I really haven’t found much difference between the state of modern comics, art wise, and the output that I’m most familiar with in the 70s Bronze Age and 80s Copper Age, which predated the emergent transition to dialogue-light splash page art during Image’s notable first phase in the 90s. A small amount of exceptional art, and a lot in the range extending from workmanlike or corporate mediocrity down to the abyss of the plainly incompetent, while repetitively idolising a select, very, very limited elite of creator gods throughout each period.
I’ve said it before, that if you analyse the comics of the olden days using a resource such as the online Newsstand, the above spectrum exists Age after Age after Age, right up to the present.