As collectors, it’s natural for us to be sensitive about placement.
Obsessive-compulsive to varying degrees, naturally concerned about avoiding having features on the cover obliterated by thick marker lines, conscious about having often paid a nosebleed price to acquire the book, not wanting its value, nostalgic or monetary, destroyed in one way or another.
To a creator, it’s a product they worked on years ago with a cent value, and maybe oblivious or unconcerned about its secondary market status, something personally irrelevant to them decades on, and blind to our amped-up neuroses. Or, at the other end of the scale, they’re fully aware of our concerns, the costs we’ve incurred to own the book and to attend the event, and are behaving maliciously.
And, all largely unpredictable positions in between those extremes. Conflicts are inevitable.