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Golden Age Collection
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18,204 posts in this topic

 

I find his art on The Jester to be even more detailed than on the early Human Bomb and closer to his work on The Spider - This from Smash 32 -

 

44778-Smash32-J2.jpg44779-Smash32-J3.jpg44780-Smash32-J4.jpg

 

I love Jester's costume. It's so over the top.

 

Spectacular Golden Age artwork. It certainly shows off Gustavson's mastery of the medium in the early years of the superhero.

 

Thanks Scrooge. :applause:

 

 

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I find his art on The Jester to be even more detailed than on the early Human Bomb and closer to his work on The Spider - This from Smash 32 -

 

44778-Smash32-J2.jpg ...

 

I love Jester's costume. It's so over the top.

 

He obviously owes a debt to Joker, but it's almost as if he later branched off and became the Trickster (SA Flash -- the leggings) and the Comedian (Watchmen -- the happyface shtick -- although Jester is obscure enough that I've never seen the connection mentioned). Siegel's Funnyman comes to mind too.

 

 

Spectacular Golden Age artwork. It certainly shows off Gustavson's mastery of the medium in the early years of the superhero.

 

Thanks Scrooge. :applause:

 

 

Encore!

 

Jack

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Encore!

 

hm What to do for an encore ...

 

How about another pre-1941 single panel splash from Samson # 1, dated Fall 1940?

 

This is followed by a Samson story from # 1 also. It's one of those pre-war angst story that Theagenes will like (if he ever finishes his job anytime soon. We miss you!). Some of the pages are repetitive. I mean ... we get the point that Samson is super strong the first time around but still it maintains its charm throughout the story and I did find the "streamlined" backgrounds served the story (instead of being a sin of omission for the sake of speed in execution. This is a Fox book after all). Tom, if you're reading this, maybe the OSPG should list Samson # 1 as "Big Screen TV's first appearance." lol

 

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I'M DOING MY CHRISTMAS SHOPPING EARLY THIS YEAR

SO LET ME KNOW WHAT YOU WANT

 

Here are some gift ideas

 

LIVE TURTLE - With Your Name Painted On It

 

EXPLOSIVE MATCHES - Knock 'Em Off Their Feet

 

LIVE CHAMELEON - Watch It Change Color

 

REPEATING SLING SHOT - Will Fire 150 Shots With One Loading

 

GENUINE WRIST WATCH - Sun Dial Type

 

 

johnsonsmithGA.jpg

 

Famous Feature Stories # 1 Back Cover (1938)

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THIS IS THE MOST RECENT UPDATE OF PRE-1941 COMIC BOOKS THAT CONTAIN STORIES WITH FULL PAGE PANELS.

 

Funny Pages # 3 (July 1936)

New Adventure # 13 x 3 (Feb. 1937)

Detective Comics # 1 x 2 (March 1937)

Detective Comics # 2 x 2 (April 1937)

Detective Picture Stories # 5 (April 1937)

Detective Comics # 3 (May 1937)

Detective Comics # 4 (June 1937)

Detective Comics # 5 (July 1937)

Detective Comics # 6 (August 1937)

Detective Comics # 7 x 2 (September 1937)

Detective Comics # 8 (October 1937)

Detective Comics # 9 (November 1937)

New Adventure Comics # 21 x 2 (Nov 1937)

New Adventures Comics # 22 x 2 (Dec 1937)

Detective Comics # 10 x 3 (Dec 1937)

Detective Comics # 11 x 2 (Jan 1938)

Detective Comics # 12 x 3 (Feb 1938)

Detective Comics # 13 x 2 (Mar 1938)

Detective Comics # 14 (Apr 1938)

Detective Comics # 15 (May 1938)

Detective Comics #16 (June 1938)

Funny Pages v3 #1 Feb 1939 (reprint of Detective Picture Stories # 5, April 1937)

Speed # 1 (Oct 1939)

Amazing Man # 7 - November 1939

Top Notch Comics # 1 (Dec 1939)

Blue Ribbon Comics #3 (January 1940)

Fantastic Comics # 2 (Jan 1940)

Top Notch # 2 x 3 (Jan 1940)

Zip Comics # 1 (Feb 1940)

Speed Comics # 6 (Mar 1940)

Miracle # 3 (April 1940)

Rocket # 2 (April 1940)

Weird Comics # 2 (May 1940)

Silver Streak # 4 - May 1940

Silver Streak # 5 June 1940

Whirlwind # 1 (June 1940)

Mystery Men Comics # 12 (July 1940)

Mystery Men Comics # 13 (August 1940)

Superman # 6 (Sept/Oct 1940)

Samson # 1 Fall 1940

Flame # 3 (Winter 1940)

 

The criteria we're using is that the full page panel actually be incorporated into a standard sequentially paneled narrative and not be a pin-up or a stand alone story book page.

 

If anyone has any additions, please post your info.

 

THANKS

 

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I think that with the wig, I'll Learn how to Dance for 25 ¢ ...

 

Good choice. (thumbs u

 

Uh-huh. Sounds to me like a scheme to raise funnybook money. At a dime a dance, he'll be shopping for pre-Robin Detectives in no time.

 

We can call him Lo-lo-lo-lola!

 

 

I'm having trouble with the fine print. Does that Genuine Portable Typewriter connect to the internet?

 

Jack

wireless or hard-wired?

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Samson # 1

44801-Samson1-S4.jpg

 

 

Scrooge, thanks for posting this latest story.

 

I find that I like the work of quite a few of comic's early illustrators who are on opposite ends of the talent spectrum.

 

As much as I admire super talents like Lou Fine and Wil Eisner, I also enjoy the primitive look of stories like this one. It makes me a sucker for Golden Age comic books because there was a lot of unsophisticated art published during this era.

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....and wonderfully recreated by Bob Lubbers. 44829-arrowrecreation.jpg

 

Jon, I love all the recreations you own.

 

What size is The Arrow?

 

Do you have any Planet recreations?

 

The Arrow is about 18 x 24

 

As for Planet recreations.....here is Zolnerowich and Lilly Renee......and sorry but I do not have a recreation of Planet 1, but hopefully the original will do (the pride and centerpiece of my entire collection)....

 

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44858-planet1.jpg.8b92562b7b8dbf44d5a87bc918f574c4.jpg

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Scrooge, thanks for posting this latest story.

 

I find that I like the work of quite a few of comic's early illustrators who are on opposite ends of the talent spectrum.

 

As much as I admire the super talents like Lou Fine and Wil Eisner, I also enjoy the primitive look of stories like this one. It makes me a sucker for Golden Age comic books because there was a lot of unsophisticated art published during this era.

 

I believe this story is helped by strong feelings in the story: the author tells us how one wishes we could take care of the looming threat. The art is reflecting that mood and focuses predominently on the strength that Samson, an allegory maybe for a united allied group. I found many panels powerful when Samson strikes down an enemy. The destruction is total and unwavering. The emotions are raw. It's a powerful story which can be carried easier via a simple style. Had Fine worked this -script, I fear it would have lost some of its power. Or I make too big of a deal out of it. Generally, Samson's stories aren't that exciting or meaningful.

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