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Posts posted by Bookery
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Look, it doesn't matter how many copies there are. It comes with 80 exclamation points (yes, I counted) so it's gotta be a fantastic deal regardless.
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On 3/11/2024 at 11:29 AM, shadroch said:What is the audience for these vintage paperbacks? It seems to me the buyers tend to be older white men. I cant recall the last time I sold a 1950s/60s paperback to anyone under 55. That doesn't speak well for the future.
Mostly, but that's probably true of any "vintage" collectible. Paperbacks are a slow market in my area, however, oddly enough, I probably have more young people in their 20s coming in looking for old paperbacks than old comics. I just got in a want-list a couple of days ago from a young woman in her 20s that includes Ursula Le Guin, PKD, Joanna Russ, Barry Malzberg, Robert Silverberg, etc. Apparently, there are a number of role-playing games based off old sf authors, and players are seeking the original stories out as source material, reviving interest. Of course, I can sell any edition from any era of Lovecraft, Howard and Ellison. And there are still Frazetta-cover fans. The oldest stuff is actually slower-moving... old Avons, Dell mapbacks, early Pocket Books.
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On 3/11/2024 at 12:30 PM, Darwination said:
The real question is how much the purple is gonna ding the sales price which is hard to tell because I'm not getting a feeling yet for how the grading/boxing is affecting the sales prices either (besides them being generally jacked)
Pulp collectors seem to be a hardier lot than their comics counterparts. They've not only dealt with, but embraced The Man in Purple, The Purple Cloud, The Purple Empire and the Purple Scar. I suspect they won't be too daunted by the Purple Label!
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On 3/5/2024 at 5:32 PM, Surfing Alien said:I assume the resto label on the Strange Tales is due to the sealed splits.
Yes. Trimming should never be considered restoration since, by definition, nothing has been "restored". Quite the opposite... part of the book has been permanently removed. Restoration is repairing a book in such a way as it appears closer to its original state. A book missing its overhang does not appear as its original state. Tear seals, color-touch, paper replacement is all restoration. Things like tape and trimming are not, since neither makes the book appear as it once was. Trimming (and of course, I mean, post-production trimming, as many pups were publisher-trimmed to begin with) is so common in pulps that if done neatly is not seen as egregious as it is with comics, though it still definitely impacts grade. And to be fair, some pulps had such large overhangs it must have made them annoying to try and read them in their day. In the 1800s some hardbacks were published with their pages still uncut, and it was up to the reader to cut them apart themselves in order to read the book. These were cost-saving efforts by the publishers, at a time when fractions of a penny made a difference.
I like that CGC not only notes trimming, but also notes how many sides have been trimmed. This is important, since some pulps had overhang on 3 sides, some on top and bottom, and some on one side only.
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On 2/23/2024 at 4:50 PM, waaaghboss said:It is weird to try to criticize people who enjoy pulp art. These covers appealed to people 100 years ago, which is why publishers produced them, so it can't be so shocking to realize that they'd also appeal to people today.
If the covers didn't entice readers to buy the pulp, most of those authors wouldn't have had careers. I suspect more time and sweat went into producing some of those paintings then was spent on cranking out some of the stories. I'm also not sure how one goes about so easily dismissing the accomplishments of Norman Saunders, H.J. Ward, Rudolph Belarski, Allen Anderson, etc.. It's like saying "I'd have bought that original Frederick Remington painting, if only it had a decent caption".
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On 2/23/2024 at 2:12 PM, waaaghboss said:My one small request if and hopefully when a new guide comes out is standardizing the placement of the rarity indications for the books, maybe always at the end of the descriptive paragraph?
Something to consider. Actually, for the most part, the 2005 edition did it this way. For the 2020 guide, I was going for something that could be read in a somewhat entertaining fashion, without just being totally dry data. You would laugh if you knew how much effort I did to try to come up with a different way of wording all of the similar western pulp entries, for instance! Or, the cover art for one title is "collectible", in another "sought-after", in a third "popular" or "enticing" or "in-demand" or "valued by collectors", etc.
- jimjum12, waaaghboss, Surfing Alien and 3 others
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On 2/23/2024 at 10:17 AM, jimjum12 said:
This, coupled with the stellar referencing, makes your guide quite indispensable, unless someone prefers to collect in ignorance. A large amount of Pulps are sold at auction, and due to their scarcity, those prices can be outliers, as the internet broadens the buying pool to an almost unrealistic parameter. I, for one, thank you for your admirable effort. As they say, there are those who do, and those who complain. GOD BLESS ...
-jimbo(a friend of jesus)
Thanks for the kind words. As for the bolded part above, I do caution newcomers about taking auction prices with a grain of salt. Truly expensive and ultra-rare pulps may be more accurately represented at the big auction houses, if for no other reason than this is often the only forums in which they appear for sale. But there is definitely auction-exuberance with more common material. For instance, I'm currently tracking auction data continually for my own uses, as well as in case there is a 4th (and final) guide. I see a number of science-fiction pulps, for instance, going for 2x-5x the guide prices at Heritage and other auction houses. Yet simultaneously, the same books can be bought off eBay or mycomicshop.com for at guide prices or smaller premiums up to 1.5x.
- The Lions Den, asimovpulps, waaaghboss and 1 other
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On 2/18/2024 at 6:43 PM, Rick Hall said:No. Both editions of the Bookery price guide are out of print, out of date, and were not that accurate when new.
Not entirely accurate.
There have been 3 editions under slightly different titles... 2001, 2005 and 2020.
Depends on what you mean by accurate. When word leaked out prior to the 2001 guide coming out, there was a general panic in the pulp-convention community. I was some interloper they didn't know (despite having attended several PulpCons) and surely the guide was designed purely to drive up prices (how this was supposed to help me, I don't know, as I didn't have a large inventory at the time). There were a lot of on-line attacks, and "guarantees" the guide would be over-priced. When I premiered the book at the 2001 PulpCon I even arrived to find that my dealer's table has been stuck back in an exit alcove and turned to face the wall. The show-runner thought this was amusing. To my own fault, the advance word of the distrust in the book probably made me overly cautious and very conservative in my pricing (though to be fair... every price in the book was exactly how I priced my own stock). So when the guide actually did premiere, the complaints then switched to how all of the prices were too low!
The 2005 guide prices were fairly accurate for awhile... the market had settled down after an initial spike due to an influx of eBay sales.
The 2020 guide came out just before CGC announced it would be slabbing pulps. That drove prices up almost immediately. Then the Covid collectibles spike drove everything up even further. That guide was out-dated (price-wise) pretty much out of the gate, which is probably why Heritage didn't keep it in print.
However, though I generally don't complain about it, I always take some issue with the books being described simply as price guides. I am a data completist... rather compulsive about it, actually. The books were born of my own extensive note-taking and compilations for years just so I could be consistent with my own inventories. I would have been thrilled if someone else had done it. But no one did. Pricing was always the last thing I worked on before publication. All other information came first. Save for a few errors corrected in each new edition, and the typical typos, the other information contained in them is quite accurate... authors, artists, title-changes, 1st appearances, publishers, format, scarcity indicators, etc. To include all of this information and leave out pricing just to appease a few who preferred to keep that information to themselves, seemed a disservice to collectors, as well as my own desire to be comprehensive. There are a number of different sources where such information can be cobbled together, especially now more than in 2001, but the Bookery guides remain the only sources where all of this is in one place.
Yes, pricing in them is dated, though may be useful in terms of relative pricing (issue x is worth twice as much as issue y, etc.), but the rest of the data is still useful, depending upon your collecting needs. Ideally, an issue-by-issue guide would be best... but it would run 1500 pages.
- adamstrange, waaaghboss, asimovpulps and 7 others
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On 2/18/2024 at 7:56 PM, Rick Hall said:"There is the trimming of just the overhang, which can be done tidily, or crudely with "kindergarten scissors" (both are common, actually). But there is also the not infrequent trimming of the entire book!" (Bookery)
Great, both are "trimming".Not sure of your point. You seem to be derisive of trimming (as indeed are most collectors). But I would have to infer from all of your other posts that you are actually pro-trimming, just not sure which kind you prefer.
You have (repeatedly) stated that pulps should only be collected for the reading of the stories, not for the art. You also chastised one poster and told him it was not his job to preserve pulps for posterity (so why worry about their original published state?).
Trimming (especially "block-trimming") actually makes pulps much easier to handle and read. Thus, based on your other comments, I would have to assume that you trim the pulps in your collection that haven't already been done? Plus, buying only trimmed pulps is much cheaper, and would allow you to acquire much more reading material. If you collect pulps as historical artifacts or for the artwork, trimming is certainly anathema for many. But if all you intend for them is to be read (and re-read), condition should be irrelevant, and trimming would actually facilitate one's ability to do so.
- asimovpulps, tth2, waaaghboss and 4 others
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On 2/17/2024 at 5:49 PM, waaaghboss said:
Think I got your copy, found last year on ebay.
Yep, that's it! I often wonder what happened to some of the items I used to have. Most were purchased while I was gathering final data on the original 2001 guide (probably bought 1998-2000), and I concentrated on issues I felt were scarce. I sold nearly all of them off a few years later during one of the PulpCons back when it was held in Dayton. I had 3 different copies of the "rare" Vice Squad Detective, but I didn't keep scans of them.
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A pretty good overview. I would just quibble with a couple of things toward the end. It really isn't correct to put Fitzgerald and Christie lumped in with pulp writers. Christie's 1st publication was a full-blown hardback novel which introduced Hercule Poirot. Her "Miss Marple" short stories did appear in pulps first in America, but presumably had already appeared in England (though I was unable to track down what sort of publication they first appeared in when I researched the guides). Fitzgerald was never a pulp writer. His first publication was in a university literary magazine, followed by appearances in the Saturday Evening Post, not considered a pulp by any means. All sorts of authors were often reprinted much later in pulps, but that's not the same thing.
Jack London is a bit of a stretch also, though a case might be made. He appeared first (and somewhat frequently) in the literary magazine The Overland Monthly. The magazine's origins precede anything we now consider to be officially pulp. But London did publish some stories in the pulps afterward, so he's a bit of a crossover.
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If people know me, they know I'm not the sort of person who laughs out loud when they are in a room by themselves.
But I did when I got to #3....
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On 2/8/2024 at 8:08 PM, Yorick said:
I was assuming as much. Cover artist and "important" story author(s). We shall see as some slab images are posted...
If you are searching for specific authors, check out Galactic Central ( http://www.philsp.com/ ). You can sort by author or by story, and print off a list of your favorite writer to use as a search/checklist.
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- comicjack, OtherEric, The Lions Den and 3 others
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On 2/3/2024 at 5:53 PM, OtherEric said:
Keep us posted, if you can't find a publisher a crowdfunded updated guide would probably get a respectable amount of support from those of us here.
Thanks! I appreciate it. But it's not a funding issue, but a practicality one. I've had enough track record to know pretty much how many copies can be sold, so there'd be little risk in self-publishing another one. But I no longer have the time and desire to box up and mail all of those copies out. That's why I went with Heritage Press (Ivy) on the last one... they did all of the production and distribution work. Unfortunately, they only produced 500 copies, which was insufficient for the market (I sold 1,000 of the previous self-published one, and that was without anywhere near the promotional resources they had). I've got some resources in mind. But it's not quite there yet. But in the meantime, I'd be happy to share some data here from time to time. But, as I said... not just me. There are also a number of others here that have lots of experience.
Also, I forgot to mention to the OP... there's another thread already in this forum that posts some of the auction sales from Heritage, PulpFest, Windy City, etc. It wouldn't help if you need info on a specific issue at any given time... but is nevertheless a good resource to keep an eye on.
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On 2/3/2024 at 12:43 PM, johnenock said:Being fairly new to the wonderful world of pulps and associated paper collectibles, I would like to know if there are any close to accurate pricing resources out there.
I check heritage(though I think their prices are always inflated judging by my comic buying experiences) and eBay sold listings.
Those two are pretty much your best bets right now. Also you can see what cosigners are asking for pulps on mycomicshop.com. Just be cautious, especially with Heritage. There are obviously some newcomers bidding on there who aren't familiar with the market. (In their big pulp auction a couple of days ago, there were some common '50s digests that can be had for under $20 that hammered for $100+). Your topic title is a good general one that could be used for future reference, if you have questions from time to time I can help, as can others. I'm working on a new guide, and track auctions etc. Don't know if it will ever be published, but I have some updated data at hand if there are occasional questions, which if you post here, I will probably see.
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On 2/1/2024 at 9:20 AM, Westy Steve said:
The key word in your question above is "experience". Comic book prices have been moving up for more than 80 years, so anyone with experience is going to give you the same answer. Historically, the only time it ever made sense to bet against the 80+ year trend was in the short term. But you're asking about the long term. Furthermore, at no time in the entire history of comic book collecting, was it a bad idea to buy on the dip. So my own person logic is not to bet against the market.
All that being said, my analysis is based on the classic books. Not the flavor of the month in a 9.8 slab. However, I've been around long enough to see even some of the "Hot dreck" go cold, and then get hot again a couple decades later as people feel nostalgic about the old dreck that they speculated on in their teen years.
To be fair, 80 years is a bit of an exaggeration. That would mean people began paying collector premiums for comics as early as WW2! I don't think that's true. The earliest ads I've seen promoting back-issues at premiums to cover price is about the mid-1960s. And there were the beginnings of small gatherings of collectors at the time, though I suspect more was traded than was actually bought outright. An actual comic book "market" probably got established with the Overstreet Guide in the early '70s, however. But in those first few years, the Overstreet price increases (which were fairly small year-to-year) were likely more a reflection of the Guide pushing a market than necessarily reflecting it. Regardless, it soon began to take off on its own. So an honest nationwide comic book market is really only about 50 years old... meaning it didn't really get underway until someone like me was in high school. That's not a very long time.
Comics are essentially still a young market. Rare books have been bought and sold for 500 years. Coins have been collected for centuries. Stamps have been collectible at least since the 1800s. And those didn't have movies and TV shows hyping them. Unlike fine art, or Ming Dynasty vases, or Faberge eggs, "pop culture" seems to always be ephemeral. It can be "hot" for as short as a few years (Beanie Babies) or last several decades before beginning to peter out (Tarzan ephemera, much of Disneyana, Coca-Cola merchandise, Big Little Books, Bettie Page, etc.). A few "key" or especially rare items are always exceptions, of course, and nothing dies out completely (there are still collectors for "dime novels" -- though both of them are getting up there in years ). But by definition "pop culture" is something that is special to a specific generation, or two, or three. And then, eventually, something else becomes "pop".
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On 1/15/2024 at 9:49 AM, Superman2006 said:
As an offset to potential shill bidding is the fact that some bidders look at the actual book and not just the big number on the top left of the slab, and for a book that has been swapped that has more wear than normal for a 9.8, they will bid accordingly, or not bid at all, which would bring down the sales price.
Not that it's my call, but I don't feel strongly one way or another as to whether GPA should exclude such sales; maybe an asterisk would be appropriate, but can understand why GPA might deem that to be more trouble than it's worth.
No here is a point I hadn't considered, especially for ultra-high grades. I was thinking of the swapped Marvel-stamp books when I posted, but this is definitely a consideration that could affect bid prices, even if the buyers were unaware of the books being switched. Thanks.
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On 1/15/2024 at 8:50 AM, jas1vans said:
I think, and I could be very mistaken, that some of the issue is not just the book swapping, but also shill bidding by the people that are at the center of this. Swapping out the books and manipulating slabs is the headline, but the shill bidding and price manipulation are also a key component of the overall.
Side note: as a non-slabber still learning about the hobby, I'm happy to see all the "Joined" dates with two zeroes popping up in this thread.
Shill bidding is a separate issue, and of course GPA wouldn't want any of those type of sales included, if they discovered them. I was only addressing price vs. book-swapping.
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On 1/15/2024 at 8:46 AM, comicwiz said:
It's a lot more complicated than what you are describing (esp the part I bolded). The issue is that this whole situation is continually evolving and is nowhere near being finalized. That 350 list continues to shrink with books being struck off the list, and I continue finding books not on the original list. The other part of this is that certification numbers are being purged from the CGC Verify Certification look-up. No redacting or manner of explaning why, no connection at all to these books, serving in some instances as a donor book to a swap. The reason I posted the examples and matrix with Project Green to Blue was to capture a glimpse into the manner this was being monetized, often with donor books being purchased a month or several months prior to the blue example selling at a factor of two or in multiples of the donor. The other things I've only spoken of is the way certain books would repeatedly be sold, and this is something that needs to be reconciled at some point, but it is VERY early in the investigative stages. It could be even worse than some of the things we've talked about, with more than just two books sharing the same cert number. I'd like to see CGC reveal some of their own findings. They've become so comfortable letting the community do the grunt work, discovery and fact pattern finding that expecting some level of collaborative back and forth is a pipe dream at this point. But we definitely have the evidence showing the subversion of more than "holder tampering"; rather, the very real problem with downstream impacts this has had on their certification look-up and systems we use for pricing is that CGC is showing an unusual penchant for quietly purging information in the background without explanation. Some of the information being purged is vital to the ways an investigation is able to gather a chain of evidence, which in itself seemingly reveals a pattern of tampering with evidence. The discourse needs to focus on the latter, and the reasons why this is happening, rather than the down the line impacts of the other ways this incident has manipulated the market.
Oh I understand that it's plenty complicated in terms of CGC. That's why I haven't posted previously in this thread. There are others such as you that are far more qualified to discuss the ramifications of all of this. My comment wasn't about the CGC/scammer issue at all, per se. It was simply a comment about if a sale is listed in GPA that later turns out to be a book that was switched, it doesn't really affect the averages because it still represents what a buyer thought they were getting and agreed to pay for. But others pointed out some things to consider in this as well.
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On 1/14/2024 at 10:56 PM, Microchip said:GPA data will now be seen as compromised, without providing a public notification on their intention to respond to the situation.
I may be misunderstanding this. I guess for tracking specific certification numbers, there may be an issue. But as for pricing, the fact that the books were fraudulent really doesn't make a difference. If someone bought a 9.8, but in reality the book inside had been switched for one missing a Marvel stamp, for example, the price being paid still represents what someone wanted to pay for a 9.8, the actual book inside notwithstanding. Therefore GPA averages for a given period and grade shouldn't be affected.
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On 1/14/2024 at 5:24 PM, davidking623 said:
Dayton looks to have a population of around 136,000 . Is there quite a bit outside of that area also ?
Yes. Lots and lots of suburbs. That number is for just Dayton proper. What they call the "greater Dayton area" has a population over 800,000. There are also quite a few universities in the region... University of Dayton, Wright State, Wittenberg, Wilberforce, Antioch, Clark State. Add in the Columbus and Cincinnati areas (within an hour's drive) and the population is several million.
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Have Paperbacks become the “next big thing”?
in Pulp Magazines
Posted
I think the pressure is going to really be for high-grades. It's almost impossible to read one of these older paperbacks, even in their day, without leaving some wear. That means truly VF paperbacks have to have never been read. And even if they were never read... some publishers like early Dell (lamination that peels off on its own) or Hillman (poorly made) can be excruciatingly hard to find in top condition.