Or But Wait, There's More

My largest invoice before my most recent submissions at the NYCC was turned in at Baltimore. I cracked ten slabs from my New Mutants collection and added four raw books. These were mostly books I had signed by Sal Buscema, the others by David Finch. A few others were signed, but on a separate invoice designated to CCS. My 14 books just changed from received to verifued. The other single invoice I have marked verified went through the fast track at CCS, after a little snafu, is a single copy invoice containing ASM 181 signed by Sal.

As for the New Mutants grouping I still have at CCS from the slabs I cracked, I decided to press them as well for two reasons. The first being fear, fear that they won't maintain their grade. The other was to experiment, which I am finding is how I spend the majority of my money. Is pressing a 9.8 really necessary?

The next convention I am attending is over four months away and I hope by then all my books will be back to me. I think including alternate sources I have about sixty five books out there. A lot more than I ever expected. Although I will be attending Megacon, its counterpart a week later in Seattle is what I really hope to transfer from a blue to a yellow. Art Adams alone will garnish at least ten books from me, including my special edition already triple signed.

Thanks for Reading

Tnerb

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