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Lucky Baru

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Posts posted by Lucky Baru

  1. 5 hours ago, JTLarsen said:

    A rapid increase in prices alone doesn't tell us it's speculation. It could just be collectors who've always wanted it deciding they need to act now to get it in their PCs. Or new collectors awakening to its importance. A price run-up doesn't tell us the motives of the buyers.

    If you were around for the 1990's (yes, a different type of speculation there) you'd know that what's been happening for the last 2 years feels a lot like what happened then.  It all comes down to an opinion.  I have mine and you may or may not look at it the same way.  If not, please share why you feel the sudden increase in price has occurred.

  2. 58 minutes ago, Bomber-Bob said:

    You are correct, it took something to trigger it, the DIsney situation in this case. But the magnitude of the jump can be attributed to the undervalued factor. I suspect that even if they announce plans for a SIlver Surfer movie, percentage wise, we would not see as big a jump as this year.

    Jumps have happened in many keys.  Maybe not to this level but some large jumps have occurred.  IH 181 in 5.0 had 3 sales in July (non-signed) over $2000.00.  It had a sale on 6-25-18 for 1950.00.   Last year in July, the freight on that book was $1000.00 to 1200.00.  That isn't an undervalued book.  Lots of factors involved, but I have to believe we are in for a big correction.

  3. 6 minutes ago, Bomber-Bob said:

    Sometimes, a so called 'bubble' happens because the book has been undervalued for so long. I bought my 9.2 at least 15 years or so ago for the aggressive price of 1,500 . For years, there was no way I could ever get my money back out of it until recently.  Being underwater on the book for so long, I was tempted to sell early this year when the prices were in the 2,500 range. I was approached by numerous WTB requests but they all wanted to buy at last year's prices, making my decision to keep it an easy one. While this was always a desirable book, the Surfer was not on the cover and there was always the comments about multiple warehouse finds, keeping the price down.  Now, I regret not picking up the whole trilogy. With that in mind, I now turn my attention to the Wolverine trilogy ! HaHa.

    While the book may have been undervalued the entire jump in pricing, like I quoted, can't be laid at the feet of undervaluation.

  4. That's the same article that CC posted but on another website.  That's interesting.  Almost like some PR machine is sending it out trying to get traction to make it happen.  If Disney does it, I wonder how they will get around the HR/legal implications for anyone else under their umbrella that was disciplined for the same thing?

  5. If craft is so important then why aren't artist like Philip Tan, Brett Booth, and Matt Wagner's works more sought after? 

    Matt Wagner's style is a throwback to another era, he has produced some important/iconic comics, and has worked on major characters.  Wagner's work on the Shadow is amazing.  He was born to illustrate stories set in the 1940's.  Also, he's perfect for Batman books set during that time.

    Philip Tan is a modern master.  His work is stylistic, and incredibly detailed.  He's gaining in popularity.  If you don't know his work then take a look at this connecting cover he shared on twitter:

    Spider-Man 4 & 5 connecting covers

    It speaks for itself.

    Brett Booth has been around since the 1990's and his work on the Flash was better than anyone else in memory.  The way he illustrated the movement of the Flash was groundbreaking.  If he's been doing that work on that character in the 1990's he'd have been a major star. 

     

  6. The question can be answered by looking at the classic car market.  Generally, the vehicles at the top of the mountain remain the same and continue to increase in value..  After that, vehicle's desirability/values rise and fall as the age groups within the hobby start to age out.  The new blood seeks vehicles that makes them feel warm and fuzzy, remembering a better time in their lives, and the values adjust accordingly.  The styles change too.  The older crowd doesn't understand why the new blood want X,Y, or Z, and the younger crowd could care less about many of the vehicles that the older crowd held dear.