One directors viewpoints on comic book movies

[fingfangfoom]

Director William Friedkin on Tuesday decried a trend in cinema of infantilizing audiences with stories ripped from comic books, at the North American premiere of his new film "Killer Joe."

"It's harder and harder to do (original adult material) in this climate of American film... which is mostly concerned with movies that are comic books, and remakes," he said.

 

The icon of 1970s cinema said his own classic films "The French Connection" (1971), which won him an Oscar for best director, and "The Exorcist" (1973) would not be made today by movie studios.

 

"The audiences have changed," he lamented. "They are conditioned by television and television is aimed at the lowest common denominator... their expectations are lower."

 

Also, "the studios, when I started directing, were run by people who had made films," he said. "Today they're former agents or lawyers and (the studios) are owned by gigantic corporations that have to appeal to the lowest common denominator."

 

"There's less money in the adult market (now)," added Pulitzer prize-winning writer Tracy Letts who adapted his 1998 play for the movie. "The guys who run the show have figured out that they can make more money basically selling comic books to people."

 

For "Killer Joe," Friedkin cast Emile Hirsch ("Into The Wild," "Milk" and Oliver Stone's upcoming "Savages") as a drug dealer who hires a cop moonlighting as an assassin (Matthew McConaughey) to murder his mother to collect on an insurance policy that will pay off his debts, and sells his sister (Juno Temple) as a sexual retainer.

 

Friedkin says he was drawn to the story because it is about "innocence, victimhood, vengeance and tenderness."

 

The violence in the film is purposeful. "There's violence throughout society," he noted, adding: "There's a thin line between good and evil and there is the possibility of evil in all of us."

 

Hirsch recalled, during filming "the makeup girl would be dabbing me with blood with a paintbrush. Friedkin would come up and go, 'No! No! No!' and grab her bucket of blood and douse me in the face with it and then go get another bucket of blood.

 

"I was just soaking with blood."

 

"There's an intensity (in his directing). He can be very volcanic. He's a live wire. He enjoys extremes," Hirsch said of Friedkin, recalling a gun being shot on set once "to shake up an actor."

 

"They don't call it shooting (scenes) for nothing," he quipped.

 

Hirsch added on the film's violence: "A general maxim for actors is that they're self-loathing narcissists so there's a certain gratifying release when you see yourself getting pummeled (on screen) with a can of pumpkin."

 

"Killer Joe" premiered last week in Venice before showing at the Toronto International Film Festival where it garnered strong reviews for, according to flicker magazine Playlist, "a director who hasn't had much luck in the last thirty odd years."

 

In 2008, a survey by entertainment retailer HMV crowned Friedkin's "The Exorcist" the best horror film ever made, ahead of Stanley Kubrick's "The Shining" (1980) and Ridley Scott's "Alien" (1980).

 

Friedkin downplays a director's contributions to a film. "After choosing his collaborators, all that a director does is provide an atmosphere for the actors to reach inside themselves and find the characters... and the crew can contribute their best work. That's it."

 

"Everything else is hype and publicity. 'My vision, my style' -- What a load of wildly_fanciful_statement," he said. "I really object to it and condemn it."

 

Liddell Entertainment secured the distribution rights to his new film on Monday, but has not yet set a date for its release.

 

 

 

 

[Bookery]

Director William Friedkin on Tuesday decried a trend in cinema of infantilizing audiences with stories ripped from comic books, at the North American premiere of his new film "Killer Joe."

"It's harder and harder to do (original adult material) in this climate of American film... which is mostly concerned with movies that are comic books, and remakes," he said.

 

He must have been ecstatic when they went and made French Connection II and 4 Exorcist sequels!

 

The icon of 1970s cinema said his own classic films "The French Connection" (1971), which won him an Oscar for best director, and "The Exorcist" (1973) would not be made today by movie studios.

 

"The audiences have changed," he lamented. "They are conditioned by television and television is aimed at the lowest common denominator... their expectations are lower."

 

Before this upcoming film, Friedkin's two previous credits were directing episodes of CSI.

 

"There's less money in the adult market (now)," added Pulitzer prize-winning writer Tracy Letts who adapted his 1998 play for the movie. "The guys who run the show have figured out that they can make more money basically selling comic books to people."

 

While I actually tend to agree with their sentiments regarding Hollywood's emphasis on a lot of often badly-written and directed action movies (comic book movies are just a small part of the action genre, and one that's probably not too far away from having run its course), I'm not sure Friedkin and Letts are the best ones to complain about it. Their idea of "adult" (ie, mature and thoughtful) films is to add another blood-soaked drug/crime movie to the endless list that have been made since the 1970s. I'm not seeing these guys as fonts of originality themselves.

 

[Calamerica]

Friedkin was a Guest Speake at a Student function a few moths ago.

 

His last sentence to us when describing elements of a ticket-selling movie:

 

"Surprise me. Don't give us same-old-same-old".

 

That article posted above was an excellent post. Wished we had more of this than the other 5 zillion posts of nothingness...

 

CAL the movie fan...