• When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.

Bud Plant

Member
  • Posts

    3
  • Joined

  • Last visited

Posts posted by Bud Plant

  1. Wow, Mitch. I apologize for seemingly belittleling your comics career. But I don’t think I needed to get lambasted quite so seriously for itl You’re enough to drive me off the message boards, in my first time posting anything! Two flaming retorts to a couple lines I wrote?

    I remember the whole national media thing over yours and Theo’s (I thought it was mostly Theo) just seemeda little strange and suspicious to us fans in my area. But that’s the opinion of a very young collector, as I was at the time. And I will admit there might be some envy or jealosy on my part, and/or my buddies part, as clearly Theo had a more money than any of us had. 

    I greatly appreciate sfcityduck for coming to my defense. Michelle Nolan told me once “Sorry is not good enough”. Mitch, I hope you don’t have the same attitude and can accept my apology for stirring up a real hornet’s nest with you. Sorry I brought it up.

    I don’t know yours and Theo’s story, I just know that in my fandom experience, pretty much full time since 1970, I wasn’t aware of you or of Theo byond that one big media event. I have interacted with publishers, fair promoters, dealers, and collectors, people I’ve worked with or known of for decades, across the country, not just in the Bay Area. My impression may have been totally wrong, it was just an opinion. Not sure what “book” you are talking about. Unlike Beerbohm, I’m not writing any fandom histories. I was just responding to a statement someone made in this chat room. 

    I hope we can move on to more interesting topics now.

     

  2. Ok, I keep seeing your references to Obata, so I finally googled him. I didn’t know the name. I’ll read up more on him…looks like one of the “western” influenced Japanese woodblock artists, who I very much like. That is, the guys that came along in the early to mid 20th century and moved Japanese woodblock work, such as landscapes, mountains, buildings, into a slightly more modern look. I’ve actually handled a couple books on the subject, including a excellent one on the Yoshida family. Here’s a quick example:

    Bill Thailing…on one of our trips east to Seuling shows, has to be pre-1980, we went through St. Louis during amassive thunder storm…like nothing we’d ever encountered in San Jose. Explosions like bombs going off, massive rain. We were tracking down Bill Thailing at his home. I don’t remember much more about the visit, sadly. But Bill is responsible for getting me back into hardcore collecting of Golden Age. I’d moved far more into vintage illustrated books, in the early 1970s.Out of the blue he sent me a big thick catalog, which I still have. I bought a bunch of things, now which seemed suddenly attractive and afffordable, as my income had gone up since my college poverty days. One was a More Fun #54 with TWO centerfolds out. I know that sounds like cheese to most of you guys, but for $45, I had a primo iconic early Spectre cover and lead story that I’d could only have dreamed of owning before that. That got me going again, going after alll the Quality line I hadn’t put together before, adding to my Fiction House books (many of which came from Henry Keller, who used to have a big table of them at the Seuling shows; I’d buy all his remains out at the end of at least two shows, for like $1.50 or $2 each, and bring them back to California to resell….

    Early (before #90) More Fun and Adventure remain two of my very favorite titles.

    I stumbled into a nice but coverless copy of More Fun #52 a few years ago, some guy brought it into an Emerald City I had set up at. I made him an offer of $500, he took it around the rest of the other dealers, and came back later and sold it to me as the high bidder….

    image.jpeg