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Posts posted by The Lions Den
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Yet it still got a 9.6...
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On 4/29/2024 at 12:13 AM, OtherEric said:
Vampirella #14 thoughts:
Cover: A very nice piece by Sanjulian, I think the big border also works better than usual here, giving a claustrophobic feeling to the art, as well as some depth.
Feary Tales: A nice couple of short pieces by Sutton; and I really like the Vampi-as-host panel as well.
Isle of the Huntress: This is what I'm talking about. The various subplots start to merge and the story is long enough to breathe, with gorgeous art by Gonzales and a genuinely clever and touching denouncement. Great stuff.
The Wedding Gift: Nice art by Ploog but I'm not sure I understand the ending of the story.
The Sword of Light: Sam Glanzman is best known for his autobiographical stories dealing with WW II, he would have been a natural for Blazing Combat. Instead his only Warren work is the excellent fantasy story he turns in here.
Deadman's Treasure: Lynn Marron is not a name I'm familiar with. They have a handful of credits for Warren and a couple dozen across comics in general, including a few with Warrant. It's a good debut with excellent art from Sutton.
Wolf Hunt: So, we get to see Wehrle's one script for Warren, having seen his one art job a few issues back. And the script doesn't impress me any more than his art did, it's an ugly and nasty rape plot. Some beautiful art by Maroto doesn't put this one into the win category but definitely brings up the score for the story.
This was a strong issue overall, with excellent art throughout, even if a couple of the scripts didn't quite live up to the illustrations.
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On 5/6/2024 at 10:36 AM, Jayman said:
Still, what was the clincher supposed to be? And any idea as to the sharpening and breaking of the pencil points? I’m sure it’s a metaphor for something I’m overlooking.
I just looked up the McGregor interview and apparently "the clincher" meant getting a strong emotional response from the girl to convince the detective how worried she was about her boyfriend.
I guess that backfired a little...
- Jayman and This is Who We Are
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On 5/5/2024 at 10:06 PM, Jayman said:
The index explains “the first inter-racial kiss in comic history, which only came about because the artist misunderstood McGregor’s instructions for that panel” I wonder what was misunderstood?
I seem to remember an interview with McGregor where he said he'd written a comment for the artist along the lines of "...and this is the clincher!" (Meaning it would be an important plot point or something to that effect). Of course, when he saw the finished story he was completely shocked, since apparently Garcia thought a "clincher" meant an ardent kiss...
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Thank God for Sundays! The one day of the week where I can relax a bit and enjoy the simple things in life...
In my opinion this is another solid issue, and it really does reflect how the old and the new were coming together for Warren at the time. The art and stories are decent throughout, even if there are a couple of stories that fail to be very memorable (your mileage may vary).
For me, the real standout here is "The Men Who Called Him Monster" with its unflinching nod to Sidney Poitier and great art by Luis Garcia (not to mention that totally unexpected interracial kiss).
I also appreciate even one page of Richard Corben artwork (as well as his profile on the fan page and a bit of his art on the letters page, too). Add to that a striking Ken Kelly cover and the awards from the 1971 Warren Comic Art Convention and you have a pretty enjoyable issue.
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On 5/2/2024 at 4:25 PM, the blob said:
This genre really has me wondering how many future serial killers got pushed over the line by reading them?
I'd like to think that this is just harmless fun for young adults...
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On 5/2/2024 at 5:16 AM, Gaard said:
I think what fascinates me most about these mags is the numbering system. Did you know there are some books with the exact same title and issue number, but they're completely different books? It's almost as if the folks at Eerie Publications couldn't keep track either...
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That's some messed up stuff right there...
- Artifiction and AJD
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On 4/30/2024 at 5:23 PM, Koopakidd11 said:
I figure the odds be 50/50...
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One of the better issues from this era, IMO.
Very solid artwork and some pretty entertaining stories as well. Not my favorite cover, but still very well done with an interesting color scheme. Maroto's art on "Wolf Hunt" is pretty outstanding, and it doesn't hurt when you have Gonzalez, Ploog and Sutton (among others) backing you up.
Overall, a really solid issue which comes close to reaching the heights attained by issue #12---all that's really lacking here is another great story by Wally Wood.
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On 4/26/2024 at 11:56 AM, OtherEric said:
So, how do we want to continue from here? For at least a few weeks, I can take over the Sunday initial post for the week if people want me to do that.
Absolutely...
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On 4/27/2024 at 7:15 PM, zzutak said:
Lord knows I tried...but you're absolutely right!
- grendelbo, zzutak and bighairjer
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On 4/27/2024 at 6:49 PM, bighairjer said:
How does CGC count the page given they are leafs? Wouldn’t it be two pages that are trimmed? Do I just count to the 10th page from front?
CGC does their page count as if each individual page (the front and the back) is counted as one page. So, if it's the 10th page, they would say "10th page missing" or "10th page trimmed". They wouldn't say "10th and 11th page missing" or "10th and 11th page trimmed."
You just have to think of the first page being page 1, the second page being page 2 and so forth. Simple, yes?
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There are times when misprints will get a Qualified (Green) label, but that usually won't affect the overall grade, just the label designation. This often happens when there's a manufacturing defect such as the pages are printed out of order and it's a random problem.
But there are also times when a misprint like this one will be classified as a "Recalled Edition" and still get a blue label, since the entire first print run has this defect.
So, no purple label, and the book could end up being more desirable to people who enjoy this sort of thing...
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This copy appears to be in the Very Good range...
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On 4/24/2024 at 4:44 PM, jimjum12 said:
There was a time when the associated scanned image, front and back, was an additional $5. Not sure about current policy. GOD BLESS ...
-jimbo(a friend of jesus)
From what I understand, for several months CGC has been providing high resolution scans of graded books beneath the grading notes...
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On 4/23/2024 at 8:50 AM, Jayman said:
More info from his page. Very interesting, I did not know about this.
This was the final version of the painting that appeared on Eerie # 36 by Enrich but the preliminary painting was used on the cover instead. I wrote James Warren a letter and asked him about this and received a reply on February 24, 2014. This is a portion of his reply: Dear Mike- After studying both renditions and trying to remember what happened here some 43 years ago, this is my thinking: 1) My guess ( and it is an educated guess ) is that when I was first shown the original painting ( The one you own ) , I rejected it because I didn't think the deformed hand was realistic enough. ( It was more like a claw from an animal or zombie, or whatever.) I wanted more of a human hand at the time. 2) I then asked Enrich to give me another version. 3) Enrich then submitted a comprehensive color rough of a new hand. 4) I liked the comprehensive color rough, and accepted it as the final art that would appear on the cover. - OR- 5) I was forced to accept it, and use it, BECAUSE OF A DEADLINE that had to be made. It's possible that we had already gone ahead with the inside painting of the issue, and this inside contained the story (" The Hand of Kane Kinkaid"),which meant that we had to use a ' Hand" painting for this particular issue;- And there was NO TIME to wait for ENRICH to do another big painting. This was entirely possible but as I said, it was 43 years ago, and my mind is not clear on this. If I had it to do all over again, I WOULD HAVE INDEED USED THE " CLAW " ORIGINAL VERSION THAT YOU HAVE - INSTEAD OF THE COLOR ROUGH. THE ORIGINAL IS FAR SUPERIOR TO THE COLOR ROUGH ARTISTICALLY, AND FROM THE POINT OF VIEW AS A " BETTER COVER".
Very cool, and it actually makes this issue more interesting to me now.
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On 4/22/2024 at 9:29 PM, Stevemmg said:
This is the first time Warren ends up using an Enric preliminary painting for a cover when the finished painting wasn’t in house on time. The finished painting was up for sale at one point. Even finished, not what we expect from Enric. It happens again with Vampirella 32.
While the Maroto debut is tied to a fairly mediocre script, it’s still exciting to see knowing what is to come. He was pretty well established in Europe at this point in 1971, having done quite a lot of spectacular work with Dracula and Five for Infinity being the most relevant to our crowd.
I am always excited when there is a Bruce Jones art story,as it gets much rarer later as he transitions to writing primarily. I agree, Warren has repeatedly been able to reproduce pencil work brilliantly while few others were able to do it.
Good information that I wasn't previously aware of...
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On 4/22/2024 at 1:22 PM, tthomasjr13 said:
Is this book missing anything from the interior?
Brown Spot? Foxing, staining, or just humidity damage?
in Comic Book Grading and Restoration Issues
Posted
Don't look a gift horse in the mouth?