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It's that time of year again: Post your favorite acquisitions of 2021...
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169 posts in this topic

On 12/4/2021 at 2:10 PM, GreatCaesarsGhost said:

Beautiful art. At the risk of exposing my ignorance, who is the artist?

No worries, Clark. You took care of that long ago. :baiting:

J. Allen St. John. It is the cover art for the dust jacket of Edgar Rice Burroughs' At The Earth's Core.

Edited by MrBedrock
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On 12/4/2021 at 3:02 PM, MrBedrock said:

jallenstjohn.jpg

Congrats on the great book! 

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On 12/4/2021 at 5:06 PM, mwotka said:

A lot of great stuff so far.  Here are some of my favorites from this year.  The Flessel art is a recent pickup for me that I am very excited to have.

 

 

Adventure 36 married.jpg

 

 

 

 

 

The handwritten "Flanagan" on this one is fascinating.  It was only a few years ago that the hobby discovered that Richard Flanagan was the artist on these jungle covers.  It's highly unlikely that, since that recent discovery, a collector would have written the name on the cover, which means it was likely written long ago.  But by whom and why?  I'd love to know the story behind this.

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On 12/4/2021 at 7:30 PM, RareHighGrade said:

The handwritten "Flanagan" on this one is fascinating.  It was only a few years ago that the hobby discovered that Richard Flanagan was the artist on these jungle covers.  It's highly unlikely that, since that recent discovery, a collector would have written the name on the cover, which means it was likely written long ago.  But by whom and why?  I'd love to know the story behind this.

I bought a lot on Heritage of 3 Flanagan Adventure covers, front cover only.  All three have Flanagan written on them, no idea why.  Literally like one week later a coverless 36 popped up on eBay and presto!  But if I had to guess I would say an older generation collector with more familiarity with his career as a pulp artist bought those issues and razored the covers off and stuck them in a file or something along those lines. If you were a reader of a lot of contemporary fiction in the 1930s, it is likely Flanagan was more recognizable, especially given his Fu Manchu work in Colliers, a magazine with several million regular readers.

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