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wpbooks01

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Posts posted by wpbooks01

  1. On 3/1/2024 at 5:39 PM, OtherEric said:

    Can anybody tell me what I've got here?  I'm 95% sure that it's a reprint... the ISBN on the back cover doesn't seem to be on the original... but I also can't find anything indicating where the book was reprinted like this, rather than with the new cover.

    Love and Rockets 0a.jpg

    Love and Rockets 0b.jpg

    Interesting that when the ISBN is searched, nothing seems to be attached to it! Could it have been part of the box set that FBI released recently as some sort of premium? I've never really examined the first print of L&R, though I read that the first may have not been stapled? Very curious why that number is there.

  2. On 1/20/2024 at 5:02 PM, OtherEric said:

    In today,completing my run of Kurzman's Little Annie Fannie.  Which is an interesting cross section of the magazine from 1962 to 1988 in general.  The highlight for me is the mid 60's to early 70's, when Hefner actually started to believe people were reading it just for the articles.  When you've got Robert Anton Wilson and Harold Ramis on your editorial team you wind up with some very interesting stuff.

     

    playboy 1963 01.jpg

    Congrats on your completion! A major undertaking and no doubt a major amount of space needed to store the 'run' in! Thankfully the two-volume set from Dark Horse put the kibosh on my aim to do the same, and I salute your fortitude!

  3. On 1/20/2024 at 11:29 AM, Darwination said:

    Love, love, love magazines with their original inserts be they subscription cards, giveaways, etc.  I always scan them if available when digitally archiving a magazine.

    I came across this neat subscription card in a Reader's Scope recently.  Reader's Scope was Lev Gleason's take on the Reader's Digest that also included a good amount of original material and was profusely illustrated and executed in a variety of colors of ink.  Comics fans here will know Gleason from Daredevil Battles Hitler or one of my own favorites Crime Does Not Pay.

    ReadersScope1944-09p114a.thumb.jpg.ffbf51ebb98921c8357d9fa498a635b7.jpg

    ReadersScope1944-09p114b.thumb.jpg.7c51b623017c73876d358e587ab82215.jpg

    ReadersScope1944-09p114c.thumb.jpg.60464fe643a8d49a2d1e4fb866112bf0.jpg

    I'm not sure whether the WW2 paper rationing meant the subscription cards were operationally helpful to publishers, or if Lev is using it as a sales tactic here, but it's neato how it all folds up nice and was kind of stickied to the back cover.

    Bought (for .99 plus shipping), scanned, resold on eBay within a week, heh heh.  Not every treasure costs thousands of dollars or is kept in a plastic box. :insane:

    20240115_155333.thumb.jpg.893063f3f278c5ea37e530ec541fccf4.jpg

    Reader's Scope v02n04 (1944-09.Picture Scoop) cover Arthur Szyk (Darwin Edit)

    https://archive.org/details/readers-scope-v-02n-04-1944-09.-picture-scoop-darwin-ia

    Actually it is the Arthur Szyk illustration on the cover that got me salivating! A major favorite of mine! thanks for that!

  4. On 1/4/2024 at 7:26 PM, wpbooks01 said:

    NOW IT CAN BE TOLD DEPT: (Mainly because I finally found one) Re: Thrilling Murder

     

    Many years ago I asked Gary Arlington about the identification points for a true 1st print of TM. The issue with the cover stock was well known, but he told me that a REAL 1st could be identified by the blood color that had been added to the interiors.

     

    Apparently the printer did not mix the ink well at first, and the original batch came out with purple colored blood/juices! This made S. Clay Wilson angry and he attempted to get ugly with the printer. He felt the purple color made his centerspread look stupid, so most of that run was supposed to have been destroyed, but like everything, there are always some that get out.

     

    The ink was corrected quickly and the large percentage of issues do sport the bright red coloring. Tonight I finally stumbled onto one of the purple issues and could not have been more thrilled! This 'point' was backed up in a post on the Fogel Underground Facebook page when either Ron Turner or his son Colin posted about this rarity and basically told a similar story to the one Gary had told me, but with a little more details...names of the printer, or locations or both....I forget.

     

    But anyways, here are a couple of photos I took in my crappy lit living room with an old tablet camera. I still think you can see the difference....In the first scan, the cover on the left is the first print. You can even see a discrepancy there, as well, but I'm pretty sure the one on the right is also a confirmed second print with the more matte cover! Hopefully one can discern the top specimen has the purple coloring in the two following pics.

    01.thumb.jpg.d54a12eabdb222958912dbedadf7ed2b.jpg

    03.thumb.jpg.99720abeee5a4ecad94d349b9337bca9.jpg

    05.thumb.jpg.38877d255dfb51703bc227239f5a92a0.jpg

    Though his son Colin refers to it as a 'magenta' sort of variant, here is the tale, cut and pasted from a Facebook post by Ron Turner (6/21/23), by way of Colin in the previously mentioned Fogel UG group. Pretty much the same way Gary told it to me at his home, probably while we were watching the bootleg copy of The Jolson Story (1946) that I had just laid on him!

     

    Dot Communist
    by Ron Turner
    -----
    A Day at the Office: Thrilling Murder
    -----
    The phone is for me. Gary Arlington who never calls is on the line.
     
    “Wilson is on something. He’s screaming at the pressmen,” Gary says. “Come down here, quick.”
    "Gary, where are you?"
     
    He is at Howard Quinn, the printing company at the corner of Alabama and 16th Streets. I drive over and S. Clay Wilson, who is an imposing figure, is yelling at a short man from Fiji of Indian extraction: Indar. They are standing next to a long series of Goss web presses, and all the pressmen are in blue work uniforms. The noise is deafening, but Wilson can be heard over it. Indar looks like he is about to drop a one-ton roll of newsprint on S. Clay.
     
    Gary has agreed to publish Thrilling Murder, an underground comic that will have a signature printed with both red and black ink, instead of the usual black on white newsprint.
    “It's f-cking Kool-Aid! It has to be blood," bellows the famous Zap artist, creator of the Checkered Demon, Captain Pissgums, Ruby the Dyke, and the Perverted Pirates.
     
    Indar is trying to explain that to get the blood-red color, equal amounts of the red ink must be mixed with yellow ink and the work order didn't say anything except red ink. The presses are shut down and everything goes silent. The workers are all on the clock and observing the conflict.
     
    I talk to the company manager, Don Sanchez, and we work it out. Gary will be charged a fee for the "make ready" blood-red ink. He will accept the small number of already-printed copies with the Kool-Aid blood, and all will go back to normal.
     
    Sanchez should have a footnote in the history books for using a split font to make the rainbow color on the original “Oracle” that Allan Cohen produced around 1966, one of the first ever Psychedelic Underground papers in the world. Don couldn’t have cared less about that. He was into ’50s Chevys with convertible tops and fins.
     
    That printing press is long gone, and today in that same building the Dandelion Chocolate Factory is now rather busy next to the SPCA who's animals can smell the desirable chocolate but must not eat the deadly (to them) treat.
     
    I go back to my office to see what Gordian Knot awaits untying. Wilson goes back to ’s Bar at Sanchez and 16th for his morning cocktails. Gary goes back to his comic book store on 23rd and Mission. And if you are lucky, you may someday find one of the rarest of underground comix – pinkish-red blood inside.