ComicBookGuy

This is a bit off-topic, but I'm trying to add an avatar to my posts. My problem sems to be file size. No matter how I compress the jpeg file, it's still too big to upload. No only that, but the higher the compression ratios, the blotchier the color becomes.

 

How do some of you get such great looking avatars? Expecially, adamstrange - yours seems so sharp, colorful, and filled with details. What's the trick?

Bill, there are some very quirky things I've discovered when posting here:

1) Make the file name of your picture consist of only numbers and letters. Do NOT use symbols such as !@#$%^&*()_+.

2) Do not alter or rotate a file after scanning it. Many times this has complicated my postings for some unknown reason.

3) Put your scan settings at the lowest possible dpi setting before scanning.

These three "tricks" have enabled me to post everything I want. Thanks for reminding me that I need to add an avatar also. I hope to do that this weekend. I'm still deciding what to use.

I'm looking forward to doing lots of postings on here in the next week. Right now I just got home after a 15 hour day..

Joe

"Don't get me started on overstreet. There are errors and omissions (particularly among non-superhero books) that have been in there for over a decade."

 

You could contribute to the Guide and the hobby by actually *telling* us about these errors and omissions and providing information that we can use to improve the book.

Thanks for visiting the thread, Arnold! The guide has been complimented and cited in here plenty, so you ARE appreciated. The accurate information in the guide regarding the confusing numbering on the Dennis Giants / Bonus Magazine is especially helpful as is the artist information.

By the way, you may have seen the Dennis on Safety promo I posted a couple days ago, the one that is not in the guide. Is the info that I posted enough to help you out with the guide? I'd love to contribute and do my part, but I'm extremely skittish about opening the cover to scan the inside cover. I could scan the back cover if you wish. If the guide ever needs to verify info or has a question about Dennis comics, please feel free to contact me as I have them all.

Joe

Bill, you have made an amazing step forward in Dennis research!

Overstreet only has the first twenty listed in the guide in terms of what is on each issue. Bringing the list up to #110 is a major feat, and probably the biggest accomplishment of this thread so far. THANK YOU!

This weekend, when I will have more time, I will go through the list issue by issue and verify each one since you indicated you don't have some of the issues in front of you. I will also post up to #194 to complete the list if you are not intending to. Do you have from #111 up? If you do and want to finish the list, go for it. If you don't, I'll be glad to do the rest. You had a question mark next to one in there, so I'll be sure to address the question mark. Finally, #99 Fiesta is the regular Dennis series, not the Bonus Mag. That is the only item I caught off the top of my head.

With regard to the Hawaii issue second printing, I believe both you and I have the same theory about that: That the issue's first printing was so popular during summer 1958, they did a second printing that same summer with the same cover, indica, and all since it was ready to go and they needed it quickly. This really seems to make sense to me. Thus, the following summer's issue stated 3rd printing on the cover. Then again, the guy in charge of the numbering on this series was math-challenged, so our theory will only remain just that unless someone has some hard facts. One point I would like to address at some point is to see if there are any differences between the printings. I believe I have them all, so I will address this at some later point.

Thanks for doing all that work! We are really beginning to get some work done here. To my knowledge, this is the first time this data has been published and shared anywhere. Maybe Gemstone should hire you as a private contractor. Great job!

Joe

Great posts guys!!!! Interior art, key issues, scarcity, artists, pop culture -- keep it up!!!

 

The way you two have been posting, it's like two long lost family members were finally re-united with the help of the forum. I don't know about anyone else, but I think **sniff** that I'm going to need a hanky.

 

Honestly, this is, next jbcomicbox's posts, the best stuff I've seen on the forum.

Adam, I'm glad you're enjoying this thread. I also appreciate that you've supported it since it started. I'll admit I had my doubts anyone would even be interested cause, while I have many "comic" friends, few of them collect or even remotely interested in Dennis stuff. The dealers who have even bothered to stock Dennis stuff over the years I can count on one hand. It's great to finally have a chance to show people how cool these books are and to "talk" with others who have known it all along.

Joe

Wow! Guys, when I say Doug Supila is THE BEST COMIC DEALER IN THE WORLD, he has just proved it to me again. He replied within ten minutes of me sending him an email. Here is his take on the Dennis Bible Kids books:

Hi Joe,

Nice to hear from you again.

I have now seen only 2 Dennis the Menace and the Bible Kids series issue #10's appear on eBay in the last 2-6 years & i bid on them both.

But as they were both low grade & ended in the near $100 range, i had to stop bidding.

I have been asked at least 200 each times for #7-10, and i have never yet had a #10 in stock.

#10 remains one of the rarest Bronze Age comics of them all, perhaps as rare as Super Goof #61 (the rarest Whitman from 1980);

Realistically i think #7-9 should guide at $60.00 each and #10 should guide at $150. [but be worth more than that]

If a #10 in strict CGC NM, 9.4 copy ever hit eBay, i estimate it would bring around $1000.00.

>>> IF i had VF copies in stock, i would charge #7-9(VF $75 each), #10(VF $200) and would say that is reasonable given the scarcity.

Thanks & have a great week!

DOUG

That is The Word from Doug, the Overstreet Advisor whose market reports are the stuff of legend. The reason I contacted him is because in my decades of collecting, I have found him to be the most knowledgeable about Dennis books. Bob Beerbohm and Gene Carpenter are up there also. But Doug has an incredible inventory that includes lots of Dennis books, and I NEVER would have the collection I have today without his help. It's easy to get in touch with him since he sells under dwscw on ebay.

Joe

Yes, thanks, Bill! Great list, and many I would not have thought about.

I notice you say Dennis in Hawaii may be the best-selling comic of all time. Do you mean "Dennis" comic, or comic-period??? I'm very curious!

This week is going to be very busy for me work-wise, so I'm not going to be posting too much till later in the week. (I'm dying to post more, but I can't!) But I do want to say that I would especially consider the following first printings keys: Hawaii 6, as you said; Hollywood 7; Mexico 8; California #?; TV Special 22, 1 and 2. I consider each first printing giant really to be a key. They were major books that took almost a year each to produce.

Flying Donut, thanks for that Dennis Bible Kids info. I will follow up with some scans of that whole series towards the weekend and will let you all know if I hear back from Doug Supila (I already emailed him). Flying Donut, what kind of price did you get on that #10?

Tim, in answer to your question, Dennis, mom, dad, the Wilsons, Ruff all appeared in the first issue. If you look at my scan of #1, I think it says just that on the case.

Keep posting, everyone! I can't wait to jump back in later in the week.

Joe

It's great to see all this new stuff posted!

I said at one point I've got enough stuff to post here for years, and I mean it. So far we have the first 25 regular books, some great examples of artwork, the first 22 giants, the twelve hardbacks, the 5 giveaways, but we still have the rest of the 166 regular series, the rest of the 196 giant series, the friends series, the digests, the 48 paperback collections, the oddball items, the INSIDES of the comics, favorite stories, favorite art sequences, magazine articles, original art, etc. This thread is only just beginning!

I am really glad to see other high grade Dennis books. I'm glad they're out there so I can see them - and it's encouraging to know that they actually exist! I am still hopeful to complete my collection ALL high grade, especially that #1. Bill, I remember about five years ago a guy advertised the first 50 Dennis books in CBG but they were all low grade so I turned him down. Clearly this is NOT from that collection. Yours are AWESOME! I echo Tim's curiosity about the consistency of the miswrap on those comics. I have watched Dennis auctions consistently since the last century and rarely see a miswrap on those early issues.

Escape, I will check out the site you referred to. Sounds cool! I'd love to post some interior art, but ...HOW DO YOU DO THIS WITHOUT DESTROYING THE COMIC?

Another question: Does anybody besides me have a copy of Dennis and the Bible Kids #10? Doug Supila told me he doubted it existed it was so rare and that he'd never seen one. I will post it at some point. 2 have been on ebay ever to my knowledge and I have them both. I plan to email Doug and ask for his advice on how to go about pricing it for sale. If anyone can offer any advice I would appreciate it.

Some of my upcoming posts will be about the contents of the early Dennis issues and I'm thinking of posting the next 25 issues of the regular series. Thoughts? Suggestions for a next step? In some ways, I think posting interior artwork is the next step and it has already begun. I would love to do that but don't know how to do it without destroying the comic! I have reading copies of all the early issues so would like to start with them, in order. Thoughts???

Joe

And finally, here's one from Marmaduke creator Brad Anderson:

Overall, I find these tributes very cool. The seller said that Charles Schulz made one also. That one I'd LOVE to see. Anyone ever seen the others? The seller mentions one with Garfield and one with B.C. as well, but none of these last three are on eBay.

Here's another one, by Hagar creator Chris Browne:

The next one is by Ziggy creator Tom Wilson. I love how he signs this "Mr. Wilson"!

Looks like this thread is hopping today!

Yes, to echo Escape, Dairy Queen used Dennis for a while. Too bad they don't use him anymore. I have a cool Dennis the Menace Dairy Queen clock in my classroom that my kids LOVE. I picked it up on eBay a couple years ago.

Speaking of eBay, I noticed a series of original cartoons on eBay that paid homage to Hank Ketcham. They were drawn for Ketcham to pay tribute to Dennis's 40th anniversary. I was struck by the reverence of these drawings and felt the respect they had for such a huge accomplishment. It's very moving that he gets so much respect from his peers and so little acknowledgement from the comic book world. I downloaded the pictures of the four auctions I saw and thought I'd share them. The first one is by Tom Armstrong, creator of Marvin:

And finally, here's the last Dennis giveaway I know of: Dennis the Menace Coping with Family Stress. This was published in March 1981 by the National Center on Child Abuse & Neglect, Children's Bureau, U. S. Department of Health and Human Services.

Here is the next Dennis giveaway: ...And Away We Go! This was published by Park, Davis & Company in 1970 and given away with a purchase of Caladryl. Now, what many people don't know is this: There were TWO free band-aids stuck to the inside back cover. If you have this without the band-aids, sorry, but it's NOT true near mint. Good luck finding one WITH the band-aids. Overstreet needs to acknowledge this fact. Mine has the band-aids, but there is no way for me to show them without damaging the comic at this time. At some point in the future I will have someone take a digital picture while I hold the cover open. In the meantime, here's the cover...

Hmm! I just learned something interesting as I was posting these giveaways: That Dennis the Menace Takes a Poke at Poison has more than one printing. The one posted above looks like it was published in 1981. The one below is the original from 1961. Looks like I don't have every Dennis comic ever after all!

To Overstreet's credit, the guide has documented the different printings of this giveaway: 1/66, 11/70, 1972, 1974, 1977, and 1981. Cover & art is by Al Wiseman.

Does anyone know anything about this one? I'm just hosting the scan for Mister_Comics. Cool book.

 

Thanks Mister_Comics and Jeffreykli for posting the third of the Dennis giveaways, Dennis the Menace Takes a Poke at Poison. This comic was published in 1961 by the U.S. Department of Health, Education, and Welfare.

Here's the next Dennis giveaway: Dennis the Menace and Dirt, published in 1959 by the Soil Conservation Society of America. Ketcham relates a funny story about this in his autobiography, that after he had released this comic, he is accused by his neighbors of contributing to local pollution. On his new ranch in the Carmel Valley, which he purchased with his new-found wealth from the Dennis franchise, his new man-made lake leaked out into the local area.

Overstreet Price Guide states there was a second printing of this in 1968. Cover & art is by Al Wiseman.

I said I will post all the Dennis giveaways, so here they come.

I will start with Dennis the Menace On Safety, which, last time I checked, was not in the Overstreet Price Guide. The indica for this comic reads, "Entire contents copyright 1956 Hall Syndicate Inc." On the back it states, "Published by National Safety Council 425 North Michigan Ave, Chicago 11, Illinois. Green Cross for Safety." There is a stamp on the back that reads, "Southwestern Bell Telephone Co., N.E. Texas Division." It is exactly digest size. I have seen a total of 2 of these on ebay ever. Looks like it was given away by the phone company either regionally or all over the country. Needless to say, it's tough to find, and I am lucky to have found one that happened to be in grade. Contents include 15 full color, one-panel cartoons that relate to the issue of "safety."

That's all until this weekend, when I'll unpack the other box the rest of my Dennis collection is stored in. But I also thought I'd post this final scan. One of my favorite things about the early Dennis books is that they would occasionally run ads for Dennis merchandise on the back covers (the books carried no internal ads). Here's one of the first - from the back of # 12:

 

 

Until I can get more scans, I'd like to hear some opinions on what your favorite Dennis stories are or what you think was the single best Dennis Giant.

Ah, that elusive little Dr West's Coloring Book! Talk about tough to find! I saw one of these on ebay a few years back and got it for a song. This thing doesn't turn up too often, and to think this one is in what looks like pretty much near mint to me. It says Copyright 1955 on it...

I'm lovin' the show!

You've got some great Dennis books! I think your #4 clearly is superior to mine, and while the condition on my #6 is very high grade, structurally, I prefer yours overall because of the uniform whiteness of the cover. To me, covers that retain their freshness and whiteness are more desirable than books that are free of spine defects. This is just my personal taste. Thanks for sharing and also thanks for verifying the cartoon count on the Dennis Rides Again. Keep your collection coming!

Joe

And here is another great Dennis resource I found on the internet a while back. It is a website that lists - and sells - every episode of the great Jay North tv show from the 1950s and 1960s. I have personally purchased from this site and was very pleased with the quality. Here is the link:

Dennis the Menace TV Show Web Site

Here is that great Hembeck homage to Dennis the Menace. The link is here:

Hembeck Dennis Tribute

And here is a copy of his article. If you follow the link, you can see some great Dennis artwork. What follows here is just the text. Enjoy!

December 21st, 2003

Generally, this is the time of the year when we all once again hear the familiar tale of the Three Wise Men. Well, no disrespect meant, but you won't be hearing their story from me here today. Instead, as part of my own modest celebration of the season, I'd like to instead share a little with you about ANOTHER, unfairly neglected wise man--namely, master cartoonist, Al Wiseman!

You've all heard of "Dennis the Menace", right? When Hank Ketcham's syndicated gag panel debuted in the nation's newspapers back in 1951, it was the very definition of an overnight success story. The mischievous--and perennial--five year old's immense popularity soon demanded that a comic book series be developed, so to produce the words and pictures for this new enterprise, Ketcham enlisted the aid of writer Fred Toole and artist Wiseman, luring both old friends away from lucrative jobs in the advertising field. When, as legend has it (as well as the text feature found on the inside back cover of the May, 1960 issue of DENNIS THE MENACE--number 42-- that is not only my primary source for this information, but the two photos included over yonder as well), at a time when top titles sold somewhere between 50 and 60 percent of their total copies printed, the very first Dennis comic in 1953 sold out almost it's entire print run!! Yup, you read that right--an almost astonishing 100 percent sell-through! No wonder Fred and Al left their jobs at the agency soon after the sales figures came in, and devoted most of the following decade towards making the regular DENNIS THE MENACE title--and it's various spin-offs--among the very best comic books ever produced, bar none!

That's ME talking now, not a paraphrase of the rosy colored picture painted by that undoubtedly biased promo page from 1960. I've long felt Toole and Wiseman's long tenure on the popular title measures up to just about anything else produced in the field's first quarter century. But while John Stanley and Irving Tripp's LITTLE LULU has long had a vocal core of influential admirers--and I wholeheartedly count myself in that thriving number, except for maybe the "influential" part--and the reputation of another of my all-time favorites, Bob Bolling's LITTLE ARCHIE, is gaining momentum with critics every day, the equally wonderful--but subtlety different--work of the DENNIS THE MENACE team continues to be mostly overlooked. Why is this?

Well, perhaps in the case of Lulu, I'd venture it has something to do with the long, long ago cessation of the gag panel produced by creator Marge Henderson Buell, and as that inexorably faded from the culture's collective memory, the superior--and more accessible--comic book stuck in the public's mind in it's stead. As for Little Archie--a concept that, ironically, owes it's very existence to Dennis's initial massive success--I believe it was Bolling's uniquely idiosyncratic take on the almost generic Archie cast of characters that has made his fine work worthy of remembering some five decades after the fact.

But Toole and Wiseman's Dennis? Unlike the other two great kid strips mentioned above, the core character's creator didn't quietly fade into the background as the years wore on. In fact, if anything, Hank Ketcham seemed to gleefully court the celebrity his pint-sized pest bestowed upon him, as he skillfully guided his brain-child through various media configurations--television, cartoons, live-action films, books, all sorts of merchandise--while still maintaining a noteworthy presence in the cartoon pages of an impressive number of the nation's newspapers. To the public, then, Hank Ketcham IS Dennis the Menace--even now, several years after his death. And it's my additional theory that, with such a glut of Dennis product spewing out over the past five decades, the comics cognoscenti have deemed any property THAT successful--especially one dealing with kids and clearly aimed at the middle class--to be unworthy of their elite attention, and have given scant consideration to the comics, now long gone, wrongfully assuming them to be just another small piece of a past marketing phenomenon. But they'd be wrong, because these really ARE brilliantly produced comics...

I trust you're all familiar with the basic premise--a five year old's innocent yet non-stop rambunctious behavior makes life for his harried parents one never-ending bout of embarrassment, alternating with exhaustion. Works beautifully for a single panel gag, but just try hanging story after story on that concept and making it work. Well, Toole and Wiseman did--and repeatedly. As with all good comics, the exemplary art--which we'll get to later--had tremendously strong underpinnings provided by Fred Toole's farcical yet still realistic scripts. While the writing started out in a rather broad manner in the earliest issues, as time went on, it quickly came to adhere to a far more recognizable reality than any other found contemporaneously in the field. Unlike both Tubby and Little Archie, there were no friendly Martians visiting Dennis and his young pals. Everything that happened in a Dennis story could actually happen to the reader. Oh sure, any number of unlikely coincidences would have to occur to bring certain more outlandish tales to fruition in a real-life setting, but Toole made certain that Dennis's exploits were never completely out of the realm of possibility!

And while the primary focus was always on the tiny tornado, parents Henry and Alice Mitchell were never simply portrayed as cardboard foils for the stars lovable antics. Father Henry in particular was oft times effectively used as a top-notch straight man for the little tyke, finding himself in jams that were every bit as laugh-provoking as anything found throughout the entire run of the series! And Henry, try as he might, found himself constantly exasperated by his progeny's well-intentioned--but usually disastrous--escapades. He was always justthisclose to losing his temper big time--and more than once, folks, he actually DID!! Reading these tales as a child, I saw Dennis' dad as a purely comic presence--NOW, after 13 years with my girl Julie, I see him as one of the great sympathetic figures in the history of comics. That poor, poor man--what he had to endure...

All this and more came through in Toole's witty and inventive scripting. He could take the smallest, the slightest, the most incredibly mundane of concepts to hang a plot on, and still make it sing. I'll give you an example from one of the Christmas specials that I'm planning to eventually get around to discussing (Yay! We're ALMOST there!). Coming up with fresh ideas, year after year, to fill up nearly a hundred pages with tales revolving around a single theme couldn't've been easy, but this underrated scribe somehow managed. By 1964, you'd've thought all possible angles would've been exhausted, but not if you read a nine page gem entitled "Window Wonderland"...

Henry comes home from the office with a specially drawn design done for him by an associate, a design that spells out the word "Noel" in fancy Olde English-like lettering. Alice has to clear out, but Dennis eagerly jumps in to help his dad as Henry carefully endeavors to cut out each letter in a different colored piece of bright cellophane, with the plan thereafter being to adhere each letter to the window with black tape (in reverse), finally spraying some artificial snow around it as a finishing touch. Now, this sounds incredibly dry, but the amazing thing is, the story not only works as a sufficiently detailed set of step-by-step how-to instructions (aided, of course, by Wiseman's expertly drawn pictures), but he also manages to wring more than a modicum of truth-based humor out of that simple scenario...

After all, what parent at one time or another hasn't sat down with their small child, intent on doing a mildly complicated craft project together, only to soon regret the notion when it becomes crystal clear that their potential helper hasn't nearly the patience necessary to complete the deal, instead continuously getting recklessly ahead of things, much to the everlasting chagrin of the adult? Well, that's this story in a nutshell, but it's the manner in which Toole fills his pages with gag after gag that makes such a slight premise so richly entertaining.

Of course, aided by anything less than stellar art, these scripts would lose a fair amount of their impact, but with Al Wiseman as his creative partner, Fred Toole most assuredly didn't have to worry about that. Their combined talents caught the essence of the "modern" fifties far better than any other series published during that transitional era, and compared favorably with the very best of the family-oriented sitcoms broadcast during television's first decades. The meticulously precise linework of Wiseman was responsible for a large portion of this success. While naturally attempting to match Ketcham's stylistic nuances, as the year's wore on, more and more of Wiseman's individuality crept through. Comparing a story from 1953 to one drawn a decade later easily proves this point--the art is still identifiable as the work of the same person, but one whose natural inclination towards a more controlled line has gradually eased out the more fluid strokes associated with the strip's originator.

This is by no means a bad thing, mind you, because, despite a more exacting style, Wiseman always manages to imbue his characters with a zestful animation that gracefully sells each and every one of Toole's cleverly conceived comedic conceits. And as much as he may've excelled at bringing the central cast to life on the page, his unparalleled ability to create a thoroughly believable environment for them to frantically frolic in should in no way be overlooked. According to the aforementioned 1960 promo page, Wiseman drew EVERYTHING from life (or failing that, a really good reference photograph). Every last detail in a Dennis story looked exactly right, and I daresay, NO ONE in the world of post-Code comics drew incidental background material with the convincing authority Wiseman did. Quite a few Dennis stories took place inside their typically furnished suburban home, and every item--kitchen appliances, couches, chairs, even TV sets--accurately reflected those currently being used in actual homes all across the land.

And when Wiseman was called upon to illustrate the Mitchell clans' periodic vacation treks--to Mexico, Washington D.C., Hollywood, and Hawaii--he outdid even himself and produced some of the most authentically gorgeous art EVER--yes, you read that right! I said "ever"--to find it's way into a "lowly" comic book. For these giant specials alone, Toole and Wiseman should be enshrined in some Funnybook Hall of Fame, as their stories wonderfully realized sense of place is unequaled in comics history.

Which brings us to these Christmas specials. Each one a treasure, they all featured a loosely connected series of sequentially arranged short stories, always culminating with the final episode focusing on Dennis enthusiastically awakening early--usually, VERY early--on Christmas morning. Despite the necessarily formulaic nature of this arrangement, Toole and Wiseman never repeat themselves. Certainly, there are variations on favorite themes--shopping, too many Santas, tree decorating, hiding gifts--but somehow, a fresh angle is always unearthed by this talented pair to make each and every Christmas special, well, SPECIAL!

And in keeping with the realistic slant favored by the creators, Santa, despite making numerous appearances over the years, is never even hinted at as being genuine--not even in that corny, "end of story, wink-wink, nudge-nudge, is he or isn't he REALLY the one" manner so familiar to anybody who's ever seen a very special Christmas episode of some generic sitcom over the years. Nope, Santa is ALWAYS either dad, a relative, a store employee, a rich fellow with a beard, Mr. Wilson, or maybe even a cop! This is not to say any of the adults ever come right out and dash the dreams of small children all across the world by stating definitively that there is indeed no Santa (and to any small children reading this right now--what are the odds?--please understand, I'M not saying that either. Honest!), but clearly, the knowledge that ol' St. Nick has a passel of red-suited stand-ins was understood by all save the youngest members of the cast. That, in addition to the occasional nod towards the generally avoided (at least, in comics) religious aspect of this widely celebrated holiday, separated the Dennis Christmas specials from the rest of the pack. (And you might even find our star going off to the little boys room from time to time, ANOTHER function of day-to-day existence generally avoided by, oh, I'd say a good 99.99 percent of the remainder of the books on the stands, if not more...)

For years and years, I'd contentedly read and reread these delightful collections during the waning weeks of December, with the likes of the great Nat King Cole crooning "The Christmas Song", blissfully providing appropriate background music. But unlike the similarly treasured Little Lulu Halloween giants I enthused about a few months back, I did not actually own ANY of the holiday specials pictured hereabouts while I was growing up. Sure, I had plenty of the OTHER Dennis specials released during the early sixties in my possession--the aforementioned vacation issues, whole books co-starring Joey, Margaret, Ruff, and Mr. Wilson, several based on the Jay North television series--but the only Christmas special I ever owned back in the sixties was one drawn by Owen Fitzgerald.

Time for a digression within a digression. My earliest copies of DENNIS THE MENACE were supplied in the legendary gratis box of kiddie comics passed on to my dad by a co-worker, undoubtedly the most significant off-hand gift bestowed upon me in my entire misbegotten life, a story I've told time and again, even once in illustrated form. Several issues containing Wiseman art were included--such as the winter-themed number 41--and once I soon after started buying my own comics, I made sure to include every available Dennis publication in amongst my, ahem, "more mature" super-hero-type purchases. But with so many triple-sized editions being released as the success of the TV show apparently upped the demand for Dennis product to an all-time high, something had to give, and that something was, sadly, Al Wiseman's exclusive and total reign over the Dennis comics. Happily, he continued to handle the majority of the ever more frequently issued giants, but suddenly, the regular Dennis title was being drawn by--and pardon me for saying this--a TERRIBLE artist!! Arrgh!

Ranking right up there--or should I say, DOWN there?--with Ross Andru taking over for Carmine Infantino on THE FLASH and John Romita stepping in for Steve Ditko on AMAZING SPIDER-MAN, I was similarly aghast at this radically new artistic approach. Whereas Wiseman was precise and controlled, this new guy's drawings seemed sloppy and dashed off with little thought as to the very quality of the linework. It was only the still enjoyable writing of Toole, as well an ingrained fondness for the characters, that kept me coming back. I somehow missed the handful of Wiseman Christmas giants issued during the mid-sixties, winding up with only a single one drawn by this scourge with a fast and loose brush. At the time, it was like a getting a piece of coal in my stocking...

For years and years, I had absolutely NO idea who the perpetrator was who had come in and all but ruined Dennis for me. It wasn't until I read something somewhere by the estimable Mark Evanier, championing the work of a long-time cartoonist named Owen Fitzgerald, including the Dennis assignment on a long, impressive list of accomplishments, that I suddenly came to realize just whose work I'd vilified in the remote recesses of my mind for all those years. Subsequently, getting an opportunity to more closely examine a lot of the work he did during the fifties for other publishers, particularly on DC titles like BOB HOPE and other girlie-centric titles, I finally began to appreciate his not-insubstantial talents. Just as I eventually came around to Romita on Spidey, and Andru on most everything else, I came to realize I'd judged Fitzgerald unfairly. He was NOT a horrible artist--anything but. But WAS he the ideal choice to fill in and provide some breathing room for Wiseman? I still don't think so, as their stylistic approaches were just too far apart to be anything but jarring when seen in quick succession. But I DID form a new appreciation for his Alice Mitchell--rorwff!...

It was while perusing the colorful-yet-slowly-decaying wares found in the dealer's room at a mid-seventies New York City Comicon that I accidentally stumbled across these five golden things. In fact, there was also a handful of other giant editions I'd never seen before--including several generic vacation issues that predated the wildly successful single destination tomes of later years--as well as a healthy run of the standard sized Dennis title too. AND they were all reasonably priced! Well, never one to spend overmuch for back issues, I was reluctant to commit all my available cash to the whole kit and kaboodle, ultimately choosing instead to buy just the dozen or so giants that I'd never encountered before, leaving the rest in their sales boxes. It's a decision that, yes, has haunted me for many years--but hey, I was just out of college, okay, and didn't have the ready finances, dig? Still, I shoulda grabbed 'em all--y'see, reading my brand new purchases renewed my then-latent enthusiasm for the work of Toole and Wiseman, and I wound up spending the next several years relentlessly poring over tiny ads in CBG, searching out as many of the early Dennis issues as I could find at fairly cheap prices (including number 30 from 1958, featuring a story where Dennis, in a manner of speaking, meets his maker(s), several key panels of which you'll find nearby...). I never did quite complete my collection, but I probably wound up with at least two-thirds of the Wiseman illoed issues (and there's at least one other Christmas book drawn by Al that I don't own, though my good friend and fellow Wiseman fan, Terry Austin, once lent me his copy to read, which brightened that particular holiday season immensely, believe you me!...)

The funny thing is, I was deep into my twenties when I picked up these books, already hooked up with my dear wife-to-be, Lynn, and yet I'm as fond of these five publications as I am of anything I read at the impressionable age of eight. Now, that either says a lot about the power of the material contained therein--or about my blatantly stunted maturity!?! Hey, maybe it's a little of both, y'know? But as I casually indicated above, I'm hardly alone in my appreciation of the DENNIS THE MENACE comics team. Besides Terry, I know for a fact such top-notch artists and creators as Bret Blevins, Bill Alger, Walt Simonson, Jim Shooter, Bill Wray, and the Hernandez Brothers hold this work in the highest of esteem as well (and, hey, let's add my old pal Rocco to that list while we're at it, too...).

I believe the only thing that's keeping this series from getting the sort of respect it so richly deserves is a vocal and unrelenting champion. I'm not saying I'm that person, but if this heartfelt tribute does anything to nudge things in that direction, I'd be extremely pleased. Too often, aficionados, overly steeped in the fantasy aspect of comics, indiscriminately turn their noses up at material aimed at a younger audience as being essentially worthless, but I'd happily match the Toole/Wiseman material up against the more famous adventure-oriented titles of the period, and save for a few isolated stories here and there, feel confident Dennis would triumph if handed to a non-biased third party to examine. Because, friends, the books really WERE that good!...

A few words about the lettering. It's perhaps the most expressive ever seen in a comic book. Period. Al Wiseman proved to be as superb a calligrapher as he was a cartoonist. The imaginative use of upper case, lower case, and brightly colored display lettering, all within the context of a characters single word balloon, allows for us to "hear" the dialog far more effectively than is possible when merely utilizing a standard approach. The comedy is only intensified when one gets a truer sense of a gags proper line-reading, and the exasperation that comes through when poor put-upon Henry's words blurt out in large, red letters-- contained in a suitably jagged word balloon--can be palpable, and thus, truly hilarious. To paraphrase my soul-mate on "The Simpsons", best lettering ever...

As a special holiday treat for you all, I've happily scanned in a story from the 1964 edition called "Self Service Santa" over at the aptly titled "Stuff I Had NOTHING To Do With" section of this very site. It was a tough chore choosing but one story out of the many fine ones available to share with you folks, but ultimately, this is the one I picked. Admittedly, there were several self-imposed restrictions I found myself laboring under. First off, I wanted to showcase some of Wiseman's later, more meticulous work, as opposed to his earlier, more Ketcham-like (but still marvelous) material. Then there was the matter of the actual scanning itself...

Gang, I love ya, one and all, but not quite enough to completely destroy these wonderful comics! Y'see, they all have square-spines, making it all but impossible to get every last detail of a mid-issue tale properly into the scanner without completely squashing the binding flat. So I was pretty much limited to either the first or last story in any given issue, and since the last story, like Christmas morning itself, always boarders on being anti-climactic, I instead elected to go with their opening salvo for '64, featuring a memorable visit to a flummoxed department store Santa. Look especially for the big laugh at Henry's expense at the end of page 5, and his entirely realistic reaction to it atop the very next page. Also, notice how convincing Wiseman makes his setting, always without an excessive usage of meaningless lines. And marvel how the creative use of lettering in "Santa's" balloon in the second to last panel on the next to last page ups that moments humor quotient all that much more. While this tale ends on an atypically happy note for the Mitchell family, those of you unfamiliar with the work of these two talented gentlemen will hopefully nevertheless get a sense of why I'm so sincerely enthusiastic about their work.

A final note. One of the thrills of putting yourself out on the Internet is that you just don't know from day to day who might turn up. Well, several days ago, while periodically checking for any fresh entries in my Guest Book, I was surprised--AND extremely excited--to see that, of all people, the late Al Wiseman's son, Jim, had checked in! He had a few gracious words to say about "Petey", my meager--yet personally extremely satisfying--attempt to blend Lee and Ditko's pre-Spider-Man Peter Parker with the vastly attractive style employed by his father on the Dennis comics. As I informed him in a return note--in addition to thanking him for his good wishes--I had just the day before dug out his dad's Christmas classics with the full intention of doing this particular write-up. So, I went on, wait just a bit--I'll tell you exactly what your father's art meant to me over on my web-site! And I'm gonna let everybody else know, too! Well, here it is, Jim. I think by now you can clearly gather that your dad's work meant a whole heckuva lot to me, and I hope I've done him a small measure of justice in my muddled attempts to explain his lasting appeal to those out there who weren't lucky enough to grow up like I did, reading comics featuring his expressive drawings, rendered with that impeccable steady line of his!

So, to end things with the words Dennis repeated on the last page of several of these Christmas extravaganzas (mirroring a particularly famous Ketcham cartoon) as he sits among a massive pile of presents, now bereft of their hastily torn off gift-wrapping:

"Is this ALL?"

Yup! At least for now...

Thanks for the info! Just when I think I know it all about Dennis a CBM article slips by me. I would love to get a copy of this if you can find it or at least know what issue it is so I can grab one off ebay. The premise you describe is an apt one, and a premise Matt Groening admittingly exploited when he created Bart Simpson: that society enjoys adventures of the archetypal "bad boy." He says that since Dennis faded from the peak of his popularity, there was a void in pop culture that quickly embraced Bart when he first appeared. I will post an interesting article he wrote about Bart's relation to Dennis and Tom Sawyer when I get some time. I have always felt that the Simpsons tv show has suffered since the focus has shifted from Bart's exploits to Homer's. But that's another topic for another thread...

Joe

CBG, thanks for the information on the Dennis strip collections. I never realized the paperbacks had more strips. By the way, my edition of "Dennis Rides Again" (14th printing - 1959) claims it has 127 cartoons - do I need to count them?

The hardback first printing of Dennis the Menace Rides Again has 62 cartoons, the 1950s paperback version (grey spine) has 123 cartoons, and the newer edition (all white cover) paperback has 124 cartoons. The claim in the beginning of the 1950s paperback book says it has 65 more cartoons added to the hardback version, but if it did, it would contain 127. I've counted it three times and get 123 cartoons! Count yours and see what you get. I'm curious! Maybe different printings (you say yours is the 14th) had different cartoons added and taken away. It's complicated enough keeping track of all 48 paperbacks, but the different printings of each???

Joe

Here are examples of what I mean by 1950s paperback (grey spine) and newer edition (1960s on). Only the first seven hardback books were printed as paperbacks in the grey border style, the eighth and on were all printed in the style of the newer edition:

Thanks for posting that AMAZING #4!

The colors on it are great, and I'd have to say it's my favorite cover of the early Dennis issues. I would not worry about the off-centering of it too much considering there's virtually no wear and especially cause there's no discoloration. Wow!

Joe

The eleventh, 1961:

And - finally! - the twelfth and final hardback collection, from 1962:

Unless you have ever tried to get a full set of these, you cannot imagine how hard they are to find in high grade. The problems seem to be corners that are very weak, bindings that crack, inside covers that have spots, inside pages that tan easily, covers that are easily soiled and often written on. The list goes on. When I find one of these in nice shape, it is an occasion. These can sell anywhere from a few bucks each to hundreds of dollars each. To me, they are priceless! The ones I'd like to upgrade are Teacher's Threat, Happy Half-Pint, and Rides Again. Anybody have them?