY, November 14, 1996 PARSONS SCHOOL OF ART AND DESIGN, MFA Students, NY, November 18, 1996 UNIVERSITY OF MIAMI, FL., MFA Seminar, March 20, 1997 NEW SCHOOL FOR SOCIAL RESEARCH, NY, Whitney Biennial with David Ross, March 31, 1997 FASHION INSTITUTE OF TECHNOLOGY, NY, Graduate Seminar, April 15, 1997 KANSAS CITY ART INSTITUTE, MO, "Artists on Campus Series", January 15, 1998 GUGGENHEIM MUSEUM, NY, "1998 Guggenheim Museum Salon Series, January 21, 1998 ART IN GENERAL, NY, "Collectors Evenings", February 3, 1998 MUSEUM OF MODERN ART, Junior Associates, "Open House", April 30, 1998 CHRISTIE'S EDUCATION, NY, "Art in Context", April 15 and May 21, 1998 PRO ARTS EDUCATION COMMITTEE, JERSEY CITY, NJ, "Blow Up", June 3, 1998 RHODE ISLAND SCHOOL OF DESIGN, Lecture/studio critiques for MFA Sculpture Seminar, October 6, 1998 SCHOOL OF VISUAL ARTS, NY, MFA Lecture, October 14, 1998 UNIVERSITY OF MASSACHUSETTS, MFA Lecture October 16, 1998 ARTISTS TALK ON ART, NY, Moderator/Organizer of lecture with Ricci Albenda and Pamela Lins, November 20, 1998 ST. FRANCIS COLLEGE, NY, Undergraduate lecture, December 22, 1998 UNIVERSITY OF MASSACHUSETTS, MFA Lecture February 12, 1999 UNIVERSITY OF PENNSYLVANIA, MFA Lecture/Studio Critiques, February 24, 1999 COLUMBIA UNIVERSITY, MFA Seminar with Matthew Drutt, March 11, 1999 CHRISTIE'S EDUCATION, NY, NY Art Panel Discussion, April 12, 1999 RUTGERS UNIVERSITY, NJ, Graduate Seminar, October 20, 1999 REMA HORT MANN FOUNDATION, 1999 Annual Art Crawl Benefit, November 6, 1999 ARTWALK NY, NY, Benefit Art Event for NY Homeless, Curated artists’ studio tour, November, 13th, 1999 UNIVERSITY OF MASSACHUSETTS, MFA Lecture March 3, 2000 WALSALL MUSEUM OF ART, Walsall UK, Curating in the 21st Century, June 2000 (codified in book of same title) MIXED GREENS, NY, Panel Discussion with Jerry Saltz, Devon Dikeou and Joe Amrhein, May 2001 MANCHESTER UNIVERSITY, Manchester, UK, MFA Seminar, May 2001 FIT, New York, NY, Art and Law Seminar, November 7, 2001 DENVER CONTEMPORARY ART MUSEUM, New York, NY, Museum Benefactors, November 10, 2001 WHITNEY MUSEUM OF AMERICAN ART, New York, NY, Contemporary Art Benefactors, December 4, 2001 MUSEUM OF MODERN ART, New York, NY, Contemporary Art Benefactors, February 19th, 2002 INTERNATIONAL STUDIO AND CURATORIAL PROGRAM, New York, NY, Guest Critic, March 4, 11, 2002 S.U.N.Y. EMPIRE STATE COLLEGE, Lecture/studio critiques as part of the Annual Contemporary Art Lecture Series, July 24th, 2002 The Salon, group from Phoenix Arizona, Lecture with Vito Acconci, October 2002 Independent Curators Inc., Benefactors of organization, Lecture with Vito Acconci, October 2002 MUSEUM OF MODERN ART, Junior Associates, Lecture with Vito Acconci, December 10, 2002 91st ANNUAL CONFERENCE OF THE COLLEGE ART ASSOICIATION, Panel on Independent Curating, with Sara Reisman and Christopher Ho, February, 2003 NEW YORK UNIVERSITY, GRADUATE SEMINAR WITH GREGORY VOLK, February 27, 2003 BRONX MUSEUM OF ART, New York, NY, Artists in the Market Place Program, Lecture, March, 18, 2003. RHODE ISLAND SCHOOL OF DESIGN, New York, NY, Geraldine Erman Seminar, Lecture, March 21, 2003 OBERLIN COLLEGE, New York, NY, Graduate Seminar, April 12, 2003 DUKE UNIVERSITY, New York, NY, Graduate Seminar, April 18, 2003 FASHION INSTITUTE OF TECHNOLOGY, New York, NY, Graduate School of Arts Admin., April 21, 2003 Juror of Exhibits Pernod Liquid Art, 4th Annual Awards Exhibition, New York, January, 1997 Real Art Ways, Hartford, CT, May, 1997 Indianapolis Art Center, Regional 97, Indianapolis, IN, December, 1997 Scholastic Art and Writing Awards, NY, 1998 Regional High School Students, February, 1998 Lower Manhattan Cultural Council, NY, October 1998 Scholastic Art and Writing Awards, NY, 1999 US-Wide High School Students, February, 1999 PS1 Museum, Long Island City , Consulted with the curatorial team, April, 1999 Rema Hort Mann Foundation, Nominating Comitee, June, 1999 Gale Gates et al, NY, Nominating Comitee for the Emerging Curators Series, November, 2000 PS1 Museum, Long Island City, 2000 National/International Studio Program Islip Art Museum, NY, 2000 Invitational Islip Art Museum, NY, 2001 Invitational Eldwin Gould Services for Children, Member of the Advisory Comitee Sculpture Center, Lucky Draw, Spring Benefit, March, 2003 Publications Pig Magazine, Organized by John LeKay, contributed to issues 1, 2, 6 (1992 - 1993) Virtual Gallery Magazine, Edited issue of Dooley Le Cappelaine Gallery magazine, January, 1993 Promotional Copy Magazine, Edited by Robin Kahn, contributor, September, 1993 Zing Magazine, Curated visual arts section in first issue of new arts magazine, Fall 1995 Arlington Museum of Art, wrote catalogue essay for Facing the Millennium..., November 1996 NY/Soho Magazine, excerpt from upcoming book, December 1996 Exhibitionist, NY, monthly column, April 1997 - present Poliester Magazine, Mexico, monthly column, May 1997 - present Zing Magazine, New York, regular contributor, 1996 - present THE BUSINESS OF ART, Lee Caplan, Prentice Hall, wrote chapter on alternative spaces for text book 1998 Madison Magazine, NY, contributor (art writing, photographs) April 1999-present Art Investor, Munich, Germany, contributor 2000 to present Tema Celeste, Italy, contributor 2001 to present ART & AUCTION, contributor 2003 to present DOOM, GLOOM & BOOM REPORT, contributor to Hong Kong based newsletter April 2003 to present Internet www.newNYart.com: organized and maintain an internet site chronicling 8 years of curated exhibitions, including data base of cross section of contemporary artists slides and biographical materials, and disparate artist projects created especially for the site, Jan. 1996 – present www.RoveTV.net: created site which features simultaneous daily live broadcast, May 2000 - present TV Channel 22 and 11 in Mexico City, August 1998 for Cambio Exhibition at Museo del Chopo. Documentary filmed by crew from ch. 22, cultural station in Mexico City 1998 Cable TV ARTYCHOKE TV - Organized weekly 1/2 hour cable TV show on Manhattan and Paragon Cable TV systems, airing videos and short filmed works by wide ranging group of individuals. July 5, 1994 - June 30, 1995 Project Art Show, Ch 17, Manhattan Cable TV, Emerging Artists Discussion with Tom Delavan, April, 1997 Fashion TV, hosted by Jeanne Becker, VH 1 Cable Network, Oct. 1995; Design TV, AMC Network 3/5/99 Radio WBAI FM (99.5), ART BREAKING, Hosted by Charley Finch, appeared July 28, 1994; and, December 15, 1994; Co-hosted December 22, 1994, with guests: curator Robert Storr and author Frances Nauman; BBC 1 London: (94.9) The Robert Elm Show, March 26, 1996; and BBC 1, London, The Maureen Connors Show, March 28, 1996; 98.1 Dallas Texas, Peter Simmons Show, November 2, 1996; UNAM RADIO, MEXICO CITY, August 13, 1998; WNYU Radio Andy Fotopolous Show February 18, 1999; BBC 1 London: (94.9) The Robert Elm Show, May 12th, 2000 (from the opening of the TATE MODERN). Solo Exhibitions Phoenix Gallery, NYC, ART SURVEY ART, September 2003 International Three Gallery, Manchester, UK, HOW MUCH? A HISTORY OF YOUNG BRITISH ART, May 2001 Sandra Gering Gallery, New York, NY, BRANDING, June 1999 Byron Cohen Gallery, Kansas City, MO, NEW WORK, January 16 - February 28, 1998 Ambrosino Gallery, Miami, FL, BIRTHMARKS, May 17 - June 17, 1997 Projects Sandra Gering Gallery, New York, NY, OFFICE WORK, October 12 - November 12, 1996 Group Shows BACA Downtown (Brooklyn Arts Council), Bklyn., NY, THE TOY SHOW, Benefit Auction, December, 1990 Four Walls, Brooklyn, NY, THE NEUROTIC ART SHOW, May, 1991 Flamingo East, NY, OPEN BAR, August, 1991 Great Hall Gallery, Cooper Union, NY, $45 a MONTH, Benefit Auction by Legal Action Center for the Homeless, November, 1991 142 Greene Street, NY, UNLEARNING, December, 1991 - January, 1992 Jack Tilton Gallery, NY, WATER BAR, Curated by Erik Oppenhiem, May, 1992 Postmasters Gallery, NY, MORALITY CAFE, June - August, 1992 Flamingo East, NY, THOSE SILLY , Curated by Blair Wijnkoop, July, 1992 Blum Helman Warehouse, NY, ROTATING GROUP SHOW, Curated by Erik Oppenheim, July - August, l992 525 West 23rd Street, NY, THE FIRST PAINTINGS, Curated by Angela Anderson, July, 1992 Flamingo East, NY, KITSCHEN, August - September, 1992 Sally Hawkins Gallery, NY, BALLOTS OR BULLETS: YOU CHOOSE, Curated by G. Roger Denson, October 15 - November 27, 1992 V Space, NY, ART ADDICTS, Curated by Warren Neidich, October, 1992 P.S.1 Museum, Long Island City, BINGING, November, 1992 – January, 1993 Dooley Le Cappellaine, NY, THE GIFT, December, 1992 Helander Gallery, NY, THE PET SHOW, January, 1993 Flamingo East, NY, HIGH, January - February, 1993 Dooley Le Cappelaine, NY, PHONE!, January - February, 1993 238 Mulberry Street, NY, I WAS BORN LIKE THIS, January - March, 1993 AMO Gallery, at the Mondrian Hotel, Los Angeles, CA, TRANCESEX, July, 1993 Flamingo East, NY, FOR SALE, July 28 - August 14, 1993 81 Greene Street, NY, SHOOTING BLANKS, September 1 - October 15, 1993 Puffin Foundation, NY, PRE-EXISTING CONDITION, January 21 - February 21, 1994 Printed Matter, NY, PLAYED, March 9 - March 31, 1994 109 Spring Street, NY, I COULD DO THAT, April 16 - May 15, 1994 450 Broadway Gallery, NY, PAGE 4, Curated by Hilda Daniel, May, 1994 Momenta Art, NY, YES I AM, NO I'M NOT, Curated by Eric Heist and Laura Parnes, May 15-June 15, 1994 Flamingo East, NY, ARTYCHOKE TV BENEFIT, July 5 - August 5, 1994 Roger Smith Gallery, NY, SPORTSHOW, Curated by Jill Brienza, June 1 - September 1, 1994 479 Broome Street, NY, UNSUCCESS STORY, September 10 - October 8, 1994 The Sculpture Center, NY, LOOKY LOO, April 1 - April 25, 1995 66 Crosby Street, NY, HIGH ANXIETY, April 18 - May 31, 1995 Flamingo East, NY, EITHER/OR, July 12 - August 6, 1995 301 Bedford Street, Brooklyn, NY, SUMMER GROUP SHOW, Curated by Aron Namenwirth, July 1995 Rio Hondo College, Whittier, CA, AUGUST 28, Curated by Bill Radawec, August 28 - September 21, 1995 121 Greene St., NY, OY!, September 30 - November 7, 1995 61 Gansevoort St., NY, EXTREMELY REFRIGERATED, Curated by Jeff Gompertz, October 1995 Richard Heller Gallery, Los Angeles, CA, DECEMBER 20, Curated by Bill Radawec, December 20, 1995 - Jan. 18, '96 Bernard Toale Gallery, Boston, MA, PET PAINTINGS, March 5 - 30, 1996 Thread Waxing Space, NY, SCRATCH, curated by Mel Chin, May, 1996 London Artforms Gallery, London, England, SEX AND DRUGS AND EXPLOSIVES, March 28 - May 23, 1996 480 Broome Street, New York, NY, THE DEATH OF THE DEATH OF PAINTING, June 2 - June 30, 1996 Flamingo East, NY, SUMMER TRASH, August 9 - 31, 1996 Real Art Ways, Hartford, CT, CURVE, September 5 - October 4, 1996 St. Marks Position, THE INNOCENCE OF ORNAMENTS, 1996 CBGB’S Gallery, NY, PICTURE THIS…, curated by Tessa Hughes-Freeland and Robin Renzi Roseland Ballroom, NY, <COMA>, organized by Floating Point Unit, December, 1996 ARLINGTON MUSEUM OF ART, TX, FACING THE MILLENNIUM: THE SONG REMAINS THE SAME, Nov. 1996-Jan 97 BENEFIT FOR CITY HARVEST, NY, TAKING STOCK, November 7 - November 17, 1996 UP & CO, NY, SUPASTORE de LUXE, curated by Sarah Staton, November 16 - January 1, 1997 LOMBARD-FREID GALLERY, NY, THE EXPERIMENTERS, December 18, 1996 - January 18, 1997 HALLWALLS CONTEMPORARY ARTS CENTER, Buffalo, NY, ALTERED EGOS, March - May, 1997 32 Mercer Street, New York, NY, ISIDE OUT ART FAIR, May, 1997 32 Grand St., NY, ISIDE OUT ART FAIR, May, 1997 67 Broad Street, NY, ART EXCHANGE SHOW, May 28 – June 7, 1997 PANADERIA, Mexico City, Mexico, GROUP EXHIBITION, June, 1997 13447 NE 17th Ave, N. Miami, FL, THAT'S LIFE, curated by Joshua Levine July 15 - August 15, 1997 Ambrosino Gallery, Miami, FL, DRAWING THE LINE, August 8 - September 5, 1997 Geoffrey Young Gallery, Great Barrington, MA, ALL THE THINGS YOU ARE, August 15 - September 15, 1997 526 West 26th St., NY, CAMBIO, November, 1997 Sandra Gering Gallery, NY, CAMBIO, January, 1998 534 LaGuardia Place, NY, HEY, YOU NEVER KNOW, March through April, 1998 Exit Art, NY, TRANSMISSIONS, April - May 1998 Chopo Musuem, Mexico City, Mexico, MEXICO-US EXCHANGE, September, 1998 York College, York, PA, THE CONCRETE SIGNAL, Curated by Robert Costa, October - November 1998 Lubelsky Gallery, NY, RE:DUCHAMP, Curated by Mike Bidlo, November - December 1998 EXIT ART, NY, PARADISE 8, Co-Curated exhibition, January - April 1999 601 W. 26th St., NY, POST , March - April, 1999 Sharp Communications, NY, RAGNORAK, Curated by Alfredo Martinez, March 6 – April 3, 1999 Jorgensen Gallery, NY, NO DUMB BUNNIES, April 29 – June 15, 1999 Galapagos Art and Performance Space, Brooklyn, NY, GROUP SHOW, December 1999 Ten in One Gallery, NY, SCHMUCK, February - March 2000 60 Lispenard St, NY, SWEET'N LOW, February - March 2000 Void, NY, SPLITSCREEN, Curated by Alfredo Martinez, April 2000 Salon 5, Hawaii, GROUP SHOW, March, 2000 Monk Parakeet, Chicago, IL, NADER POSTER DESIGN 2000, October, 2000 Sandra Gering Gallery, PERFECT 10: TEN YEARS IN SOHO, March 29 – April 21, 2001 The International 3, Manchester, UK, THE SECOND BUILDERS ARMS SUMMER BIENNALE, August 24th – September 2nd 2001 90 North 11th St., NY, ENTROPY, Curated by Alfredo Martinez, Nori Jung and James Fuentes, December 14, 2001 – January 10, 2002 Galeria Ferran Cano, Barcelona, Spain, I LOVE NY / I NY, September 10 – October 10, 2002 Wolverhampton Art Gallery, Wolverhampton, UK, STRIKE, Curated by Gavin Wade, adjusted by Liam Gillick, September 26 – November 9, 2002 Bibliography Mahoney, Robert, FLASH ART MAGAZINE, News: Renegade Space (Decorous Beliefs) May/June 1991 Levin, Kim, VILLAGE VOICE, Voice Choices (Decorous Beliefs) July 9,1991 Levin, Kim, VILLAGE VOICE, Voice Choices (Rethinking Space II) August 20,1991 Levin, Kim, VILLAGE VOICE, Voice Choices (Certain Uncertainty) August 20,1991 THE NEW YORKER, Goings on About Town (Rethinking Space, Certain Uncertainty) September 9,1991 Wright, Jeff, COVER MAGAZINE, Let the Season Begin! (Open Bar) September, 1991 Levin, Kim, ARTSCRIBE, The Negligent Aesthetic (Decorous Beliefs) September, 1991 Levin, Kim, VILLAGE VOICE, Voice Choices (Unlearning) December 24,1991 Mahoney, Robert, ARTS MAGAZINE, Art Reviews (Unlearning) March, 1992 Peers, Alexandra, THE WALL STREET JOURNAL, Christie's Woos a New Auction Clientele... June 11, 1992 Atkins, Robert, VILLAGE VOICE, Scene and Heard (Morality Cafe) July 7,1992 Schwartzman, Allan, THE NEW YORKER, Goings on About Town (Morality Cafe) July 20, 1992 Levin, Kim, VILLAGE VOICE, Voice Choices (Morality Cafe) July 21,1992 Moore, Alan, COVER MAGAZINE, Art (Curtis Cuffie) Summer, 1992 Gimelson, Deborah, THE NEW YORK OBSERVER, Art Diary (Morality Cafe) July 27 - August 3, 1992 Bonami, Francesco, FLASH ART MAGAZINE, Panorama NYC (Morality Cafe) October, 1992 Glueck, Grace, THE NEW YORK OBSERVER, Gallery Watch (Ballots or Bullets) November l6, 1992 Levin, Kim, VILLAGE VOICE, Voice Choices Seven Rooms/Seven Shows (Binging) December 22, 1992 Smith, Roberta, NEW YORK TIMES, Art in Review Seven Rooms/Seven Shows (Binging) January 8, 1993 Cameron, Dan, ART & AUCTION, Critical Edge, Arranging Things (Binging) January, 1993 Levin, Kim, VILLAGE VOICE, Art in Brief (I Was Born Like This) March 2, 1993 Gross, Michael, NEW YORK MAGAZINE, All the Pretty Young Things: On the Town with the Last Generation, March 15, 1993 McConaughy, Claire COVER MAGAZINE, Grunge Ho: A New Emphasis on Degeneration of Presentation (I Was Born Like This) March 1993 Micucci, Dana, INTERNATIONAL HERALD TRIBUNE, Independent Curators Restyle N.Y. Scene, April 24-25, 1993 Erwin, John, FLASH ART MAGAZINE, News: Join the Tour (I Was Born Like This) May/June 1993 Ferguson, Sarah, VILLAGE VOICE, Artful Dodger: Curtis Cuffie on Redemption June 1, 1993 Levin, Kim, VILLAGE VOICE Voice Choices (Shooting Blanks) September 21, 1993 Lowenstein, Drew, DOWNTOWN RESIDENT Renegades (Shooting Blanks) October 8 - 22, 1993 Saltz, Jerry, ART & AUCTION, Braver New Art World (Shooting Blanks), November 1993 Haus, Mary, ARTNEWS, On the Edge/Christian Schumann January 1994 Levin, Kim, VILLAGE VOICE, Art in Brief (Pre-Existing Condition) February 8, 1994 Smith, Roberta, NEW YORK TIMES, Review/Art (I Could Do That) April 22, 1994 Peers, Alexandra, WALL STREET JOURNAL, Charities Draw Younger Donors With Hip Events and Door Prizes, April 25, 1994 Levin, Kim, VILLAGE VOICE, Art in Brief (I Could Do That) May 10, 1994 Smolik, Noemi, KUNSTFORUM INTERNATIONAL, New York Galerien der 90er Jahre (Shooting Blanks) July - September 1994 Levin, Kim, VILLAGE VOICE Art in Brief (unSuccess story) September 27, 1994 Servetar, Stuart, NEW YORK PRESS Gallery Listings (unSuccess story) September 28 - October 4, 1994 Sand, Katharina, MANHATTAN FILE, Public Art/Art in Unusual Places, November 1994 Servetar, Stuart, NEW YORK PRESS, Gallery Listings (John LeKay) November 9 - 15, 1994 Levin, Kim, VILLAGE VOICE, Short List (John LeKay) November 22, 1994 FLASH ART MAGAZINE, News: Miami Art on the Beach, November/December 1994 Smolik, Noemi, AMERICA MAGAZINE (published in Germany) Art Scene in New York , January 1995 Ritchie, Matthew, FLASH ART MAGAZINE Review of John LeKay, March/April 1995 Rosen, A.G., ART & ANTIQUES, America’s Top 100 Collectors, March, 1993 Leggett, Carol, PAPER MAGAZINE, Profile April 1995 Young, Geoffrey, CATALOGUE ESSAY FOR SCULPTURE CENTER, [Looky Loo] April 1995 Servetar, Stuart, NEW YORK PRESS Gallery Listings (High Anxiety) May 3-9, 1995 Servetar, Stuart, NEW YORK PRESS Gallery Listings (Way Cool) May 3-9, 1995 Schjeldahl, Peter, VILLAGE VOICE Gallery Legs (High Anxiety) May 30, 1995 Borum, Jenifer P., ARTFORUM Reviews (Looky Loo and High Anxiety) December 1995 Strausbaugh, NEW YORK PRESS, Gallery Listings (Either/Or) July 12-18, 1995 Levin, Kim, VILLAGE VOICE, Voice Choices (Either/Or) July 26-August 1, 1995 Solnik, Claude, MANHATTAN MIRROR, Hit and Run (Profile) September 10 - Sept. 24 1995 Levin, Kim, VILLAGE VOICE, Voice Choices (OY!) October 3, 1995 Halle, Howard, TIME OUT NEW YORK, Gallery Listings (OY!) October 11-18, 1995 Servetar, Stuart, NEW YORK PRESS, Gallery Listings (OY!) October 25-31, 1995 Smith, Roberta, NEW YORK TIMES, Art in Review (Review of Rachel Harrison) March 15, 1996 THE NEW YORKER, Goings on About Town, Only Connect/Web Sightings (Adaweb) April 22,1996 THE NEW YORKER, Goings on About Town, Gallery Listings (Transmissions) April 22,1996 Reid, Calvin, CATALOGUE ESSAY (Sex, Drugs and Explosives), May 1996 Barret, David, ART MONTHLY, Reviews (Sex, Drugs and Explosives), May 1996 Smith, Roberta, NEW YORK TIMES, Art in Review (The Art Exchange) June 7, 1996 Melrod, George, ART & ANTIQUES, New York City, Special Report: Contemporary Art, Summer, 1996 Ellen Pall, THE NEW YORK TIMES MAGAZINE, The Do-It-Yourself Dealers, September 1, 1996 Sorter Amy, LIFE STYLE MAGAZINE, Texas Meets New York… (Texas meets New York: Facing the Millennium – The Song Remains the Same) November 1996 Leggett, Carol,l SWEATER MAGAZINE, Art Check (Profile) 1998 Mahoney, Robert, TIME OUT NEW YORK Art/Review (The Experimenters) January 16-23, 1997 Cotter, Holland, NEW YORK TIMES Art in Review (The Experimenters) January 10, 1997 DOMUS 791 MAGAZINE, (published in Italy) Art Section, (Shooting Blanks and OY!) March, 1997 Balogh, Liz, COAGULA (Profile) May, 1997 and inclusion in the book Five Years of Coagula Smith, Roberta, NEW YORK TIMES, Despite Changes, a Gallery Scene That’s Resilient and Vital (Inside Out Art Fair) May 9, 1997 Smith, Roberta, NEW YORK TIMES, Art in Review (The Art Exchange) May 30, 1997 Cotter, Holland, NEW YORK TIMES, Art in Review (Cambio) November 28, 1997 TIME OUT NEW YORK, Critic’s Picks (Cambio) December 24, 1997 – January 8, 1998 Mumford, Steve, REVIEW MAGAZINE (Hey, You Never Know) March 15, 1998 Johnson, Ken, NEW YORK TIMES, Art in Review (Hey, You Never Know) April 17, 1998 Schmerler, Sarah, TIME OUT NEW YORK, Art/Review (Hey, You Never Know) April 23-30, 1998 Del Conde, Teresa, LA JORNADA (published in Mexico) mess, Trash or Trans (Cambio) September 8, 1998 Volk, Gregory, CATALOGUE ESSAY (Cambio), September, 1998 Kimmelman, Michael, NEW YORK TIMES, Art/Architecture A New Chelsea and the Evanescence of Chic November 1, 1998 Odita, Donald, FLASH ART MAGAZINE, News: Kenny Schachter: Practice as Curator/Artist (Profile) November/December 1998 Strohm, Colin, ARTZINE MAGAZINE, Review (Paradise 8) Winter 1999 Cotter, Holland NEW YORK TIMES, Art Review, Changes Aside, SoHo Is Still Very Much Soho (Paradise 8) February 12, 1999 Lavine, Michael, RAYGUN MAGAZINE, Iconograph Series (Profile) March 1999 Stone, Rossetta, ARTNET.COM, Gallery Yenta (Branding) June, 1999 DOWNTOWN EXPRESS, ‘Appropiated’ imagery… (Branding) June 22-July 5, 1999 Newhall, Edith, NEW YORK MAGAZINE, Review (Branding) June 21, 1999 Johnson, Ken, NEW YORK TIMES, Art Guide (Branding) June 25, 1999 THE NEW YORKER, Goings on About Town, Gallery Listings (Branding) July 5,1999 VILLAGE VOICE, Voice Choices (Branding) July 6,1999 Reid, Calvin, POLIESTER MAGAZINE, Post : The Good, The Bad and The Ugly, June/July 1999 Feria, Lourdes, ICON MAGAZINE (published in Portugal) (Profile) Spring, 2003 Coomer, Martin, TIME OUT LONDON, Art Reviews (I Hate New York) June 7 - 14, 2000 AN MAGAZINE, (Interview) April 2000 Dannat, Adrian, THE ART NEWSPAPER, NY Diary (I Hate New York) June, 2000 Dannat, Adrian, THE ART NEWSPAPER, NY Diary, March 2001 Sirmans, Franklin, CONNAISSANCE DES ARTS, Chelsea Galleries y March 2001 Belverio, Glen, DUTCH MAGAZINE, All in the Family… Issue 38, 2002 Smith, Roberta, NEW YORK TIMES, Art Guide (Tensionism) March 15, 2002 Levin, Todd, NEW YORK POST, Roam if you want to… (Tensionism) March, 2002 Nelson, Karin, FASHION WIRE DAILY, This Avant-Garde Gallery’s Anything but Washed August 13, 2002 Johnson, Ken, NEW YORK TIMES, Art in Review (Architecture) August 2, 2002 Bard, Elizabeth, CONTEMPORARY MAGAZINE (Profile) June, 2002 Blair, Dyke, TIME OUT NEW YORK, Womb with a View… February, 2002 Wilson-Goldie, Kaelen ART & AUCTION Inside the Business, Kenny Schachter Stops Roving, May 2002 Dannat, Adrian, THE ART NEWSPAPER, Features, July-August, 2002 Edelson.Sharon, W MAGAZINE, W eye (Profile) September, 2002 TRAVEL + LEISURE MAGAZINE, Culture T+L File, New York, September, 2002 Pllack, Barbara, ARTNEWS MAGAZINE, ArtTalk, October, 2002 Bergman, Craig, SOMA MAGAZINE, Renegade Art (Profile) August, 2002 NEW YORK TIMES, Obituaries [Curtis Cuffie] September 21, 2002 THE NEW YORKER, Goings About Town, Gallery Listings (Mary Heilmann) November, 2002 NEW YORK MAGAZINE, December 23-30, 2002 D’Arcy, David, ART REVIEW MAGAZINE, Ahead at full throttle…, December/January, 2003 Smith, Roberta, THE NEW YORK TIMES, Art/Archictechture, The Year in Review, The Critics/10 Moments, December 29, 2002 WOMEN’S WEAR DAILY, Modern Love (Graham Cracker Suite) January 16, 2003 Franck, Elisabeth, NEW YORK OBSERVER (Profile) January 16, 2003 THE STYLE MAGAZINE, Korea (Profile) January 2003 Thon, Ute, ART MAGAZINE (published in Germany) Kunstkauf am Kaminfeuer, January, 2003 Smith, Roberta, THE NEW YORK TIMES, Art Review, A Bread-Crumb Trail to the Spirit of the Times (Misaki Kawai Airshow) January 17, 2003 Saltz, Jerry, VILLAGE VOICE, Art Rays of Light (Misaki Kawai Airshow) January 22-28, 2003 Potts, Megan, ART & AUCTION, Art Preview (Graham Cracker Suite) February, 2003 Mar, Alex, THE NEW YORK SUN, Arts & Letters, Gallery Going (Misaki Kawai Airshow) February 6, 2003 THE ART NEWSPAPER, What’s On (Robert Reynolds Show) February, 2003 Fineman, Mia, THE NEW YORK TIMES, Arts & Leisure, A Foe of Galleries Takes One On Using 15 Tons of Steel, Pg. 41, March 2, 2003 Education George Washington University, Wash D.C., BA 1984; Benjamin N. Cardozo School of Law, NY, JD 1987 Link to comment Share on other sites More sharing options...
Bronty Posted November 20, 2019 Share Posted November 20, 2019 (edited) 51 minutes ago, vodou said: I'll admit I was only aware of Kenny from his artnet articles over the last, dunno, six or seven years. To be fair, I had to look up his bio. Anyway, bona fide's look good to me; you? No disagreement on his writing style, or his comportment though -definitely a bit snotty. I'm not doubting his understanding of art. I'm doubting his understanding of himself. I don't know the guy and I'm being a bit flippant. But I can't get excited about his article. Edited November 20, 2019 by Bronty Link to comment Share on other sites More sharing options...
Mmehdy Posted November 21, 2019 Share Posted November 21, 2019 (edited) ON my top five lots here is my value estimates also with the current price. I think the 2 best deals out there are Feldstein's "Destruction of the Earth" classic 8pg story in great condition its currently about 11K/13K with BP and I value it at a solid 50K. The Captain Future complete pulp set...probably the best collection condition wise out there or one the best with 7 Mile High type pulps in a set of 17 is only about 1k with BP, I value the MH 7 at at least 1250,plus #1 in solid fine at 250...its a great 3-4K value for the high grade set. Whiz one is up there at 111K...the secret is out...great copy and great book and great story..my value 150K plus. Cap#1 at 6.0. at 93K is great deal....I think its a solid 125K pus soon to be 150K for any 5.0 copy out there. The Mad #59 cover is a tough one, I remember bidding and losing out on the Mad cover parody of " Uncle Sam" at 37K at that great "soul" of Mad sale Ha had some years ago....great cover and the winner of the mad #30 cover also won that one. Condition is a factor here, its mint...I think for me value wise it 50K, one of Kind...amazing piece. Its currently at 25K with BP. Edited November 21, 2019 by Mmehdy Link to comment Share on other sites More sharing options...
zhamlau Posted November 21, 2019 Share Posted November 21, 2019 My lots are watcher heavy bid poor still, but again there is time. Link to comment Share on other sites More sharing options...
Rick2you2 Posted November 21, 2019 Share Posted November 21, 2019 3 hours ago, Mmehdy said: ON my top five lots here is my value estimates also with the current price. I think the 2 best deals out there are Feldstein's "Destruction of the Earth" classic 8pg story in great condition its currently about 11K/13K with BP and I value it at a solid 50K. The Captain Future complete pulp set...probably the best collection condition wise out there or one the best with 7 Mile High type pulps in a set of 17 is only about 1k with BP, I value the MH 7 at at least 1250,plus #1 in solid fine at 250...its a great 3-4K value for the high grade set. Whiz one is up there at 111K...the secret is out...great copy and great book and great story..my value 150K plus. Cap#1 at 6.0. at 93K is great deal....I think its a solid 125K pus soon to be 150K for any 5.0 copy out there. The Mad #59 cover is a tough one, I remember bidding and losing out on the Mad cover parody of " Uncle Sam" at 37K at that great "soul" of Mad sale Ha had some years ago....great cover and the winner of the mad #30 cover also won that one. Condition is a factor here, its mint...I think for me value wise it 50K, one of Kind...amazing piece. Its currently at 25K with BP. Do you get a commission on these? If not, perhaps you should bid on them and try to flip ‘em Link to comment Share on other sites More sharing options...
tth2 Posted November 21, 2019 Share Posted November 21, 2019 On 11/20/2019 at 10:18 AM, batman_fan said: Bad thing is I am traveling when the auctions are live so I may have to put in crazy bids before boarding a plane. Punishment bids duly entered. Link to comment Share on other sites More sharing options...
PhilipB2k17 Posted November 21, 2019 Share Posted November 21, 2019 (edited) I cannot believe how the first published Judge Dredd story is still sitting there at $26,000. There's only 2 hours left in the auction, and I think this piece should go for between $75K-$100K. But, it may not even get to $50,000! https://comics.ha.com/itm/original-comic-art/complete-story/mike-mcmahon-2000-ad-2-judge-dredd-first-appearance-complete-5-page-story-original-art-ipc-1977-/a/7212-91049.s?ic2=mytracked-lotspage-lotlinks-12202013&tab=MyTrackedLots-101116 Edited November 21, 2019 by PhilipB2k17 Link to comment Share on other sites More sharing options...