• When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.

wolflad

Member
  • Posts

    4
  • Joined

  • Last visited

Posts posted by wolflad

  1. On 4/11/2023 at 7:03 AM, EastEnd1 said:

    Just to add a little "color" to your point which I agree with...

    The 1980-82 recession saw the emergence of the direct market and rapid proliferation of comic book shops across the country.

    The 1990-91 recession saw exploding comic book circulation figures.

    The 2001 recession saw the emergence of standardized comic book grading (ie CGC) and a surging of back issue pricing.

    The 2008-09 great recession saw no significant drop in back issue pricing (though graded comic pricing had retreated in the years prior as census figures grew)

    The 2020 "Covid" recession saw a previously unheard of skyrocketing in back issue prices.

    I'd also add that the comic book industry itself emerged during the ACTUAL DEPRESSION and ascended into its "golden age" during the most tragic war the world has ever seen.

     

    Like the superheros it birthed, our "little" hobby has shown itself to be quite resilient and will be fine for some time to come (thumbsu

     

    My thesis (I'll revisit this post in ~20 years (:):

    Bronze age books and prior will be the mainstay stores of value due to being harder to come by in better conditions. Copper/Modern age books will have more nostalgia factors going for them with future collectors (are many 75-90 year olds buying Golden age books based on nostalgia?), than say Golden/Silver age books, but we'll never really see anything like the ultra-high prices of the Golden/Silver age come about in Modern comic books. The scarcity just isn't going to be there for anything post-1980s. Print run numbers increased, direct sales, variant crazes, etc. On top that, at least to my understanding, it was around the Bronze age era that we saw the rise of common preservation techniques (bags, then boards) and collectors' really started thinking about future value. I surmise most Golden age, and to a large extent, Silver age books at the time of sale were seen as something to cram in a desk after reading, toss away or use to kindle the fireplace wood. That makes them scarce along with general loss d/t the passage of time. I don't see that happening with most Moderns, even in another 30 years. Too many are museum quality preserved from the start.

  2. Uh oh, got some books back. First thing I noticed is that most of my books don't have that nice little "melted crater" on the upper left side area anymore (assume where the outer slab pieces are injection molded?), but now they have a "snapped-off appearance" and superior to that area, most have another inch or more of cracking viewable from multiple angles. Normal? Something to message support about? Thanks for looking:

    cgc1.thumb.jpg.ac1e75479ce57cb76cef5d2625059fe6.jpgcgc2.thumb.jpg.f584bb4f3cf8b6a270641e8de215b026.jpg

  3. Hey all, I'm relatively new to the grading scene. I've been collecting comics since the late 1990s, keeping almost all of my books bagged and board since my middle school days. My collection has somehow survived and followed me all over the country and for that I'm grateful. I didn't start looking into comic grading until last year when I realized that some things I paid $1-3 for almost 25 years ago, now go for quite a bit more. I decided to start preserving some books that are sentimental to me and that I want to keep forever, but also some that I may put up for sale.

    I've sent in five lots for grading to CGC over the past year, and I'll say that I'm generally pretty pleased with the grades they've received overall. My most recent submission had a TAT of four days, which seems crazy. Anyway, now to the meat and potatoes:

    Of the grading notes I've gotten back, a lot of high 8's to low-mid 9s have a common theme: "light finger bends on cover, light spine stress lines, light indent to back cover" etc. These are things I'm now looking carefully for before I submit, but I'll be honest I have sent a couple books in where I couldn't spot these defects myself beforehand.

    So my question to the masses: Of those who send books in for grading with some frequency, how often do you press every book in your submission (be it self-pressing or through a service)?

    Maybe my eye will get better at spotting candidates for pressing prior to submission, but I just wonder who takes an "always press" approach. Thanks for the input.