CaseyJohnson

Very cool and thanks for explaining that.  Is there a way to track all the cgc entries from a  providence collection?  

Help me understand the difference.

After his death, his personal (and quite sizable) collection was mostly slabbed and sold. CGC is already labeling each one this way so what is stopping them from using the gold label?

I saw @Hado's post like 11 years ago about his Norwegian Spider-Woman #1 as I was submitting these three to be slabbed I wonder what the final grade was on that one.  So I've been looking for versions of the book outside the states as well and these are what I have The Mexican one was the more difficult grab, had to squat in Mexican comic book groups on facebook for awhile before I got a chance at one.  (Sorry for the crappy zoom on the Spanish version, I got it and shipped it before I could take a better photo)  I've also located versions from Greece and Lebanon that I'll get soon. 

These are all insightful and informative answers.  Thank you.

Used to be new artist events being announced all the time but news has been REALLY dry in that regard for several months.  What's up with that?

I have a decent-sized collection of Spider-Woman books, including 2 pedigrees.  One from the Winnipeg collection and one Frank Miller cover from the Savannah collection.  I'm rather new to the pedigree thing so what is the prevailing thought on getting a pedigree book signed?  I know the whole idea is you have a book from an important collection as it was, back then.  Does "altering" that book impact that whole idea?  I hope I'm making sense.  Do you treat a pedigree kinda like an antique that you do not change?

In