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SW3D

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Journal Entries posted by SW3D

  1. SW3D
    June 6, 2019
    It's been a long time since I posted a comment or written a journal.
    I've been on the sidelines watching the world of comics vicariously through the movies, TV shows, the internet, and auction houses.
    What brings me back is the sad and dissapointing news that the DC Universe has pulled the plug on the new Swamp Thing series after having only aired one episode. It's a head scratching decision since the show was given absolutely no chance to succeed, yet it has drawn glowing critical reception from fans and critics alike. What were the suits at AT&T thinking?
    Sure... there's talk about a new Warner streaming service to debut sometime soon, which may mean all Warner related media gets scooped up and thrown-in a central service blender, including all things DC, but then why not keep the show going until then and simply allow DC Universe subscribers to migrate over after the consolidation is complete? Why not allow this high-quality show to keep going and gain momentum and be the anchor show the DC universe really needs? I'm sure if it was ported to the Warner platform, DC fans would follow.
    Apparently the high production costs, lack of faith, and changes in the direction of the entertainment division killed the Guardian of the Green, as well as the Doom Patrol... which is really a bad move considering there are so many remedies to get the DC Universe profitable and  get the cash flow moving towards producing more and more content to keep suscribers happy and attract new ones.
    I for one was about to subscribe, because of Swamp Thing, until today. I was hopeful to see Swamp Thing, Doom Patrol, and perhaps hundreds of other heroes and stories that deserve to be told. Imagine an Animal Man series, or Gaiman's Sandman, or Kirby's The Demon, or Ditko's The Creeper, or Moore's Hellblazer? Imagine Vertigo's line of comics finally made into live action series. Imagine a Green Lantern's corps, or a Dr. Fate, or Deadman, or hundreds of others?
    James Wan, Len Wiseman, Gary Dauberman, and Mark Verheiden need to be congratulated for producing the best looking Swamp Thing to ever grace the silver or small screen. Quite frankly, the costume is breath taking. It's a shame all this artistry won't be given a chance to blossom.
    It's so very sad.
    SW3D
  2. SW3D
    When they became available, I was slow in pulling the trigger on a two or three day pass for NYComicCon. Time passed and I completely forgot about it. Like SDCC, tickets sold quickly. In late summer, a new job came along, and Thursday became the only day I could find a ticket and committ... so I took it... one day is better than none.
    Sadly, with my signature ambitions, one day is/was not enough, especially with the truncated hours Thursday has to offer. If I had Friday, Saturday, and/or Sunday, I know I would have accomplished what I set out to do. For example, last year, what I couldn't finish on the first day, I left open invoices behind with the CGC and picked up right where I left off the following day. And I got most everything accomplished. This time around, I had no such luxury.
     
     
     
    I was looking forward to getting Francisco Francavilla's inscription on three (3) different comic titles: Afterlife with Archie #1, and Guardians of the Galaxy Volume 3, #'s 8 and 9. I had multiple copies of each and would have asked him to sign a total of 9 comics.
     
     
     
    I also wanted to score the signatures of Mark Morales and Olivier Coipel, and was hoping to achieve my first quad signature piece on GOTG 6, but they were either conducting business elsewhere... perhaps somewhere on the main exhibitor floor or in comic panels... or they were no-shows.
     
     
     
    For the most part, I was a denizen of Artist Alley and chose to stay away from the mayhem of the upper level or the adjacent lower level where the panels and celebrity signings take place. I only ventured to see the main floor when i closed my invoices... which i had to do when the Francavilla booth had quietly materialized a handwritten signage reading "Cancelled". Oh well, that's life. I hope to have the opportunity next year to meet the man, and finish what I started.
     
     
     
    What I did get done, I'm really happy with. Coincidentally, the comics i got signatures for and submitted for grading, have one theme in common: an appearance by Angela, aka Aldriff Odinsdotter, Thor's long lost sister, and Asgards newest citizen.
     
     
     
    So this is what the day yielded:
     
     
     
    Guardians of the Galaxy Volume 3, #5: 4 copies signed by Sara Pichelli.
     
     
     
    Guardians of the Galaxy Volume 3, #6: 5 copies signed by Sara Pichelli and Justin Ponsor.
     
     
     
    Guardians of the Galaxy Volume 3, #7: 4 copies signed by Sara Pichelli and Justin Ponsor.
     
     
     
    Guardians of the Galaxy Volume 3, #10: 4 copies signed by Kevin Maguire and Justin Ponsor.
     
     
     
    Aria Angela European Tour Ashcan: 2 copies signed by Jay Anacleto.
     
     
     
    Aria Angela #1 Tower Records Variant: 1 copy signed by Jay Anacleto.
     
     
     
    Aria Angela #1 Whilce Portacio Variant Cover: 1 copy signed by Jay Anacleto.
     
     
     
    Aria Angela #1 Whilce Portacio Holo Foil Variant Cover: 1 copy signed by Jay Anacleto.
     
     
     
    Aria Angela #2 Gold Edition Variant: 1 copy signed by Jay Anacleto.
     
     
     
    Aria Angela #2 Chris Bachalo Variant Cover: 1 copy signed by Jay Anacleto.
     
     
     
    and lastly...
     
     
     
    Aria #4 Glow in the Dark Cover: 1 copy signed by Jay Anacleto.
     
     
     
    The last comic, for some absurd reason, features Angela on the cover, yet in no way does she appear in the actual story or subsequent issue(s). So why bother to put her on the cover? It kinda acts like a one page preview of the Aria Angela two-issue series, and it happens to be the same cover featured on the Aria Angela European Ashcan Tour.
     
     
     
    As far as a prediction of grades, I am always hoping for the higgest possible example, but realistically, I doubt any of the comics will grade at 9.8. I'm guessing they'll garner grade ranges between 9.0 - 9.6, but I'm hoping fate proves me wrong and gifts me some 9.8's or higher.
     
     
     
    A big shout out goes to the hardest working man at the CGC Signature booth, Michael Balent... you make every year coming back a pleasure!
     
     
     
    Kudos to Bree for her hard work. And lastly, a big thank you to all the red shirt witnesses... thanks for being there for us.
     
     
     
    Although I head back to work tomorrow, I'm already looking forward to next year and hopefully a three (3) days attendance pass.
     
     
     
    I'll leave you tonight with an image of a free comic book given away by energy drink makers SK.
     
     
     
    Best of luck to all those submitting comics this weekend at NYCC.
     
     
     
    Thanks for reading and happy collecting!

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  3. SW3D
    AKA: "It's Him! It's Him! It's Him!"
    Well I had to do it; I had to buy another. I have no idea what compels me to do such crazy things like buying multiple copies of comics that I love; it's probably mental illness.
    Since early 2013, I had been searching for another copy of Marvel Premiere #1: a key showcasing the metamorphosis of HIM into Warlock. But I wasn't searching for just any example of Marvel Premiere #1... I had to have a Suscha News pedigree graded 9.6 with white pages. Why? Because I'm obsessed! This beauty of a comic joins my two other Marvel Premiere #1's, which are also Suscha News pedigrees. So now I have a total of three MP #1's and all pedigrees.
    With Adam Warlock's star power on the rise, Marvel Premiere #1, and most any Adam Warlock key has risen in value due to speculator demand. Why? Simply because Warlock is rumored to debut in the Marvel Cinematic Universe... likely helping the Avengers and Guardians of the Galaxy battle the Mad Titan... Thanos!
    Many collectors and Adam Warlock fans have debated Warlock's first appearance; Marvel Premiere #1 has gained considerable interest and support as the coveted key, but I respectfully disagree. I still hold Fantastic Four volume 1, number 67 as the magic key. However, in its favor, Marvel Premiere #1 debuts a number of tropes that have since become integral to Warlock's mythology, making this comic a historical key nearly equal to Fantastic Four 66, 67, and Thor 165.
    Here's the low-down on what makes it so special:
    *HIM is given the name Warlock by the High Evolutionary, and, in order to save Counter-Earth from destruction, he becomes a Messiah-like superhero.
    *1st Costume Incarnation: this is the very first time HIM/Warlock dons a costume, which is a playful homage to Fawcett's Shazam incorporating Captain Marvel's jagged lightning emblem and red and yellow colors. The Magus, Warlock's evil future, wears a near identical costume except that his is a gray and white/silver mix, and has a skull embedded in the center of his belt.
    *1st Appearance of the Soul Gem (green colored): this is first of the six (6) colored Soul Gems, aka Infinity Gems or Infinity Stones; the possessor of all six gems becomes master of Time, Space, Mind, Soul, Reality, and Power.
    *1st Appearance of Counter-Earth: a near-perfect facsimile of Earth.
    *Altered Physical Appearance: the first depiction of Warlock without eyes; no explanation is given (Note: Adam Warlock is frequently illustrated without eyes; this can be seen over the course of his appearances throughout various titles including his own, and with no explanation offered).
    So a lot happens in this issue, which also features early appearances of the High Evolutionary, his evil creation, the Man-Beast, and the Fantastic Four, Thor, Hulk and The Watcher as seen in flashbacks.
    Feast your eyes on my triple set... isn't it magnificent!?!
    Now if only I can get a pedigree example of Spawn #9.
    Thanks for reading and as always... Happy Collecting!
    SW3D

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  4. SW3D
    If memory serves me correctly, this may have already been discussed on a journal topic or two, or on the chat boards, but I can't seem to find it. And if anyone knows of the discussion I'm referring to or something similar, I would be grateful if you could point it out.
    Anyway... the other day I noticed on eBay, a seller has on auction, Daredevil 181, the infamous, "Death of Elektra". It's the Newsstand Edition in 9.8. In his seller's description and characteristics, he provides the GPA Analysis stats of Daredevil 181, and goes out of his way to point out the stats for Newsstand Edition sales as compared to the Direct Edition. Basically, he champions the idea that Newsstand Editions are recognized as rarer and as a result, sell at a higher value than Direct Editions. He effectively uses the latest GPA sales figures for Daredevil 181 in 9.8 to prove his argument.
    I decided to log on and see for myself. And lo and behold, he's right. GPA Analysis, for Daredevil Volume 1, Number 181, makes a clear distinction between the Newsstand Edition and Direct Edition, with listings of the latest sales for grades from 7.0 to 9.8. As far as I know, other than Spawn #9 (which is more about the variance), this seems to be the only other comic book that GPA provides distinct sales figures for, between Newsstand and Direct Editions.
    I'm curious... Is this a new trend for GPA or just a one-time experiment? Are we going to see GPA give more and more comic books similar treatment? And if so, will Newsstand Editions become prized possessions? Just to clarify, I'm specifically referring to Newsstand Edition comic books published and distributed during the Direct Edition era. Somewhere between the Mid-to-Late 70's and into the 80's, when Direct Editions became the norm, Newsstand Editions became the 2nd class citizen comic book. It is well known that Newsstand Editions were published in fewer numbers and received far harsher treatment than Direct Editions, which is why it's more challenging to find them, let alone in high grade. Sadly, today, modern Newsstand Editions are virtually non-existent.
    For me, that is nostalgically, Newsstand Editions have a special place in my heart over Direct Editions. I grew up buying comic books off newsstand racks for many years before I discovered a comic book specialty shop. And even when that happened, I didn't immediately embrace the LCS concept, nor did it provide the convenience it could have simply because it was located miles away from where I lived, and that was enough of a hassle for me to choose my neighborhood newsstand over the LCS ninety percent of the time. Of course, today, as an adult, the LCS wins out hands down. The LCS offers a far greater variety of comics and back issues than any newsstand could ever carry, and, sadly, newsstand nowadays, just don't carry a lot of comic books, especially Marvel.
    Ever since I started collecting CGC Comics, I noticed a small but growing niche among collectors and their positive attitudes toward Newsstand Edition Comics. There seems to be more and more collectors accepting and embracing Newsstand Editions... and I like that! I like that younger collectors, through our exchange of information and reminiscing, are given insights as to how comic book collecting was like before the advent of the LCS and Direct Edition distribution. It reminds me of what I read and learned about those collectors buying comics in the Golden, Silver and early Bronze Ages. Those collectors faced a whole set of challenges I could never really understand as a child, but appreciate now as a seasoned collector. I will admit, I was fortunate to begin collecting when the hobby was reaching maturity and becoming mainstream... and therefore I recognize how much easier I had it... much like how much easier the modern child has it as compared to boys and girls growing up in the 70's and 80's. And of course, this trend will always self-perpetuate as the decades roll along. The "old" guys will talk about "back in the day" as a "new" audience listens.
    So where will this go? Will the modern comic book collector feed their curiosity and collecting habits by seeking out Newsstand Editions? Will the GPA lead the charge in this endeavor? Will the CGC follow suit and change things up in their census by distinguishing Newsstand Editions and Direct Editions? Will comic book dealers and sellers fuel the fire further by jacking up the prices of Newsstand Edition comics (Mile High comics anyone?). I guess only time will tell. What are your thoughts?
    Before I go, I would like to share a scan of my original copy, Newsstand Edition of Daredevil 181. I can't remember the exact newsstand I bought it from, but more than likely it was purchased from a stationary store with a spinner rack in my neighborhood growing up. The CGC graded it a respectable 9.2 with white pages. Although it may not be a 9.8, nonetheless I'm happy with the grade because I know it got rough treatment from the get-go. And all things considering, after 32 years or so it was under my care, it received a near mint grade... a grade achieved without pressing... that's something to be proud about.
    Thank you for reading, and as always, Happy Collecting!
    SW3D

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  5. SW3D
    My sincerest apologies to the CGC for posting a picture involving a PGX graded comic book, and to anyone else who may take offense, but if it is any consolation, it is my intention to eventually crack it open and submit it to the CGC for grading.
    This journal happens to be my third entry (hence Part III) focusing on the numerous variants published for the Aria/Angela: Heavenly Creatures mini-series, and as I stated in the prior journals, my goal to collect them all. The pair in the picture represents the Gold Edition variants in the series, with the only variable difference being gold foil logos on cardstock covers, with art provided by the main artist of the series, Jay Anacleto.
    I am a big fan of comic book artists, and I come to think of myself as pretty knowledgeable about who's who in the industry. But I will admit, prior to the Aria/Angela series (which I only picked up a year ago), I had no knowledge of Jay Anacleto. Thankfully, Aria/Angela changed all that. What can I say about Jay Anacleto? I met him in 2013 and once again in 2014, both occasions at New York Comic Con. This past October the artist was gracious to sign eight (8) comics for me, one of which is the Gold Edition variant pictured on the right. At the signing, I got the opportunity to browse through a portfolio of his original art he was selling (none of which I could afford on my paltry budget). Of what I can remember, the illustrations were incredibly photo-realistic, dripping with hyper details, making many of the comic book subjects he drew, come to life with eye-popping realism. If I had the money, I would commission a work... probably an image of Angela side-by-side with Adam Warlock. I don't know why, but I keep seeing these two together... maybe it's just wishful thinking.
    In the Aria/Angela mini-series, Jay Anacleto does a brilliant job of making both Aria and Angela seem vividly real... like models torn from the pages of a magazine. And Anacleto does something that no other artist has done before (save JG Jones)... he depicts Angela with blue eyes. JG Jones also did this, coincidentally in the same series, as he is one of a number of artists to provide a variant cover for issue #1. But whereas JG Jones provided just one cover and therefore a single image of Angela, Anacleto illustrates Angela throughout the entire mini-series with soft, glowing, coral blue eyes; "Angelic" would be best to describe them... as a result, it gives Angela a softer tone... perhaps a more human tone... not seen in previous renditions. I believe it's a subtle quality that suits her and would probably make her more accessible to the readership. Perhaps someone from Marvel will read this and take note.
    SW3D

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  6. SW3D
    How many years from now will we look back at the arrival of Angela in the Marvel Universe and reminisce about her strange odyssey from Angel/Spawn Killer to Thor's Sister/Asgardian Assassin?
    In May of 2013, Angela officially returned to the four-color pages with pomp and circumstance in Age of Ultron #10, after she had been declared dead in Spawn #100, 13 years prior. Angela's resurrection meant that the long standing copyright dispute between comic book paragons Neil Gaiman and Todd McFarlane had miraculously come to an end. We can only speculate the reasons behind Gaiman's decision to let Marvel have her; I often wonder how Angela would have fit into the DC Universe if Gaiman went that route, and the countless battles she may have had: Angela vs. Superman; Angela vs. Wonder Woman; Angela vs. Shazam; Angela vs. Etrigan; Angela vs. Lobo; Angela vs. Justice League Dark; Well... you get the picture... but the House of the Mouse got her, and she's there to stay... and probably better off in the long run.
    I remember when I was miffed at how Marvel initially portrayed Angela in the pages of Guardians of the Galaxy Volume 3, #'s 5, 6, and 7. It was like Angela had been hit in the head by a space rock and robbed of not only her memory, but her charm and personality. Quite frankly, it was painful to read especially with the way Gamora had pushed her around and shoved a laser gun in her face. WTF?!? What happened to that sassy, kicka$$, take no sh*t and take no prisoners attitude? After her exhumation, did Angela get spayed? And speaking of exhumation... How did Angela return from the dead after Malebolgia impaled her through the chest with her own trident? Here's the short answer to that: Don't ask so many questions and just accept things the way they are. Who needs continuity anyway? In comics it is so overrated. Am I right?
    But that's all ancient history and water under the bridge now that Angie's been retconned as the legitimate heir to the Asgardian throne. And speaking of ancient history... below is a snapshot of my collection of Angela's initial appearances in Guardians of the Galaxy Volume 3, #'s 5, 6, 7, and 10.
    Here's the CGC Yellow Label Rundown:
    Issue 5: Signed by Sara Pichelli
    Issue 6: Signed by Sara Pichelli and Justin Ponsor
    Issue 7: Signed by Sara Pichelli and Justin Ponsor
    Issue 10: Signed by Justin Ponsor and Kevin MacGuire
    I would have gotten issues 8 and 9 signed and graded but Francisco Francavelli was a no-show on the one day I attended New York Comic Con. Oh well... perhaps next year.
    Most of the dupes are going on sale as quad sets on eBay... but if anyone wants a set... just PM me.
    Thanks for reading and as always... Happy Collecting!

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  7. SW3D
    There is not much to say about this one except EYE CANDY!
    What you are seeing is another Angela/Aria variant... the very rare Tower Records Variant. Currently, a total of seven (7) have been graded by the CGC. Although this one is graded an unremarkable 9.4 (considered a low grade by most collectors for a modern tier comic), it just happens to be the only signature series of its kind.
    Damn!... Angela takes my breath away. If only she could jump off that cover!
    Based on looks from this illustration, I have to rate Angela up there with the likes of Jean Grey, Carol Danvers, Diana Prince, and Red Sonja.
    I know I'm forgetting a multitude of gorgeous four-color page women, but I'm sure many of you will submit your opinions on who's the hottest, sexiest, and most beautiful of all.
    SW3D

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  8. SW3D
    I'm not a huge fan of variants. In my opinion they are a publishing gimmick to get the vulnerable comic collector into spending more cash. Variants are nothing more than a single comic book clothed in multiple shirts; honestly, it's rather foolish of us to fall for such marketing ploys. And yet, I'm probably one of the biggest fools!
    Aria/Angela: Heavenly Creatures is a two (2) issue mini-series published by Image Comics nearly 15 years ago. It features my favorite hellion, Angela, before she became Disney/Marvel property, and the Asgardian heir to the throne. Believe it or not, for a two (2) issue set, there were an astonishing thirty-seven (37) variants published. And as gimmicky as these variants are, I have decided I want to collect them all. But I question myself, "Why am I even bothering with it?" Quite frankly, if it wasn't for Angela's appearance, I wouldn't. Okay... that sounds harsh but it is true. However, it's all part of my greater ambition: a complete collection of Angela published appearances, including variants, before her switch to Marvel Comics. It is a collection I will call "Angela Pre-Marvel".
    The following is a list of the entire set of variants for Aria/Angela: Heavenly Creatures #'s 1 and 2:
    Aria/Angela #1a, Joe Quesada cover
    Aria/Angela #1b, Jay Anacleto cover
    Aria/Angela #1c, Whilce Portacio cover
    Aria/Angela #1d, J G Jones cover
    Aria/Angela #1e, Jay Anacleto's 2nd cover for issue 1
    Aria/Angela #2a, Jay Anacleto cover
    Aria/Angela #2b, Chris Bachalo cover
    Aria/Angela #1a, Limited Edition Holo Foil, J G Jones cover (only 5,000 published)
    Aria/Angela #1b, Limited Edition Holo Foil, Jay Anacleto cover (only 5,000 published)
    Aria/Angela #1c, Limited Edition Holo Foil, Whilce Portacio cover (only 5,000 published)
    Aria/Angela #1d, Limited Edition Holo Foil, Joe Quesada cover (only 5,000 published)
    Aria/Angela #1a, Museum Edition, Jay Anacleto cover; full color cover (only 100 published)
    Aria/Angela #1a, Museum Edition, Jay Anacleto cover; blue color cover (only 100 published)
    Aria/Angela #1a, Museum Edition, Jay Anacleto cover; red color cover (only 100 published)
    Aria/Angela #1a, Museum Edition, Jay Anacleto cover; black color cover (only 100 published)
    Aria/Angela #1b, Museum Edition, Whilce Portacio cover; full color cover (only 100 published)
    Aria/Angela #1b, Museum Edition, Whilce Portacio cover; blue color cover (only 100 published)
    Aria/Angela #1b, Museum Edition, Whilce Portacio cover; red color cover (only 100 published)
    Aria/Angela #1b, Museum Edition, Whilce Portacio cover; black color cover (only 100 published)
    Aria/Angela #1c, Museum Edition, J G Jones cover; full color cover (only 100 published)
    Aria/Angela #1c, Museum Edition, J G Jones cover; blue color cover (only 100 published)
    Aria/Angela #1c, Museum Edition, J G Jones cover; red color cover (only 100 published)
    Aria/Angela #1c, Museum Edition, J G Jones cover; black color cover (only 100 published)
    Aria/Angela #1d, Museum Edition, Joe Quesada cover; full color cover (only 100 published)
    Aria/Angela #1d, Museum Edition, Joe Quesada cover; blue color cover (only 100 published)
    Aria/Angela #1d, Museum Edition, Joe Quesada cover; red color cover (only 100 published)
    Aria/Angela #1d, Museum Edition, Joe Quesada cover; black color cover (only 100 published)
    Aria/Angela #1e, Museum Edition, Jay Anacleto's 2nd cover; full color cover (only 100 published)
    Aria/Angela #1e, Museum Edition, Jay Anacleto's 2nd cover; blue color cover (only 100 published)
    Aria/Angela #1e, Museum Edition, Jay Anacleto's 2nd cover; red color cover (only 100 published)
    Aria/Angela #1e, Museum Edition, Jay Anacleto's 2nd cover; black color cover (only 100 published)
    Aria/Angela Blanc and Noir Edition #1, Jay Anacleto cover ("the black and white pencil edition" presents the entire first issue in its original pencil form)
    Aria/Angela Gold Edition #1, Jay Anacleto's 3rd cover for issue 1 (Gold Foil Edition)
    Aria/Angela Gold Edition #2, Jay Anacleto cover (Gold Foil Edition)
    Aria/Angela Tower Records Gold Edition #1, Jay Anacleto cover (only 500 published)
    Aria/Angela Tower Records Variant #1, Jay Anacleto cover
    Aria/Angela European Ashcan Tour #NN
    (cardstock cover, 5 ½ inches by 8 ½ inches, 12 pages featuring b&w illustrations/art from the comic).
    Of all these variants, the Museum Editions present the biggest challenge collecting, simply because they are rare due to their low print runs and carry a fairly high price tag even before grading.
    Funny thing... the CGC has confusingly recorded the title of this series as both Aria/Angela: Heavenly Creatures and simply Aria/Angela. So when you study the census population numbers, you have to search under both titles for the complete graded numbers.
    Yesterday, a package from the CGC arrived. It was a box containing eight graded comics which were submitted last year at New York Comic Con. The two appearing in the photo are the Aria/Angela European Ashcan Tour which were signed by series artist Jay Anacleto on October 9, 2014. I'm happy to say they each came back graded 9.8; grades achieved sans pressing.
    In a few days I'll share with you the other variants and the grades they achieved. Until then, thanks for reading and as always, happy collecting!

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  9. SW3D
    I'm a big fan of Adam Warlock. And I see there are many fans here as well. And it is to those fans, and cosmic philosophers that this question is directed to: Does Adam Warlock have a soul?
    I ask such a question, because knowing his origin, it begs me to question that he does.
    For those that are not acquainted with his origin: Adam Warlock (originally known as HIM), is an artificially created superbeing (See Fantastic Four Volume 1, Numbers 66 & 67). Created by a group of scientists calling themselves The Enclave, HIM was meant to be the first of a super race of humanoids to lead mankind to the next step of evolution and beyond.
    But can humans, scientists, and the greatest minds our world has to offer, replicate, what in my humble opinon, only the Universe can bestow a sentient being?... a Soul?
    What is a Soul? Is it the guiding spritual life force of all sentient beings?
    In my limited knowledge and capacity to understand such things, I've come up with my own idea to what a soul is and its function. I believe, the Soul represents a small fabric or sample of the Universe. It is transferred into the body, embuing us with an incorporeal life force and a pre-designed mission that can only be revealed to its unique host. The soul, gathers information, through the host's five senses and other latent psychic senses... information about Emotions, Life, Death, and the Point of View of living beings that are Earthbound and transitory on the Physical Plane. Once our mission is completed, and we face the end of our Physical Life/Death, the Transmigration of the Soul occurs, and this information is fed into the Universe. If unsatisified, the Universe will send the Soul back to be reincarnated, to repeat the cycle. If satiated, the Soul acquiesces with the Universe... the Supreme Reward! and then on to the next journey to another world... a higher spiritual plane of existence (a higher dimension), to gather further information for the Universe. And it goes on and on and on. The ultimate reward... the great knowledge of the Universe and its many secrets which always lie beyond!
    Anyway... enough of my ramblings.
    Does Adam Warlock have a Soul?
    As much as I love him... I find it difficult to believe an artificially created being has a Soul.
    So initially... my answer is No... he does not.
    However... if Adam Warlock does not have a Soul, then it represents a HUGE PLOT HOLE!... for how can Adam Warlock be the bearer of The Soul Gem? And if indeed he is a souless artificial being, The Magus Saga, The Annihilation Conquest, and many other Adam Warlock plots can never have really happened.
    But they did! So how?
    So here's my answer... Adam Warlock does have a Soul! Yes he does. But it's not a Soul that was created by The Enclave.
    So who created Adam Warlock's Soul?
    I posit... Adam Warlock's soul is a traveling fabric of The Universe meant to inhabit the host body which eventually becomes Adam Warlock.
    Yes, it sounds crazy... but that is my belief. Perhaps it is an idea to be further explored by Marvel Comics as an adjunct revamped origin story much like Alan Moore did for Swamp Thing.
    I'm curious to know what you think... Does Adam Warlock have a Soul?
    And if you believe he does... do you believe The Enclave created it?
    If you don't believe The Enclave created his soul, then how did Adam Warlock obtain a Soul?
    Please share your opinions, and, if possible, provide anything from his mythology that can support your opinion.
    Merry Christmas!
    SW3D
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  10. SW3D
    On November 30, 2014, I submitted a journal titled, "Adam Warlock Keys: What comic book key issues should be included in this set?". Lamentably, although I poured considerable energy into it and at the time I believed I had all my facts straight... I decided to double-check something that was nagging me in the back of my mind. Well... I discovered I've made an error.
    What is the error?
    I mistakenly believed and stated that HIM's Cocoon makes its first appearance in issue 66. That is actually not true. The Cocoon makes its appearance in 67, as does HIM.
    Nonetheless, Fantastic Four Volume 1, Number 66 is still, in my opinion, an important key, since it does feature the Origin of HIM as well as the first appearance of The Enclave (the scientists who created HIM).
    I apologize to anyone that was mislead by my slip... and I hope it hasn't caused anyone any inconveniences.
    SW3D
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  11. SW3D
    I love the custom set feature recently instituted by the CGC. This registry feature allows us to create unique thematic sets that normally wouldn't make the grade as a competitive set. But who knows, maybe one day the CGC will host a competition for best custom sets.
    And if I were to enter such a competition, I would enter my unique and prized set: "The Kingdom of the Spawn #9 Newsstand Editions.
    Yes!... I'm back and at it again! Not only have I created such a custom set, but I have also recently acquired another example of the ultra rare Spawn #9 Newsstand Edition featuring the first appearance of Angela, otherwise known as Aldrif Odinsdottir, Thor's sister and daughter of Odin... the rightful heir of Asgard!
    Feast your eyes... 7 copies! That's right! I own 7 copies! I know... I know... you must be thinking... 7 copies? Why collect the same comic over and over again? For those of you who are not aware, these newsstand editions are variants of the direct editions and are considered very rare. How rare? There are currently a total of 977 graded direct editions versus only 17 graded newsstand editions. That is 0.0174002047082907%... or less than 2%... making it a very rare comic.
    Of the 17 graded examples (I'm sure there are raw ones out there), only four (4) have reached the highest grade at 9.8 and eight (8) at 9.6's... for a total of twelve (12) in the top two grades. I own seven (7) of these.
    Thanks for reading, and as always... Happy Collecting!
    SW3D

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  12. SW3D
    From time to time, we all make mistakes... I know I do. But mistakes are lessons and reminders of our imperfections and fragile humanity. We are not machines... we are not perfect... nor were we meant to be.
    And that is true of any and all government, group, organization, individuals, and even professional third party grading companies.
    What am I babbling about?
    Take a look at my latest acquisition. It is a glorious 9.8 example of Warlock Volume 1, Number 9. The cover illustration is what I like to call "The Apotheosis of Adam Warlock". Although I have only the greatest amount of respect and admiration for the geniuses of Stan Lee, Jack Kirby, Roy Thomas, and Gil Kane, it is in my humble opinion (an opine shared by many other fans of Adam Warlock) the definitive take of Adam Warlock by the master, Jim Starlin.
    But that's not what this journal is about. This journal's topic is about the error in the key comments as it appears on the CGC Universal Blue Label.
    Can anyone guess what the error is?
    Give up?
    The error is "New Costume Warlock."
    Why? The "new" costume, as seen on the cover, actually debuted in Strange Tales Volume 1, Number 180... on its cover no less. But I forgive the CGC and the graders for missing this fact. And I can easily understand why the error occurred. Many collectors are not aware that after The Power of Warlock was cancelled with issue number 8 in October, 1973, Adam Warlock resurfaced a few years later in the pages of Strange Tales Volume 1, Numbers 178 -- 181, under the authorship of Jim Starlin. On the strength and success of those Starlin-led Strange Tales issues, Marvel jumped-started Warlock's main title, beginning with issue 9, continuing the numbering order from the last issue as if nothing happened.
    I am guessing the graders at CGC must have looked at this issue, made a comparison to issue 8, took notice of the different costumes and automatically assumed the "Pulse-Pounding Premiere Issue" also hailed a new look. But the truly funny thing... the CGC Key Comments for this issue also read, "Story continued from Strange Tales #181". So it's safe to say, the CGC was well aware Adam Warlock had a short run in Strange Tales. And all someone had to do was consult a copy of Strange Tales 180 or 181 and realize the new costume made its debut prior to this issue.
    But I forgive... things happen... no one is perfect. Neither am I.
    However, in replace of "New Costume Warlock", I would like to add what I feel are the more accurate Key Comments for Warlock Volume 1, Number 9:
    *1st Full Appearance of the Magus.
    *Origin of the Magus.
    *1st Appearance of the In-Betweener (in a 1-panel Cameo).
    This graded copy is a gorgeous 9.8 example with a vintage CGC Blue Universal Label (see scan). I'm so very happy with this purchase, and it has been added to my "Keys to the Kingdom" set, resting on the top spot for Adam Warlock keys.
    Thanks for reading... and as always... Happy Collecting!
    SW3D

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  13. SW3D
    Recently, the CGC has modified the Adam Warlock Keys Set by adding a number of titles where Adam Warlock has made an appearance (comic books which are mostly concentrated in the Bronze Age). Personally, I do not agree with these new additions, since the theme of the set is Adam Warlock Keys, meaning only those comic books which have key significance related to Adam Warlock should be included in this set. Which comic books you may ask? Well, although I am no comic book historian, nonetheless, I will offer my opinion about the keys which I feel have historical and canonical significance not only to Adam Warlock but to the greater Marvel Universe at large.
    But the first question should be, "What defines a comic book key issue?"
    Here is my definition:
    Comic Book Key Issue: a Comic Book Key Issue is a comic book which has historical significance and marks a special event in the canon of a Character, a Title, a Publisher, or even a Genre. Such keys include but are not exclusive to: 1st Appearance(s); Origin(s), Death(s); the Return; 1st Costume; New or Altered Costume; Altered Physical Appearance; New or Altered Powers and Abilities; New Secret Identity or Alter-ego; Secret Identity or Alter-ego Revealed; Revelations, the 1st Professional Work of a Writer or Artist; Premiere Issue or 1st Issue of a Title Run, the Last Issue of a Title Run, Anniversary Issue; etc.
     
    So, if I follow my definition, what are the comic books that should be included in the Adam Warlock Keys set? In order to determine this, I decided to research and reread all the comics which the CGC has included in Adam Warlock Keys set and some others that were not in the set (Thor 163 and 164 where the Cocoon makes a cameo appearance). I read not from the original sources, but from various reprints collecting many of Adam Warlock appearances in the Silver and Bronze Ages. I believe these reprints to be faithful to the source material. The books I've consulted are:
     
    Essential Fantastic Four Volume 4
    *Reprints Fantastic Four 66 and 67
    Marvel Masterworks The Mighty Thor Volume 8:
    *Reprints The Mighty Thor 163, 164, 165, and 166
    Marvel Masterworks Warlock Volume 1: Reprints:
    *Marvel Premiere Volume 1, Numbers 1 and 2
    *Warlock Volume 1, Numbers: 1, 2, 3, 4, 5, 6, 7, and 8
    *The Incredible Hulk Volume 1, Numbers 176, 177, and 178
    Marvel Masterworks Warlock Volume 2: Reprints:
    *Strange Tales Volume 1, Numbers: 178, 179, 180, and 181
    *Warlock Volume 1, Numbers: 9, 10, 11, 12, 13, 14, and 15
    *Marvel Team-Up Volume 1, Number 55
    *Avengers Annual Volume 1, Number 7
    *Marvel Two-In-One Annual Volume 1, Number 2
    And after re-reading these collected editions, I also decided to include my own key comments which I believe merit inclusion and may have been overlooked by CGC graders and comic book historians. These additional key comments, denoted by me as "overlooked key comments", will follow the CGC key comments quoted from the CGC graded labels of the key issues listed. Other "overlooked key comments" will appear for issues which previously had no key comments; these examples can be considered overlooked keys. Please let me know if you agree or disagree, and preferably, with an explanation as to your opinion.
    So here it its...
    ...The following is my list of those comic book keys which I believe should be included in the Adam Warlock Keys set, with a brief explanation of why they are comic book keys issues:
     
    Fantastic Four Volume 1, Number 66
    CGC Key Comments:
    *2 part Origin of HIM (Warlock).*
    *HIM does not appear.
    *Should be modified to read, "Origin of HIM (Warlock)": contrary to popular belief, HIM's origin is not discussed in Fantastic Four 67, therefore, technically, it is not a 2 part Origin story.
    Overlooked Key Comment:
    *1st Appearance of the Cocoon.
    Fantastic Four Volume 1, Number 67
    CGC Key Comment:
    *Origin* and 1st Appearance of HIM (Warlock) in cameo.
    *Contrary to popular belief, HIM's origin is not discussed in this issue and should be omitted from the key notes.
    Overlooked Key Comments:
    *1st Incarnation of Adam Warlock: Officially, it is the first of three (3) Adam Warlock incarnations in the span of a decade. In this initial depiction, HIM is very much an innocent child-like being, pure of heart, with the urge to understand his purpose of creation and to gain knowledge of the universe at large; HIM can be considered neither villain nor hero.
    *1st Appearance of HIM (Warlock) in the Silver Age.
    Thor Volume 1, Number 165
    CGC Key Comments:
    *1st Full Appearance of HIM*
    *Watcher appearance.
    *Last 12 cents issue.
    *Not to be confused as HIM's/Adam Warlock's 1st appearance; see Fantastic Four Volume 1, Number 67 for Adam Warlock's 1st appearance.
    Overlooked Key Comment:
    *1st Appearance of Thor succumb by Warrior Madness aka Berserker's Rage (2-panel Cameo last page).
     
    Thor Volume 1, Number 166
    CGC Key Comments:
    *2nd Full Appearance of HIM (Warlock).
    *Thor vs. HIM.
    Overlooked Key Comment:
    *1st Full Appearance of Thor succumb by Warrior Madness aka Berserker's Rage.
    Marvel Premiere Volume 1, Number 1
    CGC Key Comments:
    *Origin of Warlock.
    *Thor, Hulk and Fantastic Four appearances in Flashback.
    Overlooked Key Comments:
    *2nd Incarnation of Adam Warlock: HIM is given the name Warlock by the High Evolutionary and becomes a Messiah-like superhero.
    *1st Costume Incarnation: a playful homage to Fawcett's Shazam which incorporates Captain Marvel's jagged lightning emblem and red and yellow colors.
    *1st Appearance of the Soul Gem (green colored): this is first of the six (6) colored Soul Gems, aka Infinity Gems or Infinity Stones.
    *1st Appearance of Counter-Earth.
    *1st Issue of Marvel Premiere.
    *1st Appearance of Warlock in the Bronze Age.
    *Altered Physical Appearance: the first depiction of Adam Warlock without eyes; no explanation given (Note: Adam Warlock is frequently illustrated without eyes; this can be seen over the course of his appearances throughout various titles including his own, and with no explanation offered).
    Marvel Premiere Volume 1, Number 2
    CGC Key Comment:
    *Warlock*
    *Not a key note in my opinion; it should be omitted from the key notes.
    Overlooked Key Comments:
    *Warlock is given the first name Adam by a group of children on Counter-Earth, thus he is now known officially as Adam Warlock.
    *1st time Adam Warlock uses the Soul Gem.
    *New or Altered Powers and Abilities: Adam Warlock, through use of the Soul Gem, can devolve a sentient being.
    *Altered Physical Appearance: Adam Warlock is once again illustrated with eyes (Note: Adam Warlock's eye color is undetermined as the colors of his eyes frequently change over the course of his appearances throughout various titles including his own, and with no explanation offered. The colors of his eyes have been depicted as blue, brown, black, white, red, and yellow. I speculate the variance in eye color may represent subtle changes in his energy levels, moods and emotions, or quite simply, for reasons unknown made by the artist or colorist).
    The Power of Warlock Volume 1, Number 1:
    CGC Key Comments:
    *Origin of Warlock
    *Letters from J. M. DeMatteis and Richard Pini.
    Overlooked Key Comments:
    *Premiere issue or 1st issue of Warlock's solo title.
    *Story continuation from Marvel Premiere Volume 1: Numbers 1 and 2.
    Strange Tales Volume 1, Number 178
    CGC Key Comments:
    *1st Appearance of Magus.*
    *Warlock begins.
    *Clarification is required: Technically, one can argue, this is the first appearance of the Magus (Adam Warlock's future evil self). And although I agree with that statement, however, if you read the story, it is more accurate and
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  14. SW3D
    Back in 1992, a few months before Superman was infamously "killed" by Doomsday, DC published a one-shot special by Walter Simonson, appropriately called: Superman Special #1 by Walter Simonson.
     
    And what is so special about this comic book?At the moment, it is the first of its kind. Not only is it the first graded example to be introduced to the CGC Census, giving it temporary OAK (One-of-a-Kind) status until others get graded, but it's also further distinguished by its triple signature provided by Geoff Darrow and Michael Golden (both artists contributed pin-ups illustrations), and by the man himself, artist and writer extraordinaire, Walter Simonson. The other things which merit personal praise: it's my original owner newsstand copy I bought from the racks over 21 years ago, and, the grade it has achieved, a 9.2 with white pages (a decent grade proudly awarded sans pressing), assures me all the hard work and efforts I put into keeping my comics preserved have paid-off. But the real speciality is in the controversy connected with the story: Does Superman die in this issue and come to be replaced by a being known as the Sand Superman?The Sand Superman was originally conceived by writer Dennis O'Neil and debuted in 1971. This rather bizarre creation was to play an integral part of a character and mythos re-launch of Superman. The revisionist approach occurred during a time when DC campaigned to re-invent their main characters (Batman, Wonder Woman, Green Lantern, Green Arrow, et al), in an effort to distance themselves in the wake and fallout of the campiness and puerile nature of the 60's Batman TV show. In an effort to bring Superman to a more "mortal" level, O'Neil devised a way for Ka-El to lose two-thirds his power (much like John Byrne would later do in 1986 with The Man of Steel title). It all started in the pages of Superman #233 (cover art by Neal Adams) and ran through until issue 242. The Sand Superman was introduced as an incorporeal entity from another dimension known as Quarrm, who made its way to Metropolis by way of an extra-dimensional wormhole caused by a freak explosion. The entity was able to siphon energy from Superman, construct a body in the likeness of Superman made of sand, and eventually used the absorbed energy for superpowers that mimicked Superman's. Several encounters and battles with Superman allowed this Golem-like thing to grow as strong as the Kryptonian, all-the-while draining and reducing Superman's powers to nearly one-third of his original level (thus accomplishing O'Neil's mission). However, with the absorption of Superman's powers, the alien parasite also absorbed an aspect of Superman's personality and spiritual make-up, changing its moral compass as it came to the realization that what it was doing was both harmful to Superman and mankind. Ultimately, "Super Sandy" returned on its own volition to its home dimension. This fascinating yet convoluted mess of a story can be read in greater detail through the following links: http://www.supermansupersite.com/1971.html or http://en.wikipedia.org/wiki/Quarmer or http://dc.wikia.com/wiki/Sand_Superman_(Earth-One). In some vague and obscure way, I see some snippets of the O'Neil story, used in the ludicrous plot to the 1983 movie Superman III, where Clark Kent fights an evil doppelganger of Superman, created from the side-effects of the fission of Kryptonite and tar (I kid you not... tar). If you never seen the movie, the absolute best scene, and in my opinion, the only reason to see the movie, is the action-packed fight between the Evil Superman and his "pure" Spirit embodied as Clark Kent. You could see for yourself in two parts, brought to you by comiccollector87 and Christopher Gibbs (thank you both whoever you are):
    ; http://www.youtube.com/watch?v=yL12bbRPUz4. Jumping forward to 1992, Walter Simonson revived the Sand Superman. In this updated story, Lex Luthor, in an attempt to synthesize Kryptonite for a nefarious purpose, accidentally neutralizes its radioactive properties, leading to the creation of an energy parasite composed of sand. The creature forms a construct in the likeness of Superman. And after each successive encounter and battle with the Man of Steel, the sandy doppelganger not only drains and absorbs Superman's powers, but looks more and more like the real McCoy, until you cannot distinguish the fake from the genuine article. AUTHORS NOTE: The following paragraph is my interpretation of the end of Superman Special #1, by Walter Simonson, which admittedly, I could be 100% wrong since it is based on a hazy and spotty memory of a comic book I read 21 years ago and may possibly be co-mingled with my own imagination. So here it is (or how I believe it ended)......In the climactic battle between Superman and Sand Superman in the Fortress of Solitude, where both combatants are indistinguishable, the ambiguous ending, in my opinion, lends the reader to believe that the Sand Superman has killed Superman either by strangulation or by completely draining and cannibalizing Ka-El of his powers and life-force. Victorious yet remorseful, the sand creature rises over the lifeless body of Superman, looks solemnly over his corpse, and vows to carry-on the heroic legacy of Superman. I can only assume from that point, Superman is dead and Sand Superman assumes the mantle of the new Superman. Or has he? Check out this blog site for further speculation: http://siskoid.blogspot.com/2011/05/reign-of-supermen-210-post-crisis-sand.html And still further speculation as channeled through dialogue exchange by fans making some interesting points: http://www.comicvine.com/superman/4005-1807/forums/post-crisis-era-superman-died-in-1988-645961/Well... I met the man himself at NYComicCon, and after getting his inscription, point-blankedly asked him the question: "Did Sand Superman kill Superman?" With equal ambiguity to rival the comic book, Mr. Simonson slyly smiled and replied: "If that is what you want to believe." Well... to be honest, I don't know what to believe. I find it difficult to accept Superman's death at the hands of such an energy vampire, yet I am equally amiss to know Superman would choke a foe to death. That just seems too out-of-line with the Big Blue Boy Scout I've come to know and love. However, the Sand Superman was a bit of a crackpot with a pathological streak, and may have committed murder, only to pull a Talented Mr. Ripley. What do you think? SW3DTo see old comments for this Journal entry, click here. New comments can be added below.
  15. SW3D
    We all read and collect comic books, but how many of us dare to live the dream? What dream you ask...?... Creating and publishing your very own comic book. Think of the thrill to see a comic book you've written or illustrated, in the hands of a child, teen or adult? Imagine the rush when you discover a fellow collector submitting your comic book on a CGC invoice? And what delirious heights of euphoria will you reach when your comic book is encapsulated and immortalized in a brand spanking new CGC protective holder? Do you dream of such a day, to behold your very own comic book creation, graded a 9.8, with your name credited in a Universal Blue or Yellow Label? I know I do! With vision, passion, and dedication, living the dream can become a reality.
    In my quest to "live the dream", I have sought out the advice of an individual who's doing just that, Bradley Potts. Bradley Potts is the owner of Gateway Comics: a web based comic book publisher and the creative force behind Sunday Superheroes, which features several ongoing titles published weekly, as you guessed, every Sunday.
     
     
     
    We're privileged today to get a sneak peek at Gateway Comics latest publication: Stalker: Donning the Mask; a graphic novel written by Potts with artwork by comic legend Trevor von Eeden. In addition, Potts shares his comic book wisdom and gives us keen insights on the in's and out's of publishing your very own comic book.
     
     
     
    SW3D: I understand you have a background in RPG gaming. In the 80's growing up as a adolescent, I never gravitated towards RPG's that were all the rave like Dungeons and Dragons... however... in the mid to late 90's, I discovered RPG games on PC platforms, but at least for me, it never translated to sparking my own story or character development. I would guess the roll-of-the-dice game board RPG's emphasizes imagination and creativity... How have you parlayed that experience into comic book publishing?
     
     
     
    Bradley Potts: It's safe to say that without RPG's there would be no Stalker today. My early writing was born out of wanting to tell stories in my RPG worlds that were not being explored by the players' characters. I have two unpublished fantasy novels and a number of short stories from those worlds.
     
    Stalker began life in late 1990 as an RPG character, in the HERO System game, Champions. Stalker, Eric Dorian, Revolver, Argent, Black Fury, Eclipse, Sidekick and September can trace their origins to that same RPG campaign. Oddly enough, Public Defender, perhaps the most important hero of my comic universe, has no analog in the old RPG game.
     
     
     
    SW3D: Has any comic book professional... living or dead... given you any words of advice that still resonate with you today?
     
     
     
    Bradley Potts: I've had the privileged to work with Jamal Igle and Trevor Von Eeden, but in both cases, they were contractors working for me. For the most part, I've had to find my own way, and it has been a matter of trial and error; fortunately usually forward. I have taken a certain amount of inspiration from various comic professionals. I began reading comics during the Chris Claremont X-Men days, which gave me a certain love for that style of storytelling. My own writing style, pacing of stories and fights, owes a lot to the Silver Age production of Stan Lee and Jack Kirby. You can see that change in my writing style if you compare the Stalker: Donning the Mask pages to the older First Night story. The books have a very different pacing and storytelling style.
     
     
     
    SW3D: Can you walk us through a typical day in the life a comic book writer?
     
     
     
    Bradley Potts: I am not a professional writer. I have a day job in IT, so I don't really know what the life of a professional writer looks like. Maybe someday, Gateway Comics will reach the point where it can be my profession; that would be nice. My writing process, however, I can tell you about. My comics typically start as an idea about a scene or a villain the hero will face. Slowly, I let the ideas build around that idea until I have enough to write down a plot outline. The plot outline becomes the core of the story, and I let it sit for a while. Ideas come to me, and I add them to the notes of the story. Eventually, perhaps after a few days or weeks, the plot reaches a point in my head where it demands to be written. Then, and perhaps this is the oddest part, I set those notes aside and start writing. The --script for such a story often comes together quickly, four or five hours, usually with no reference to the notes. It's at this point that I've become so heavily invested in the story and characters, that the notes are no longer needed. Some stories never reach this point; they don't inspire me... they are set aside. If I still need to complete that story, for a deadline or something, the writing is then very difficult.
     
     
     
    SW3D: As an unknown writer looking to get published, it's reassuring and encouraging to know that you have a day job and yet manage to balance and keep a steady schedule writing and publishing comics. Your writing process also speaks to me on so many levels, and I'm sure it also echoes with novice and veteran writers alike.
     
     
     
    So who is Stalker? What are her powers and what's her motivation?
     
     
     
    Bradley Potts: Powers? What are those? Carrie Stane was a young athlete, training for the Olympics, when her parents were murdered. In the aftermath, she discovered that her mother had a secret. She had been the masked crime fighter: Stalker. Carrie doesn't want to see her mother die, and decides to preserve her legacy by becoming the new Stalker and bring justice to her parents' killers. Stalker seeks out her mother's former partner, Public Defender, and he agrees to train and equip her to be the new Stalker; so as for powers, she has none... she's a masked crime fighter, more on the lines of Batman. Some heroes punish the bad guys, and at the outset, that was Carrie's goal: find the people who killed her parents and see they pay for it. But in the years since, Carrie's outlook has mellowed; she's changed, become less angry... her focus has really shifted to protecting the innocent.
     
     
     
    SW3D: Can you offer a glimpse into the current Stalker storyline?
     
     
     
    Bradley Potts: What we're seeing in "Donning the Mask" is a Stalker who's been betrayed by her friend and mentor, Public Defender. Carrie's angry and tired of his, "I know best" attitude. Stalker's looking back at events in her life that have brought her to this point... so it's an origin story... each chapter is a stand alone story that looks at one of those key moments in her life that led her to this day.
     
     
     
    SW3D: What real life sources do you utilize to draw inspiration for Stalker's trials and tribulations?
     
     
     
    Bradley Potts: Chapter 3 digs into a very real problem in the world and in America: sex trafficking. Slavery is alive and well in this country with young girls forced against their will to work as prostitutes. Through drugs, coercion and violence, these girls are unlawfully held captive for years, forced to have sex several times a day. They're prisoners, moved secretly from brothel to brothel; tortured victims who suffer under horrible conditions. In Issue 3, Stalker goes undercover to save a girl abducted by sex traffickers.
     
     
     
    SW3D: I've had the opportunity to preview Chapter 3 of the graphic novel... originally published in Stalker #3... which is a gritty and shocking depiction of the seedy underbelly of sex trafficking, and Stalker's caught right in the middle of it. You explored mature themes rarely seen in comics. It's bold and impressive. What's around the corner for Stalker?
     
     
     
    Bradley Potts: Stalker's alone now; she's no longer part of Public Defender's organization. Carrie has to find her way, all on her own... How is she going to operate? What is she going to do? She'll face new dangers and villains and find new friends and allies.
     
     
     
    SW3D: Legendary comic book artist Trevor Von Eeden is the main illustrator on Stalker. What dynamic does Trevor bring to Stalker?
     
     
     
    Bradley

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  16. SW3D
    Spoiler Alert: Plot Details from Original Sin: Thor & Loki: The Tenth Realm #1
    Hello Boys and Girls, tis me again, your humble Angela fanatic with another exciting installment of "For the Love of Angela". I have a confession... after Guardians of the Galaxy 10, I completely lost track of Angela. I recently skimmed through copies of GOTG 11 - 13, and All-New X-Men 22 -- 24, at my local LCS, to see what my fair lady was up to, but the whole "Trial of Jean Grey" just didn't do it for me. And that's crazy since two of my favorite redheads were in the same crossover event; what's not to love? I know it's ignorant and unfair of me to say, but truth be told, I compared it to Claremont's and Byrne's classic "Dark Phoenix Saga", which I grew up with... and there's just no comparison.
    Back in late May, I read the press release regarding Angela's all new origin due to come out in Original Sin and related titles. I don't want to pass premature judgment on Original Sin, but, vaguely, the complex plotline reads like some crazy cosmic murder mystery reminiscent of Alan Moore's classic murder mystery conspiracy fable, The Watchmen. Is anyone else getting that vibe too? "Who Killed the Comedian?" is now, "Who Killed the Watcher?" Ironic isn't it? Watchmen... The Watcher? Or, once again, am I making a superficial and unsubstantiated connection between the two? Or maybe I just miss, "The Author" who refused to be given any credit for his work on Marvelman aka Miracleman (see Marvel reprints of said works).
    Anyway... before I cause some controversy between Moore, DC and Marvel, let me stir another by revealing the plot details of Original Sin: Thor & Loki: The Tenth Realm #1.
    WARNING: SPOILER ALERT: DO NOT READ ANY FURTHER IF YOU DO NOT WANT TO KNOW THE PLOT DETAILS TO ORIGINAL SIN: THOR & LOKI: THE TENTH REALM #1
    Original Sin: Thor & Loki: The Tenth Realm #1 was released on July 8th. I've waited nearly two weeks to post this journal to avoid spoiling it for anybody intending to read it who hasn't yet read it. So If you haven't and don't want to know, look away and move on! Yes... you have been warned: I will discuss in detail, the all-new origin of Angela, which in my opinion, is both an Angela and Thor key worthy of collecting for it has major ramifications for the Odinson and possibly the Marvel Universe proper.
    I am also going to say I'm very excited about the whole thing! Yes, you read that right! I'm giving Marvel its due by saying Angela has finally been given a legitimate back-story. And boy what a doosey it is! In my humble opinion, Marvel has effectively retconned Angela's Image origin (last seen in Curse of the Spawn #9), out of existence save for those fans (like me) who still cling on to it like an amalgam of six tragic female souls made into an angel... or an Angela. Yes, I'll continue to treasure and never forget Angela's lush history as seen in various Image titles, but I'm happy to say I am finally ready to move on.
    It's no secret I'm building, or attempting to build, a complete collection of Angela comics from her Image days. This lofty goal has been in the works since February 2012 when I accidentally discovered I was the sole bearer of a Spawn #9 Newsstand Variant. Little by little, I've been amassing a set (both raw and graded), a set I am calling "Angela Pre-Marvel": basically Angela's entire publication history across all Image titles (save TBP's, reprints or foreign variants). Some of them are very rare and difficult to obtain. But I'm getting there, slowly but surely, however there's still plenty more to go. And I'm delighted to say, without revealing anyone's identity, there is another CGC Boardie who is also on a mission of equal import... another who is equally as passionate of Angela, and perhaps... more ambitious than I. This collector I predict will have a magnanimous collection, one which will encompass Angela appearances in both Image and Marvel. We have been in contact, and I will be at this collector's disposal in any way I can to support and assist in achieving his/her collecting goals. We have discussed splitting Angela into two distinct CGC Collections:
    (1)Angela Image
    (2)Angela Marvel.
    Angela Image: From my research, Angela has made 25 distinct appearances in comic books published by Image (not including TBPs, collected editions or foreign variants). In addition, these 25 comics have 16 variant covers (not including foreign variants), which would bring the total collection to 41.
    Angela Marvel: It goes without saying, in no time, this will be the bigger of the two collections (especially with the sickening amount of variant covers which already exist), with Angela having already made appearances in Age of Ultron, Guardians of the Galaxy, All New X-Men and now Tenth Realm. Also, I've read the latest rumors through Bleeding Cool, that on or about the upcoming San Diego Comic Con (July 24th -- 27th), Marvel will announce an Angela solo series to be helmed by Kieron Gillen and Marguerite Bennett; I'm so keeping my fingers crossed on that one.
    If there is anyone else out there looking to build an Angela collection, and who has no clue where to start, allow me to recap a list of the Angela keys worthy of collecting:
    Image Comics:
    Spawn #9 (Angela's 1st Appearance)
    Curse of the Spawn #9 (Origin of Angela)
    Angela #1 (Angela's 2nd Appearance: 1st Greg Capullo art on Angela)
    Spawn #100 (Death of Angela)
    Marvel Comics:
    Age of Ultron #10 (The Return of Angela: 1st Appearance of Angela in the Marvel Universe)
    Guardians of the Galaxy Volume 3, #5 (2nd Appearance of Angela in the Marvel Universe; joins in the following issue)
    And now let's add to this growing list:
    Original Sin: Thor & Loki: The Tenth Realm #1 (the all-New Origin of Angela)
    Okay... so on to the show:
    In this exciting first issue, The Orb (a kooky Ghost Rider villain with a gigantic eyeball for a head), holding one of the murdered Watcher's eye balls, purposely reveals its secrets to Thor, Luke Cage, the Hulk and Spider-Man. Each superhero see's a unique revelation specific and significant to their lives. In Thor's case, he discovers the existence of a Tenth Realm (previously believe to be nine), and, most importantly, he discovers has a sister.
    With do haste, Thor returns to Asgard, to confront Queen Freyja (Thor's Mother, Loki's Foster Mother, and current ruler of Asgard in place of the missing Odin). In this confrontation, Queen Freyja reveals the truth (transcribed and formatted in screenplay-comic book -script hybrid form, with dialogue in quotes since I didn't write it):
    Page 8, Panel 1: Ext. Ancient Asgard -- Day
    Extreme Wide Shot: Ancient Asgard: a full-scale war between Asgardians and winged Angels.
    Flashback: Caption: "Long Ago."
    Queen Freyja
    (Off Panel)
    "You spoke of fire. Of blood. Of a war that makes all
    conflict since seem like the shadows of a child's game.
    A war with Angels. You caught the smallest glimpse of that war..."
    Flying Angel
    "Death to Asgard! Death to the nothing ones! Nothing for nothing!"
    Page 8, Panel 2: Continuous
    Medium Shot: Queen Freyja and Odin, side-by-side in ferocious battle.
    Queen Freyja
    (Off Panel)
    "But I lived it. And it cost me all."
    Queen Freyja
    "Hold hard husband! If we fall now... Asgard dies forever!"
    Odin


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  17. SW3D
    "The Blood-Hued Sun sets slowly this eve, painting the Louisiana Bayous in tones of ominous crimson. On the shore, men and women already prepare for the midnight ritual to come. Wood is gathered, a bonfire ignited! Now, the moon rises... and it begins!
    Drums pound out strange sensual rhythms, recalling the pulsation of hearts that once beat in primordial Africa. Clothes are discarded... and naked bodies jerk and writhe, spasmodically, held fast in the throes of ancient passions.
    Then, she appears... the Voodoo Queen, her supple, subtly muscular form bending and swaying in serpentine splendor! Held above her head, its silver shape gleaming in the moonlight... the ceremonial blade!
    Eyes lifted to the heavens, the voodoo woman takes seven slow, measured steps to the stone slab where you lie! And... you are afraid! For you... You!... Are the central figure in this baleful rite! You... Simon Garth... the Human Sacrifice!! You, whose panic-stricken stare lances upward at that woman... that flesh-rending blade, poised maddening above... The Altar of the Damned!"
    And with those beautifully crafted words by the legendary Steve Gerber (co-creator of Howard the Duck), we are reintroduced to the world of Simon Garth... the coffee king of Louisiana... the man who had it all and lost it all... the man who would lose his soul and take us on a journey to reclaim his soul... the man who would become a Zombie!
    In my humble opinion, Tales of the Zombie #1 is a forgotten key issue. Not only is it the second published appearance of Simon Garth (who first appeared in a one-shot story written by Stan Lee), but it is an Origin Issue. Steve Gerber craftily weaves a complete landscape for Simon Garth, revealing how he fell into the supernatural predicament which became his curse.
    The original Golden Age one-shot written by Stan Lee and handsomely illustrated by Bill Everett (which first appeared in Atlas Comics Menace #5 and has been reprinted in the pages of Tales of the Zombie #1 and in Tales of the Zombie Annual #1), introduced the three main players: Simon Garth, Gyps the Gardener, and Simon Garth's daughter, Donna, but gave readers no indication how Simon Garth became a zombie nor how he fell under the machinations of Gyps (the slimy bearer of the amulet which controls the Zombie). Lee's macabre story offers only vague and murky hints as to such... but it's up to the reader to fill in the blanks. Nonetheless, Stan Lee's mini is a well-crafted and effective horror piece, albeit a quickie. And it may be presumptuous for me to say this, but I sense this 7-page story may have served as a muse for Len Wein, who told a similar tale in nearly equal length, with Alec Olsen's plight (as seen in DC's House of Secrets Volume 1, No. 92: the first appearance of the Swamp Thing).
    When Tales of the Zombie #1 first hit the stands in the Spring/Summer of 1973, it was part of cultural torrent which flooded movies and television: Exploitation Cinema (sometime known as Grindhouse Flicks, Cult Films, and another cloth coined by Michael Weldon: Psychotronic Movies). Exploitation is a label derogatorily cast on many low-budget films, both Domestic and International. I see Exploitation as having a vague philosophy akin to an Anti-Dogma, for most exploitation films have broad themes deeply embedded in existentialism, anti-heroes and vigilantism, anti-religion, rebellion, alienation, anti-slavery, civil rights, crime, violence, sex, drugs and the downfall of an oppressive government and/or civilization, where anarchy and chaos is the order of the day even within the confines of society. I see it as a legitimate movement, a sub-culture, perhaps counter-culture, which pulp magazines and comic books inevitably belong to. Just to clarify, I don't subscribe to such a philosophy, for I am a civilized man and prefer the safety and comforts of a lawful society, but from time-to-time, when the banality and the mundane of everyday life sets in, I find myself exploring such bizarre themes which can be readily found in cinema and literature, and that is as far as it goes for me. Horror is exploitation by design... for it is created to exploit our most base emotion: fear, and amplifies it to draw an intended reaction. In the broader scope of things, we are nothing more than Guinea Pigs in the Hands of Our Creators...the World Weavers... and that's true exploitation.
    George A. Romero's Night of the Living Dead (1968), is a cult classic and considered one of the most critical and successful horror films of all time; having broke-ground as the movie to usher in the Zombie-Apocalypse genre. It is also considered an Exploitation Film. On the heels of the success of NOTLD, countless zombie movies, horror and gore-splatter movies, Apocalyptic-themed B-movies bombarded the silver screens across the globe for decades to come. Undoubtedly, Marvel, Steve Gerber and Company capitalized on this make-a-quick-buck movement. They brought back Simon Garth, wrenching him from the pages of his Menace #5 one-shot casket, and I suspect, had Gerber read-up a chock-full of Robert E. Howard horror pulps ("Black Canaan", "Out of the Deep", "Hills of the Dead", "The Black Stone", and "Pigeons from Hell"), Howard Phillips Lovecraft ("Robert West: Re-Animator"), and probably Mary Shelley's The Modern Prometheus to get into the proper mood to write an undead fable.
    And with all that, Gerber took Lee and Everett's fantastic little tale, loaded fresh paper into the typewriter, and with a few keystrokes from the master's fingertips, Simon Garth was resurrected. And for nine glorious issues (really ten, but Simon Garth doesn't appear in the last issue save on the cover... go figure), we followed Simon Garth on his odyssey to reclaim his soul and his humanity: a violent and gory journey which culminated in the pages of Tales of the Zombie #9.
    But it all started in Tales of the Zombie #1, where we discovered Simon Garth, elitist extraordinaire, the king of a coffee empire, laid supine and helpless, bound and gagged on rotting earth, as he watched in sheer terror as a heathen Voodoo Priestess waved a deadly dagger over his heart. And we watched with equal tremor as Simon Garth made his unlikely escape through the deadly swamps, only to meet his untimely end, as former and disgraced employee, Gyps the Gardener, now sworn enemy, plunged the twin blades of sharpened garden shears into his bloodied chest.
    But even in death, the story didn't end there, for Gyps, ever the conniver, forced the Voodoo Priestess to perform the ritual... the taboo ritual that brings a man back from the dead, as a mindless, walking Zombie. And under the power of twin Amulets, one worn by the Zombie, and the other in the hands of the Master, the Zombie is magically compelled to do the bidding of whoever controls one of the twin amulets.
    If we peel back the cyanotic skin to Gerber's story, it is replete with several themes commonly found in Exploitation Cinema. First, on a superficial level, the themes of Slavery, Rebellion and Uprising is addressed: Simon Garth, Wealthy Industrialist and the Master of Men, has now become a Slave to a man beneath his station. For in this story, the tables are turned: Gyps, once the disgruntled and disgraced employee, fired for misconduct (Gyps was caught being a Peeping-Tom when he watched Garth's daughter, Donna, skinny dip in the pool from behind the bushes he was shearing), is now in control of one of the twin Amulet's, and thus becomes the Master to Simon Garth, his former Employer and former Master... but

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  18. SW3D
    AKA: Another exciting installment of "For the Love of Angela!"
     
    SPOILER WARNING: Contains information about the upcoming The Tenth Realm and Angela.Yeah... It's been a while. Comics haven't been my thing of late... supplanted by the love for my acoustic and classical guitars I recently bought. I'm practicing two hours daily. My fingers are starting to get numb, tingly, and raw from plucking and fretting the nylon strings. And my left wrist has developed a light swelling and ache... is it arthritis or carpal tunnel? I really don't know as I persevere and play through the discomfort as best as I can. And on weekdays, on the train ride to and from work, I do finger stretching and coordination exercises... regardless of how people look at me like I am some kind of nut. But this journal isn't about any of that. It's about my comic book lady love... the very dull as a brick redhead named Angela. Neil Gaiman... wherever you are... she needs you man! You got mad writing skills... bring her back to life like Ye Olden Image days!Anyway... some big Angela news... for some, this may be a spoiler... for others, this news is old since it was announced nearly a month ago at the C2E2 Con in late April 2014. So what's the BFD?Apparently, it will soon be revealed, as part of the Tenth Realm mini-series (connected to the greater arch Original Sin): Angela is the daughter of the Asgardian All-Father: Odin! Yep... that is right! That one-eyed Norse horn-dog sired a daughter! Which means... Angela is Thor and Loki's sister! Holy Sh*t! How cool is that? Can you imagine this brood gathering for the holidays? Read all about this latest development: http://www.comicbookresources.com/?page=article&;id=52410(this link may not work... and if it doesn't, please Google search C2E2: Ewing Leads Thor, Loki and Angela into Marvel's "Tenth Realm"Back in October, I prophesized about a possible Thor Vs Angela arc. My exact words were: "First off, Angela will have a throw down with Thor and give Odinson a run for his money! Why? To establish Angela as Marvel's version of Wonder Woman. As I see it, Thor is to Superman, as Angela is to Wonder Woman, as Captain America is to Batman. And the romantic chemistry between Thor and Angela will be obvious. But, lamentably... it doesn't quite work out."See the original journal, "Angela, Fallen Angel in the Marvel U", I published right here on October 17, 2013: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14465 Well... I doubt there is going to be any romance between the two... being Brother and Sister... like Luke and Leia, but who knows? I'm wondering if the Norse Gods have heard my prayers!?! There were other ideas I batted around... imagine if they come true? Okay... I'm dreaming... but what's wrong with that?So now that Angela is officially a God... I'm just going to reiterate... like I mentioned in a ranting journal from last year... Angela can kick Gamora's ! Yes, with out-a-doubt! So let's go back and rewrite the events of GOTG 5 & 6 and have Angela kick the living daylights of Gamora and the rest of her GoTG cronies... or better yet... kick Bendis' for giving her the personality of a dull brick wimp! Okay... that's enough of my ranting!With the revelation of Angela's kinship to both the God of Thunder and God of Mischief, the spotlight on Angela's origins and its ramifications are going to take center stage beginning in July. So it stands to reason, this is pretty big... big enough that I wouldn't come as a surprise if a movie appearance might be in Angela's future... either in a Thor sequel or some other cosmic themed movie. Anyway... I'm no Oracle of Comics... but it doesn't take anyone with a crystal ball to see there may be some investment value in Spawn 9 (Angela's 1st Appearance). So keep an eye on it. Angela's 1st solo series is also something worth grabbing. In addition, Age of Ultron 10 (Angela's 1st appearance in the Marvel U), also has potential. And lastly, I see GOTG Volume 3, No. 5 (Angela's 1st Appearance in GoTG) as another investment.Funny thing... as fate would have it... earlier this month, a very rare Spawn 9, Newsstand Edition became available... so I grabbed it and added it to my "Kingdom of Spawn 9 Newsstand Editions". How rare is very rare? There are only 9 graded Newsstand Editions versus 808 Direct Editions... that's less than 0.01113861386% or only 1 graded Newsstand Edition for every 80.8 graded Direct Editions. However, the graded copy I bought through MyComicShop, has an error on the CGC label. Can you tell what the error is? Give up? If you take a look at the picture I provided, you will note, it is missing a notation "Newsstand Edition" as well as "Manufactured without Angela poster. Newsprint paper interior." Instead, the CGC has mistakenly labeled this comic as if it is a Direct Edition... which clearly it is not. How do I know this for sure? Direct Editions of Spawn 9 do not have a UPC box on the lower left corner... this one as you can plainly see... does. This also means the current CGC Census Population for Spawn 9 is also incorrect. If we are to include this comic as a Newsstand Edition, then the total population of Newsstand Editions should be at 10 and the Direct Editions should be one less at 807. So there remain four (4) graded Newsstand Editions I wish to acquire. I own I own six (6) of ten (10)... and I'm hoping to find the other four (4). Soon... so very soon... the entire Kingdom shall be mine! And for those who own the other four... PM me if you are interested in selling. Now just imagine if Angela were to some day rule Asgard?... inheriting a throne which may be rightfully hers? "Queen Angela... Ruler of Asgard!" Wouldn't that make for some interesting story? From such humble beginnings, killing Spawns to becoming Asgardian royalty. Who would have thunk it? But I find this turn of events both interesting and rather ludicrous. How can Marvel simply explain away Angela's link to the Image Universe... or in this case... the McFarlane/Spawnverse?... where Angela was truly Angela? And how do they explain Angela's lack of pupil's if she be Asgardian? Do they assume a legion of fans will simply accept things as they are and that's that? Well, sadly... yes. I have to admit, it's fairly obvious... no one really gives a sh*t about Angela and her "Image" origins. The real Angela died in 2000, in Spawn 100. And that's the reality of it. May she rest in peace. I for one will not forget Angela's past and her glory years.Marvel's Angela, however... is like some weird zombie clone. I can't figure her out. It's like she is devoid of a soul... and some much needed personality. But I have hope... because Marvel has talent... deep talent... and some genius writer is going to come along and bring back Angela's bada$$ essence... recapturing Angela's former glory... and then maybe... maybe... Angela will be Angela again... maybe.Here's hoping.Until next time.SW3DTo see old comments for this Journal entry, click here. New comments can be added below.
  19. SW3D
    "Where have I been?" That's what some of you may have been asking... others... are probably saying "Who cares?"
     
    Well... for those who care... in the beginning of 2014, I was still a passionate comic book collector. Then in late January early February, I fell in love.Before I reveal this new love, I just want to say I am still collecting comic books and still have every interest in the hobby. I keep an eye on the market and visit the CGC journals weekly... but to my shame, I haven't been contributing journals at all. My apologies for that. But it seems like a lot of journalists or usual suspects are also on hiatus. I credit Bag O' Fleas, Tnerb, and Hammership Down, as well as some newbies for keeping the journals alive. Thanks guys! Keep the fire and passion burning!So... back to little old me. What exactly has been my goal when it comes to comics in 2014? It's been selling comics from my original childhood collection which I got graded in 2012 and 2013, and to use the revenue generated from these sales to buy one or two desired comics. In other words, I am focused on downsizing my collection to a small core group of comic books, which will be categorized as my "elite" or "premium collection". Now this decision has been somewhat emotionally difficult for me... since I have to say goodbye to some treasured memories, yet the upside is that with the "once in a blue moon purchase" of an elite comic, I get to revel and bask in the glow of a new cherished memory.But what exactly have I been up to since my last journal? Well, I haven't bought any comics, save for some minor stuff at my local LCS, but I'm delighted to say, I found a new "love of my life". This new love brings a profound joy to my heart, an inner sense of well being... and some cramps and aches to my wrists (no... that's not a sexual reference... get your mind out of the gutter). Alright!... so who or what is it? Who or what is this She-Beast? Who is this Siren who hath captivated my mind and plucked my Heart Strings?Drum roll please!It's playing the guitar!... Specifically Classical Guitar and Acoustic Guitar.That's right! I've gone cuckoo and gaga over the nylon string instruments and genre/style of music/play. For the moment I take an hourly Classical Guitar lesson every week and devote about an hour a day for roughly five hours a week... that is whenever I can squeeze in the practice time between work, exercise, play and rest (yeah... But whose got the time to rest?).So, for the time being, comic books have taken a back seat.Truth be told... I always wanted to play a musical instrument. I briefly tried piano (had an electric Yamaha keyboard in my late teens in college but it eventually collected dust). I also took some voice lessons, but that didn't last. And once I came very very close to purchasing a drum kit... but chickened out for practical purposes... a drum kit is way too space intensive for NYC apartment dwellers and way too loud... I can only imagine how often the neighbors would call the cops on me for the racket... but damn the skins rock! Perhaps one day. But anyway... on a whim... or perhaps the Rock Guitar Gods whispered a subliminal message into my ears... like a mindless Simon Garth mystically drawn by the bearer of the Voodoo Amulet, I walked into Sam Ash Music Store one day and walked out with a Cordoba C3 Classical Guitar and began a new love affair.Since then, after popping my first string (literally the 1st String), I've bought a second guitar and the new obsession has been going strong.I'm still learning the basics... which is not easy. I'm getting familiar with the basic stroke and fretting techniques, reading and interpreting sheet music and composition, learning finger combos, stretching my fingers for dexterity and articulation, and building the stamina required for proper posture, sitting and handling the Classical and Acoustic Guitars. What do I hope to accomplish?... Do I want land a gig at local watering hole? Do I want to go on Tour and Live the Dream? Do I want to make a surprise appearance on American Idol? Nah... none of that. I'll be happy with just merrily playing at home for Family and Friends or to impress a chick with a romantic song. But speaking truthfully from the heart... my hearts' desire is to master playing Classical Guitar from the Spanish, Baroque and Romance periods, Flamenco (ala Paco de Lucia... God rest his soul), popular Acoustic ballads, and the Classic Rock songs of the 60's and 70's I grew up listening to. But mastering any of those will take years of practice, devotion and dedication. Wish me luck on that endeavor because mastering or sticking to anything has not been something I've ever been able to accomplish. As for CGC Journals... don't you fear... I should have a couple of journals written by year end of my latest acquisitions (I got two "holy grails" on my radar). And I feel another Angela journal burning in my heart... when the time is right it will come. I don't know why that Redhead has captured my heart... but she has... even though she is as dull as a brick in the current Guardians of the Galaxy series. I'm hoping Angela will make an appearance in a future Marvel film... I know that won't happen anytime soon... but maybe one day.Anyway... for now I leave you with a snap shot of my two guitars.Till next time.Happy Collecting!SW3DTo see old comments for this Journal entry, click here. New comments can be added below.
  20. SW3D
    Yes dear readers, today we are celebrating an anniversary... a milestone...
     
    ...Drum Roll Please!"My 100th Collectors Society Journal!"And what better way to celebrate a personal milestone than to talk about my latest acquisition... what I like to call, "A Holy Grail of a Story!"Almost the same time last year, I wrote a number of journals espousing my love for HIM... Marvel's Messiah... the Gold Skinned Christlike figure with a guilty conscious and an future evil self... the one and only... Adam Warlock.Forty-seven years ago, in the pages of the Fantastic Four Volume 1, No. 66 (1967), the comic book world was introduced to eugenics Marvel Style!Four nutty scientists, known as the Citadel of Science (COS), gathered inside a secret mountain complex, and kidnapped Alicia Masters, the blind sculptress and Ben Grimm's lady-love. Tasked to sculpt the bust of the COS's greatest creation, since no man can look with their naked eyes into the blinding energy which bathes their progeny without going blind (scientists without opaque safety googles?), Alicia Masters is given the 311 on the origin of their creation: HIM... the first of his kind... the leader of a superior race... a master race of perfect humanoids... a race of genetically birthed Gods! And for what purpose? To deliver humanity to a Golden Age or to subjugate it?In the subsequent issue, No. 67, Alicia Masters and the readers bear witness to the opening of the Cocoon and what awaits inside... the unholy power of HIM... Man's supreme creation! However, like a Modern-Day Prometheus, in his first appearance, this God-like being emerges to turn on his evil fathers, knowing full well of their nefarious intent, and destroys them... thus saving humanity from an incalculable evil. Realizing his true purpose lies not on Earth but in the Universe which awaits, HIM ascends to the stars for his spiritual growth and development. Thus began the great cosmic odyssey and legacy that is to become Adam Warlock.Where would Counter-Earth be without its Messiah?Where would the Mad Titan, Thanos be without Adam?Where would the Guardians of the Galaxy be without Warlock? And where would we, the apostles of Marvel's Cosmic Universe be without our Grand Savior?Thus I give you where it all began! In these very pages... we are privileged to glimpse HIM... he who emerged from the Chrysalis... and became the Messiah of the Marvel Universe!I am proud to induct Fantastic Four Volume 1, No. 67, CGC 9.6, White Pages, with the Old Universal Blue Label, into my Adam Warlock collection, euphemistically dubbed "The Keys to the Kingdom!"And lastly, I thank you all Dear Readers!... For diligently reading my journals and providing feedback, support and inspiration... for where would I be, a wannabe Writer, without my Readers?For this blessed and most humbling gift... I am forever grateful.SW3DTo see old comments for this Journal entry, click here. New comments can be added below.
  21. SW3D
    Well, I woke-up this morning to find my Amazing Spider-Man 256, 9.2 Original Owner Copy Newsstand Edition just sold on eBay! What? That was random? Or was it?
    Last night, before the purchase, I received an e-mail from one buyer interested in my copy asking if I could reduce the already discounted price of $49. And I thought about it and counter-offered offering $45. And I explained to the interested party, at $45 I would just break-even.
    Well, lo and behold, another buyer comes in out-of-nowhere and just swooped-in and bought the comic outright at $49!
    And I'm like... "What? What the heck is going on? Why the fuss over Amazing Spider-Man 256? And why my particular copy at 9.2? Like... nobody wants a 9.2 in this cynical 9.8 day and age!"
    So I do what I always do when I'm in a quandary... I go to Google to find my answers. ?
    And guess what? Apparently the internet is abuzz with movie rumors and Easter Eggs about the one-time Spider-Man villain Thomas Fireheart, aka the Puma.
    Here's the site that started it all: http://thedailybugle.tumblr.com/post/72012128469/by-ned-leeds-city-bureau-smash-the-tail-of-a
    And here's another one recapping what it may mean: http://www.cinemablend.com/new/Amazing-Spider-Man-2-Viral-Update-Features-An-Easter-Egg-About-Puma-40926.html
    Thankfully I still have Amazing Spider-Man 257, the Puma's 2nd Appearance I bought back in 1984, and at a higher grade, 9.4, with White Pages, and the distinction of Newsstand Edition. Here's a link to my eBay site: http://www.ebay.com/itm/Amazing-Spiderman-257-HTF-Newsstand-Edition-Original-Owner-Copy-CGC-9-4-WP-/281164119097?pt=US_Comic_Books&;hash=item4176affc39
    Yes, I know what you're thinking... "It's selfish to self-promote your wares", but if I've learned anything from the masters of self-promotion, Stan Lee and Steve Jobs, it's necessary to toot your own horn to get a-"head" in life (pun intended: read on). So ain't nobody gonna toot or "blow" it for you unless you pay them! Am I right Eliot?
    If any kiddies are reading...sorry for the toilet humor.
    Ironically, I was person_without_enough_empathying to Meshuggah last night about having wrapping fatigue from X-Mas, and being a lazy bear in hibernation mode not wanting to get out and move from my humble abode. Now I gotta bubble wrap and package the comic, and schlep it to the Post Office in the snow. It's freezing out! Does anyone have a snowmobile I can borrow?
    Anyway... I'm going to continue to MANstruate and state that I'm also cranky that my original owner copy of Amazing Spider-Man didn't get a much higher grade than it deserved. Take a look at the photo and tell me if it looks better than a 9.2? It's well centered and I can't detect a blemish on it. And many of you all know, I'm against pressing... so this beauty of a 30 year old comic looks the way it does without "restorative intervention" (please don't kill me on that one... it's just my humble opinion... and I'm Manstruating!... Why? Cause my Cowboys were knocked out of the f*cking playoffs and it sucks to see NFL playoff games that your forced to root for someone else's team! Damn! Easy Spidey! Easy Spidey! Take it Easy!).
    Tnerb... if you are reading this... good luck to the Eagles... they deserve their spot in the playoffs! And to Tony Romo... wherever you are... Get Well Soon Brother! I know everyone dogs you for your valiant and sometime miscalculated gun-slinging efforts (myself included), but I do want to say, thank you for your hard work! It can't be easy with injuries and concussions and playing a sport that's designed to knock you on you're ! I really hope to see you back! Get well soon! And to the Dallas Cowboys Team as whole (includes Jerry Jones)... thank your for all the nail biting moments. Although it seems we always come out on the losing end of the stick, at least its never a dull moment with you guys. And honestly... I love that! Many teams can't say that. Watching their games can be SO F*CKING BORING! The Cowboys always make it EXCITING! Thank you... I'm still a fan... always and forever! America's Team!
    Alright... nuff said... gonna get out of bed and go to the post office. I'll probably more to my peeps at USPS until I've exercised the demons!
    Thank God it's Saturday!
    SW3D

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  22. SW3D
    What's there not to love about Yellow Labels? I blame Tnerb and Bag O' Fleas for the whole yellow label epidemic. Damn did I catch the fever... Yellow Fever anyone?
    But seriously... How can I not glory the one and only Angela making her team debut in Guardians of the Galaxy 5? Am I not the biggest nutjob for the little lady? And best of all, these variants come by way of my favorite LCS: Midtown Comics in NYC. That's right!... Ya gotta REPRESENT!
    And equally sweet (still going with the NYC theme), these four beauties were all signed by cover artist Mark Brooks and Sara Pichelli at NYComicCon last year in October.
    Although the blizzard hitting us tonight may freeze my balls off, I've got Angela to thaw me out! Add Gamora in the mix and I'm going Supernova!
    It's Yellow Label Madness!
    SW3D

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  23. SW3D
    Well, there have been journals aplenty authored by collectors espousing their CGC firsts. This journal is going to be no different! And it's open to feedback to all collectors who currently own an OAK and who purchased said OAK in raw form, had it graded, and knowingly or unknowingly, contributed the first ever graded copy of its kind to the CGC census (with signature or sans signatures, variant covers accepted). And being that it is the first day of 2014, what better way to celebrate the New Year than by reminiscing about CGC firsts and OAKs.
    So I invite you to share with us your stories about some of your proudest first moments; splurge on us with some background on the comic (key comments if applicable), how you came to purchase or own it raw, what eventual grade it achieved, and its One-of-A-Kind status today (if it still applies or not).
    Here's a list of mine:
    Spawn 9 (1st Appearance of Angela/Newsstand Variant). This was my first OAK ever! I submitted it last year at NYComicCon and it achieved its grade in February 2013, a month or so before the news of Marvel's acquisition of Angela. Direct Editions of this comic were already graded, but no Newsstand Editions had been graded until my submission; getting back the distinction of "Variant Copy" was just pure dumb luck. I bought this particular copy along with a few Direct Editions from an LCS in Forest Hills, Queens, NY called Modesty Comics... but not because it was Angela's 1st Appearance, not because it was a Variant (I was utterly clueless that the Newsstand Edition was different), but because I thought it had an ironic piece of history surrounding it: the litigious battle between Neil Gaiman and Todd McFarlane over Angela, Medieval Spawn, and Cogliostro's creator rights. If Angela didn't make the move to Marvel, no one would give two for this comic, after-all, Angela had been declared dead by Todd McFarlane for over 13 years in Spawn 100. And although the magic spell for Angela has temporarily worn-off, if comic's history is any indication, Angela's star will be on the rise soon enough. Currently a total of 9 Newsstand Editions have been graded: 4 9.8's, 4 9.6's, and 1 9.4. My copy is no longer an OAK, but for a few dizzying months during Angela's popularity craze, it was sitting all on its lonesome on a throne in a private Kingdom. Read the original journal: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=13176
    Captain America: Transformation & Triumph No. 1 (Promotional Comic/Free with the purchase of the June 6, 2013 edition of the Wall Street Journal). This was an impromptu purchase made more challenging since: (1) no prior announcement was made of this promotional/free comic that I was aware of; (2) I had to scramble late in the evening to obtain copies from CVS and at a Newsstand; (3) I had to keep them from getting damaged by reckless cashiers, and lastly; (4) from getting soaked wet due to a torrential downpour. What's interesting to note about this comic: I believe it takes place in the Marvel Movie Universe or the Ultimates judging by the costumes worn by Captain America (cover art makes him look like actor Chris Evans) and Nick Fury (cameo appearance). There is a flashback segment to Steve Rogers origin as Captain America. I actually got 4 copies graded in total: 2 9.8's and 2 9.6's. To date, these 4 remain the only graded copies. It all happened here: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14330
    Curse of the Spawn 9. I graded 6 in total and 5 came back 9.8 and 1 a 9.6. I found the raw copies from various LCS's in New York City. After falling head-over-heels for Angela, I began a hunt for her back issues from Image. This one is a gem since it is Angela's origin story where it is revealed she is the amalgam of six females souls who lived tragic lives. It also introduced a mysterious and haunting character named Durges, who seems to have a manipulating and diabolical hand in the life and creation of Angela.... where it is revealed in flashbacks, each female witnessed the face of Durges as the last vision before passing unto death. Relive all the fun: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14323 Update: One lucky devil has added a graded copy to the Census, a fabled yellow label bestowed a 9.8. If the owner of said comic is reading this, I would be greatly interested in buying your copy. Congrats by the way!
    Dark Dominion 7 (1st JG Jones Pro Work). This is the first copy to reach the census, given a respectable 9.4, with a Yellow Label signed by artist extraordinaire JG Jones at Wizard World NYC June 2013. Its main significance being the first pro comics work of JG Jones best known for the outstanding covers for Y The Last Man, Wanted, and the entire 52 series. I originally bought the comic raw from Lone Star/MyComicShop. Happily, as of today, it remains the only sole graded copy of its kind! Walk down memory lane: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14410
    Rant 1 (1st JG Jones Writing Credit). Another raw purchased from Lone Star/MyComicShop, is my copy of Rant 1. JG Jones, as previously mentioned, is known primarily as a celebrated cover artist, however, this comic is unique in that JG Jones co-scripted/co-wrote this comic. When I met the artist at Wizard World NY (June 2013), JG Jones reflected that this was to be his first published work, but delays set it back and it was eventually published after his Dark Dominion stint. Happily, Rant came back graded a magnificent 9.6 and bears Jones' inscription. A quick review of the CGC Census reveals it is still an OAK! Another chance to read it: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14466
    Superman Special Number 1, by Walter Simonson (The Death of Superman?) The jury is still out on this one, but if you read the ambiguous ending, it is not a stretch of the imagination to at least consider the possibility Superman was killed by the Sand Superman and replaced by him. For this reason alone, the comic is shrouded in controversy and is a must-have for Superman fans and collectors alike. The comic is not very old, about 21 years, yet it is hard-to-find, especially a Newsstand Edition. Before I submitted my original owner newsstand copy for grading, I consulted the CGC Census and discovered none had been graded. And I find that shocking seen it is written and drawn by the very popular Walter Simonson. To date, I own the only graded copy, a 9.2 with White Pages, with the added distinction of triple signatures provided by Geof Darrow and Michael Golden (both artists have pin-up illustrations featured in a bonus art gallery), and the man himself, Walter Simonson. Judge for yourself: http://comics.www.collectors-society.com/JournalDetail.aspx?JournalEntryID=14931
    And yet another joins the group: Aria Blanc & Noir #1 Dynamic Forces Edition. Although not the first to get graded, it is the first to have that magical yellow label, as Jay Anacleto's inscription graces this HTF variant copy. According to Dynamic Forces, only 5,000 copies exist. I got this gem through... you guessed it... Lone Star/MyComicShop.
    For some reason, I get a kick out of being the first to get a particular comic graded. In the early days of the CGC, I'm sure this was quite common,

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  24. SW3D
    When Peter David was announced as a guest at NYComicCon, I felt it was a perfect opportunity to get these issues signed by the writer.
    I will admit, I did a terrible job of getting my comics ready for signings. Many on the journals and boards prep each comic the right way by cutting out windows in their protective plastic sheets, color taping the borders of the windows, and adding notes to direct signature locations, even going as far as suggesting which color inks to use.
    I did none of that and found myself often juggling several comics out in the open, praying that none of them would get abused by the crowds which swelled around me or by the signers themselves. So it comes as no surprise, that out of 32 Modern Comics which I submitted for grading with signatures, only 10 came back 9.8's. The rest were graded anywhere between 9.0 to 9.6... and I didn't get many 9.6's back either... so I will look at this as a lesson learned for next time.
    But these two came back 9.8's. Why?
    During the speculator boom of the 90's, I bought these issues solely thinking anything with the words "Spider-Man" stamped all over it would be a worthwhile investment. I am quite certain I didn't bother to read any of them at all, which is the biggest reason I believe the pair received 9.8 grades. Most certainly, back in the day, I plucked each issue from the newwstand rack, got home, slipped them into a plastic storage bag, and filed them away never to see the light of day, until last October.
    The high grades also have to do with the quality of the publications, as Spider-Man 2099 #1's red foil cover is printed on hard coverstock. And I recall, in the 80's and 90's, as the average cover price of comics soared, so too did the improvement in page quality, with cleaner and thicker Mondo and Baxter paper used in favor of cheap newspaper pulp.
    Anyway... whatever the reasons for the high grades, I'm grateful they scored high.
    Of late, I've become a big fan of the yellow labels. Take a look at each comic in their slabs; the yellow label seems to broadcast the indigos, magentas, and crimsons... the cover colors really pop with luster! And the CGC has done a fine job with their encapsulations. These beauties are picture perfect!
    BTW: According to the census, issue two, as seen here, currently ranks as the highest grade with a yellow label. Yeehaw!
    Thanks for reading!
    SW3D

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  25. SW3D
    Cheeky, Sexy and Paleolithic: Cavewoman: The Mature Version
    Who doesn't know Frank Cho? The prolific and downright brilliant artist is an expert on the human figure, particularly the female body. In my opinion, the man is an initiate in the Wally Wood School of Eye-Candy Art: Beautiful Women with Ample Samples!
    According to Frank Cho, on his amusing and risqué website, Cho states his first pro comic book work was a six-part piece he provided to Penthouse Comix, but it went unpublished: http://apesandbabes.com/frank-chos-first-professional-comic-work/. So technically, this doesn't qualify as his first published comic book work.
    Thus I searched the high and low for what is considered his first legitimate published comic book work, and the only example I believe fits the bill is a cover he provided for Budd Root's Cavewoman: The Mature Version, in 1998. The publication date of 1998 pre-dates his Liberty Meadows comic book series for Insight Studios from 1999. "Uncle Frank's" been illustrating cartoon strips in college since the early to mid-90's, and Liberty Meadows first went into syndicated publishing as a comic strip in 1997, before it finally graced the four-color page in 1999.
    So I ask those comic book experts reading this, "Would you agree, is Cavewoman: The Mature Version, cover art by Frank Cho, technically Frank Cho's first pro comic work?" If so, I'm happy to know I got a nice graded copy at 9.6 with White Pages, along with Frank Cho's signature when I had the privilege to meet him at NYComicCon this past October.
    This beauty of a copy came by way of my favorite internet LCS: Lone Star/MyComicShop. They sold it as a Near Mint Plus, and sure enough, it came back graded a 9.6. According to the CGC Census, only five graded copies exist: three Blue Labels at 9.8, 9.4, and 9.2 respectively, and two Yellow Labels, my 9.6 and another at 9.4. So I'm delighted to know my copy is currently the highest graded Yellow Label of the two! Yippee!
    Cavewoman creator Budd Root provides a really cool back cover, a horizontal illustration depicting the topless Cavewoman (whose true name is Meriem Cecilbie Cooper), standing beside Harmony (a T-Rex she rescued as a hatchling from Velociraptors), Klyde (her 15 Foot Gorilla friend), and a mini-dinosaur pal of hers, in their prehistoric habitat.
    So what about this particular issue makes it a "Mature Version"? Well, this comic would fit right at home with the Penthouse Comix set. Fanboys of full front nudity will be delighted to know, there's plenty to see and little is left to the imagination. Root's illustrations are done tongue-n-cheek, so it's not perverse or pornographic... but it will still excite and titillate those looking for adult themed stuff.
    Keep in mind, if you happen to obtain a copy, and you submit it to the CGC for grading, "Stains from Bodily Fluids" discovered on any pages will affect your grade. So be careful. Perhaps buying one copy for grading and another as an "reading copy" is in order.
    SW3D

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