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Comics, Pulps, and Paperbacks: Why such a discrepancy in values?
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7,866 posts in this topic

On 7/24/2024 at 6:58 PM, Pat Calhoun said:

the absence of back-in-the-day-superkeys helped obscure the overall high quality of the run: hence there are bargains today and many excellent covers, not to mention writers who have gained appreciation, like Milton Ozaki aka Robert O Saber: print runs were probably industry normal...

On point, no super keys - but plenty of excellent noir and some great artists pepper the line: Popp, Brabbins, Maguire, Marchetti off the top of my head

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On 7/25/2024 at 12:12 PM, Darwination said:

That's one big *ss horse syringe/needle :D

 

I think that's the Sharing Size. Or the family pack, "the family that bangs together, hangs together". :tonofbricks: GOD BLESS ...

-jimbo(a friend of jesus)(thumbsu

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On 7/25/2024 at 9:07 PM, Darwination said:

When I was looking through Steve's books and looking at comps, I was a little disappointed when I learned this wasn't actually Charles Williams.  Still, I'm struck by the subdued cover with great colors and the fact it seems to be an early work by jazz critic James Lincoln Collier.  Nice shape, too, so on the take pile it went :)

Fires of Youth - James Lincoln Collier (as Charles Williams) (1960.Magnet Books 309) cover PBO

FiresofYouth-JamesLincolnCollier(asCharlesWilliams)(1960.MagnetBooks309)coverPBO.thumb.jpg.f6d04dd586d1ec71d194a0281944b50a.jpg

FiresofYouth-JamesLincolnCollier(asCharlesWilliams)(1960.MagnetBooks309)rearcoverPBO.thumb.jpg.619494455790c658b2a7e492c633a4b1.jpg

Nice nipple covers don't need all that 'splainin' 🙂

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