Professor Pecora

The first "true" appearance of Wolverine in top CGC grade is vaulted in the Professor's collection! Although I actually acquired this one-of-a-kind specimen in July of 2012, I recently revamped my entire commentary in my CGC Competitive Set, and decided to document it along with all of my recent CGC journal acquisitions! As usual, please enjoy the following commentary and the high-resolution front cover scan of this Bronze Age KEY! :-) -Professor Pecora _________________________________________________________________ [AND THE WIND HOWLED...WENDIGO!] Incredible Hulk #180 showcases the very "1st" appearance of Wolverine, who is featured in a single panel cameo on the last page! Aside from Incredible Hulk #181, in which Wolverine makes his 1st "full appearance," in my personal opinion, this book is the second most important KEY Issue of the Bronze Age! We are talking about the very first time "Wolverine" was brought into existence! Moreover, not only is this copy the highest-graded example currently attainable, but it is arguably the finest copy in the world! By analyzing the front and back scans, it's hard to believe that it was not previously graded as a MINT CGC 9.9! Further, this pristine example originates from the Suscha News Pedigree Collection; out of Sheboygan, Wisconsin! For a deeper insight, the following is an excerpt taken from the original owner's detailed explanation as to how he amassed his world-class collection, which can be read in its entirety at: http://www.metropoliscomics.com/load_feature.php?article_id=268&type=feature&action=view. "Although comic books were only 15 to 25 cents each at the time, buying more than a hundred a month represented a big chunk of my tiny, $3-per-hour paycheck. The books were mainly purchased at newsstands and drug stores. It was about this time that I got the idea to go directly to the local magazine and comic distributor, Suscha News (founded in November 1937), and propose a deal. I explained to them how many comic books I bought on a regular basis, and how I'd buy a lot more if the prices were lower. To my surprise, they agreed to sell me newly arrived comics at half price off the pallets in their back room. This gave me access to the books as soon as they arrived in Sheboygan, so l was more likely to get certain low-distribution titles. I also got to "cherry-pick" books, and my comics from then on were free of shelf wear from browsers. I would carefully go through distributor boxes filled with the same issue of a book. I'd get it down to around a dozen or so mint copies of a given book to try to find the MOST mint copies in the group. I was looking for books with the best centering, the shiniest staples, the flattest covers and the sharpest top and bottom of the spine. Now that the cost of buying comic books was cut in half, I also was able to buy multiple copies of each. Sometimes, I'd get a half-dozen or more copies of Number One or milestone issues, such as Thing vs. Hulk matchups. My arrangement with the distributor lasted until 1976, when I decided to give up the comic book buying and boxing grind, and "lock" the collection. I bought very few comics after that -- a few hundred at most." From this background information, I want to personally thank the original owner for the impeccable job he has done in hand-selecting some of the finest KEY issues in the world! Another interesting fact to add to this wonderful acquisition is that out of all the known CGC-recognized pedigree collections to date; the Suscha News Pedigree is the only one that contains a copy of Incredible Hulk #180 in CGC 9.8! Further, there are actually two (2) CGC 9.8 Suscha News Pedigree copies of Incredible Hulk #180. However, according to the CGC certification numbers on the CGC labels, this copy was graded first, which happens to be the better-looking of the two as it displays razor-sharp edges, perfect centering, and extremely bold and vivid ink-color saturation! With that said, I challenge you to locate a more perfect-looking specimen of this historic issue! :-) In closing, I am sending a BIG SHOUT-OUT to Darren of "Pristine Comics" for selling me this rare gem! To see old comments for this Journal entry, click here. New comments can be added below.

Out with the old, and in with the new! X-Men #100; the classic cover that Dave Cockrum drew! Although I actually acquired this gem along with my X-Men #97 CGC 9.8 about two months ago, I finally completed my commentary on it for your reading pleasure! Moreover, I have decided to catalog all of my acquisitions in the order in which I actually attain them, so although I have another major book I would like to write about NOW (as it just arrived last night), I am going to hold off in order to maintain accurate journal acquisition logs! With that said, please enjoy the following commentary and the high-resolution scan of X-Men #100 CGC 9.8! -Professor Pecora _________________________________________________________________ X-Men #100 showcases a classic Dave Cockrum battle cover between the old X-Men and the new X-Men! As I mentioned previously in my commentary on X-Men #97, I LOVE battle covers! Therefore, this cover is one of my personal favorites in the entire run! So what defines a cover as "classic?" To answer that question, just like any classic song in the music industry, it has to transcend time! On that note, X-Men #100 has made a lasting impression throughout several decades, as it has been reused for the following covers: Uncanny X-Men #134, Defenders #100, New Warriors (v.4) #14, Thunderbolts #172, Secret Invasion: Front Line #5, Nova #24 and Avengers Academy #38. Now that's a lot of cover swipes! Further, just as a popular musician will play their rendition of a classic song, various cover artists have recreated their versions of X-Men #100 with different characters specific to each title! With that said, God Bless the late Dave Cockrum who passed away on November 28, 2006! He would be honored to know that his creation has been reproduced by a multitude of inspired artists! In terms of the actual condition of this 9.8 example, it is perfectly wrapped along with unblemished white page quality! Moreover, when I first saw this copy at auction, what really prompted me to ensure I won this beauty (aside from loving the classic battle cover), was the superb centering and the razor sharp edges! You could cut someone with those corners! :-) In closing, please enjoy the complete synopsis of this issue, which was retrieved from: http://marvel.wikia.com/X-Men_Vol_1_100. Please note that I edited various parts of this synopsis to meet my posting standards! -Professor Pecora _________________________________________________________________ Continued from last issue... Aboard the space station run by the anti-mutant Project: Armageddon, it's leader Stephen Lang seemingly has control of the original X-Men (Cyclops, Angel, Iceman, Beast, Marvel Girl, Havok, Polaris and Professor X) and has ordered them to kill the new team (Storm, Wolverine, Nightcrawler, Colossus, and Banshee). As the battle rages on, the new team of X-Men find some interesting inconsistencies from those that they are fighting; the original team seemingly has no memory of their replacements. Further, the Beast isn't covered in blue fur and Cyclops is wearing his old visor. As they fight on the defensive, Wolverine decides to take the battle to Professor X and is caught off guard when the Professor stands on two legs and knocks Wolverine out in one punch! Then, Marvel Girl uses her telepathic powers on Wolverine, but he finally realizes that they have been distracting him from using his enhanced senses. Without any hesitation, Wolverine strikes at Marvel Girl, revealing that she is not the real Jean Grey at all, but a robot. This angers Lang, as he had created his army of X-Sentinels to be unbeatable duplicates of the original X-Men to exterminate other mutants. Lang explains to the captured Cyclops, Professor X, Jean Grey, and Peter Corbeau how he was a member of a government project organized to determine the cause of mutants. Moreover, having developed hatred against the mutant race, he would utilize the Sentinel base once owned by Larry Trask and go over the notes there to build his own Sentinels. Making a deal with a clandestine organization calling themselves the Council of the Chosen, Lang was given the funding he needed to begin "Project Armageddon" to devise a means of eliminating mutants. While Lang has been ranting, Cyclops uses the opportunity to blast through his confinement with his optic blast and then frees the others. As the X-Men in the other room destroy the Sentinel doppelgangers of the original team, Cyclops attempts to knock out Lang. However, Lang manages to flee to his gunship and attempts to kill Cyclops, however, Jean uses her telekinesis to mess with the controls and forces Lang's gunship to crash into a view screen and explode, seemingly killing Lang in the process. With the space station compromised and about to blow, the X-Men find themselves stranded on the space station now that Lang's minions have escaped in all of the escape pods. Going back to their ship, they find that the autopilot has been damaged, making it impossible to fly the ship through the solar flare passing through Earth's atmosphere without someone to pilot the ship. Corbeau points out that whoever pilots the ship would be flash fried by the radiation. However, Jean steps up and offers to fly the ship -- pulling Corbeau's flying skills from his mind and believing that her telekinetic shield could protect her from the radiation. When Scott tries to protest, she uses her powers to knock him out and orders the other X-Men and Corbeau into the radiation shielded room. Even Wolverine and Storm fail to talk Jean out of sacrificing herself for them, but to no avail. Sealing the hole in the ship with a telekinetic shield, Jean begins to pilot the ship back through Earth. In the shielded room, Cyclops revives and tries to break free, forcing the other X-Men to restrain him, telling him that it's too late to save her. As Jean flies through the solar storm, her powers are pushed to the limits and the radiation penetrates through-causing her extreme pain. As she is overcome, she screams out Scott's name. This story is continued next issue.... To see old comments for this Journal entry, click here. New comments can be added below.

Earlier today (8/2/13), I discovered a very interesting fact regarding my newly acquired X-Men #94 CGC 9.8! The story begins with me conducting some online research regarding the sales trends of previous CGC 9.8 copies of X-Men #94. I began the search by browsing through Heritage Auction's "archives" database, and I stumbled across a solid 9.8 copy and said, "Hey, that looks similar to my copy..." With some curious excitement, I looked at the serial numbers and carefully compared them, and no, that copy was not the copy I currently own! Then, as I inspected that particular copy in further detail, I noticed that it was not as beautiful as my example; the corners were not as razor-sharp, the colors were not as bold and vivid, and it was also not as tightly wrapped! From this point, I was now obsessed with scrolling through ALL of the previous X-Men #94's sold at auction in any grade, and I stumbled across another CGC 9.8 copy that again looked like my recent acquisition. Without any hesitation, I clicked on the book to get a closer view, and this one looked beautiful! Like I did previously, I cross referenced the serial numbers and this time...it was a match! This was my copy that previously sold at auction for $12,547.50 (including the Buyers Premium) on February 24, 2011! WOW! However, it gets even more interesting! As I scrolled down the original listing, I started to read the description, and to my surprise I was stunned when I read the following statement, which I am quoting directly: "This particular copy is from the collection known as 'Mile High II,' and includes the certificate identifying it as such." Here is the link to the Heritage Auction archive for your review: http://comics.ha.com/c/item.zx?saleNo=7030&lotNo=91234 Are you serious!!! My X-Men #94 originated from the prestigious Mile High II collection!! I was ecstatic!! I had no clue, as I obviously did not receive the original Certificate of Authenticity (COA) with the book! Further, I highly doubted that Robert of KEY Comics knew about it either, because he would have mentioned this in his original eBay listing. At this point, I am hyped up and highly motivated to investigate the situation towards acquiring this COA! After all, I am the new proud owner, and I would like to have the documentation behind it! My first point of reference was obviously Robert of KEY Comics, whom I purchased the book from. I shared my recent discovery with him, and provided the link to the original listing on Heritage. He responded within an hour, and was also completely surprised! He also had no idea that the CGC 9.8 example he sold to me originated from the Mile High II collection! So he contacted the person whom he bought it from, and after an hour or so, he confirmed with me that the guy who sold the book to him, was indeed the individual who originally won the book from the Heritage auction on February 24, 2011! Now I was onto something! I felt confident that I would get that COA soon! However, to both my surprise and Robert's surprise, the original buyer from Heritage also had no idea that the X-Men #94 CGC 9.8 he purchased was from the Mile High II collection, because he did not even read the book's description!! Therefore, the guy said he had no clue as to where the COA would be, as he was not even educated in terms of knowing what a pedigree comic is and even what to look for! From this information, I contacted Heritage Auctions directly, and they said that the COA should have been shipped out with the book to the buyer at that time, and if he lost it that there was no way that they could replace it. However, they suggested that I simply print out the Heritage Auction original lot with the description, to use as a "Pseudo COA" since the serial numbers match identically. On that note, that was exactly what I did for the time being! What is ironic or even symbolic for that matter, is that I currently reside in the Mile High City! I have direct access to meeting with Mr. Chuck Rozanski, the president of Mile High Comics, in person as I have previously, so I am going to plan a meeting with him in the near future, to see if he can generate a new COA to confirm that my X-Men #94 CGC 9.8 hails from that world-class collection! However, I will have to act soon, as I will be relocating to Atlanta, GA with my wife in exactly 2 weeks as of this writing! If for some reason I cannot make the arrangement, my Heritage Auction print-out should suffice! Moreover - what a find! Now I can proudly showcase my copy as: X-Men #94 CGC 9.8 OW/WP [Mile High II]! In closing, this story is not quite completed, as you will have to wait until Monday evening or sometime on Tuesday, as I will be posting another MAJOR CGC 9.8 Acquisition that will truly embody and solidify the title of this journal entry..."Mile High Providence!" So stay tuned... :-) -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.

Dear SW3D,I remember quite clearly on (December 27) reading your previous journal post in how you came across this rare piece of Comic History!! I loved reading your personal story!I am glad to see that you finally received it back from the CGC, and it looks GREAT!!! I would love to own one of these someday! Congratulations!! (thumbs u-Professor Pecora

My Brother, My Enemy! Although I have actually had this book in my possession for about a month already, I just finished writing my commentary on it - so please enjoy! -Professor Pecora _________________________________________________________________ X-Men #97 showcases the 1st appearance of Lilandra (whose face is not shown) and the return of Havok and Polaris! In addition, Eric the Red makes his first appearance in the new X-Men title! This is by far one my favorite covers in the entire new X-Men run! I LOVE battle covers in particular, and this classic showdown between Cyclops (Scott Summers) and Havok (Alex Summers) blasting each other with powerful energy beams - does not disappoint! As depicted on the cover of X-Men #94, the iconic jet in which the new X-Men abandoned in mid-air after an explosion, is now shown burning violently in the background while a startled Colossus, Storm and Nightcrawler witness their leader fighting his brother in a death match! As a direct result, the ground is cracked open from the impact of the jet's crash-landing, and the magnitude of Cyclops and Havok's energy collisions are emitting heat so intensely, that it appears to be creating a crater surrounding the area in which they are standing! Who will win? Will it be older brother Cyclops putting his younger brother Havok in check? Or will it be younger brother Havok imposing his will and making an example of his superior? Furthermore, will one of these major X-Men characters die in this issue? These were the speculations of many avid X-Men fans back in February of 1976, simply from viewing this classic Rich Buckler and Dave Cockrum battle cover! In terms of the physical condition of this book, it's important to note that high grade copies are very difficult to acquire in CGC 9.8, due to the partial black portions on the upper half of the cover that reveal the slightest of defects! Moreover, this example is perfectly wrapped and centered and has excellent color strike! Therefore, once I saw this copy, I fell in love with it and made sure that I was the one bringing it home after auction! In closing, please enjoy the complete synopsis of this issue, which was retrieved from: http://marvel.wikia.com/X-Men_Vol_1_97 -Professor Pecora _________________________________________________________________ Professor X is plagued by nightmares of a galactic war, in which some alien being draws his attention to her lone ship attempting to escape the destruction. However, before Charles can see the alien's face, he awakens screaming. His screams awaken Moira MacTaggert who comes down to the kitchen to find Charles making tea. He explains his dreams to Moira and when she tells him to confide in his X-Men, he asks her how can he explain to his teammates that he's going mad. Meanwhile, in the Rio Diablo region, Alex Summers and Lorna Dane have made themselves an idealistic life. As Alex goes off on another geological survey, Lorna goes about her daily chores in bliss over their current lot in life. When she hears a knock at the door, she goes to answer it, expecting Alex. Lorna recognizes the person at the door but finds it impossible that they are here now. Before she can act, the unexpected visitor blasts her with an energy beam, knocking her out. Hearing the noise, Alex doubles back and finds Lorna is pulling out a new costume. When he asks her what's going on she calls herself Polaris and blasts Alex. Three days later, Charles Xavier has decided to take a vacation and is leaving from JFK Airport. Scott Summers, Jean Grey, Storm, Nightcrawler (using an image inducer that makes him look like actor Errol Flynn) and Colossus see him off. They are surprised to see Alex and Lorna appear in costume. Jean picks up thoughts from their minds and warns the others that it is a trap; however the warning comes too late as Polaris attacks her. As Xavier's plane pulls off and flies away, the X-Men suit up and try to stop Havok and Polaris from destroying the Professor's plane. Colossus stops Havok from blasting the plane by knocking him over, causing his cosmic blast to strike an empty 747 instead. Cyclops grabs his brother and demands to know why his brother is attempting to kill Professor Xavier. Cyclops gets a shock when Havok's leader appears wearing his old Erik the Red costume[1]. When the X-Men attempt to attack Erik, he blasts them away. Polaris turns her attentions to Storm and Jean Grey, and Storm has to save Jean from a nasty fall. Havok and Cyclops battle it out, but when Havok buries his brother under rubble, he goes to his aid. This plays into Scott's hand because he was only playing possum and knocks his brother out. Colossus and Nightcrawler attempt to take out Erik the Red, but find themselves no match for the powerful being who easily bats them aside. Storm meanwhile, loses her temper when Polaris refers to their battle as a game and strikes her down with a lightning bolt. Seeing Lorna get injured is all it takes to make Havok lose his cool and lash out at full power, vowing to kill all the X-Men for harming her. Just then, Wolverine and Banshee arrive, prompting Erik the Red to order Havok and Polaris to retreat, and the three flee the scene. Cyclops has the perfect opportunity to blast them out of the sky but cannot bring himself to injure his former comrades. When Wolverine calls him a coward, Cyclops angrily punches Wolverine, and when Wolverine goes to strike at Cyclops, Storm orders him to back down. As the X-Men prepare to head back to base, they are unaware that they are being watched by two separate sets of eyes; one being the mutant hating Stephen Lang, and a second an unknown figure. To see old comments for this Journal entry, click here. New comments can be added below.

The Day One of the New X-Men DIED... Hello everybody, this journal post is the follow-up to my previous journal regarding my X-Men #94 CGC 9.8 acquisition. With that said, please enjoy the front cover scan and my commentary on the historical and cultural significance of X-Men #95! RIP to the Apache Warrior...Thunderbird! -Professor Pecora _________________________________________________________________ X-Men #95 showcases the 3rd appearance of the new X-Men and the "death" of Thunderbird! Moreover, killing off a major character was unheard of until June, 1973, in the Amazing Spider-Man #121, when Gwen Stacy was killed by the Green Goblin! Then, to keep the fans on the edge of their seats, Marvel Comics decided to kill off the Green Goblin in the following issue! These tragic events truly set the "tone" for the Bronze Age of Comics, as it ushered in a "dark reality" of life and presented the readers with severe situations and tragedies, which the main characters had to learn how to cope and manage their emotions, while moving on with their lives. Fast forward 2 years and 4 months after the Amazing Spider-Man #121 was published, and only into the second new X-Men issue, Marvel decided to shock the world again by killing off Thunderbird, whose government name was John Proudstar! Thunderbird's tenure with the X-Men was truly short-lived, as he was an original member of the new X-Men team who made their debut in the summer of 1975! His background was that of the Apache tribe, in which he was born into at Camp Verde, Arizona. After lying about his age, John Proudstar joined the US Marines for a two-year tour of duty. When he returned to his Apache tribe, John found himself bored and at times depressed, and would use his super speed and mutant strength to chase and wrestle down herds of buffalo to pass the time! John was eventually called back into duty by the US Marines; he won several medals of honor and was eventually released on honorable discharge. However, upon his return home, he was informed that his mother was diagnosed with chronic lymphocytic leukemia, a terminal form of cancer, by Doctor Edwin Martynec of Arroyo Medical Laboratory. After he was informed by Michael Whitecloud, John's reporter friend, that something was severely wrong with his mother's diagnosis, John Proudstar decided to investigate the Arroyo Lab and Dr. Martynec's practice. To John's surprise, he discovered that his mother was in perfect health and that Dr. Martynec was using completely healthy human subjects for his own illegal research on genetic enhancement! Further, it turned out that Dr. Arroyo was a wolfman creature himself, but John's maturing mutant powers were sufficient enough to get everybody out of the lab to safety, before Dr. Arroyo detonated his labs to cover his escape! While living back at Camp Verde, John had more time to reflect on his battles in the war, which made him extremely conscience of how his Apache tribe and other Native Americans were killed off by the "white man." With the hypocrisy of Dr. Arroyo recently uncovered, John became extremely bitter and angry towards life! It was during this self-destructive condition, when Professor Charles Xavier discovered John and offered to make him a member of his 3rd X-Men team. Although John was reluctant at first, because of his personal views about working for a "white man," John accepted the position and took on the superhero name "Thunderbird!" After completing his first successful mission with the X-Men, Thunderbird started to argue with his team members over non-significant issues, and often clashed with Cyclops--his team leader, and would even question Cyclops' authority! He allowed his anger to get the best of him, and Thunderbird became ill-mannered and took things extremely personal--therefore throwing off his team's positive energy and spirit of unity, which made the other X-Men feel uncomfortable around him. Further, Thunderbird always felt like he had to prove himself and often compared his abilities to the other X-Men--especially Wolverine, as he wanted to be the best! While he would remain tense and competitive, the other X-Men would take time to relax after their previous missions. The result was that Thunderbird was on the edge of exploding at any moment; it was just a matter of "when?" After asking Iceman to provide him with a tour of the mansion, Thunderbird was let down from a very rude Iceman, because he disliked the idea of newcomers entering "their" sacred grounds. Although Thunderbird would be willing to "fight" to get into the mansion, just like potential UFC fighters have to fight in order to get into the fighter house on the Ultimate Fighter, Thunderbird didn't even have to break out a sweat, as almost all of the original X-Men decided to quit and leave the mansion in order to pursue "regular" lives. Now that Thunderbird was in the mansion, it did nothing towards quenching his thirst towards outdoing the other X-Men. His over eagerness caused him to become careless, which was the reason he injured his leg during a Danger Room session! From this event, Cyclops refused to take Thunderbird on another mission, because his actions proved to be erratic and harmful to both himself and his team members. It was now time for the new X-Men to begin their second mission, which was located at Cheyenne Mountain in the Colorado Rockies. This was the location of a North American Air Defense Command Center that was ruled by Count Nefaria. Although Cyclops would have preferred for Thunderbird to have stayed behind, he allowed him to be a part of the mission, as he was still part of the team. After the X-Men arrived at the mission location, Count Nefaria managed to escape in a small aircraft. However, Thunderbird used his mutant powers and leaped onto the plane in an attempt to capture Nefaria and claim the glory of single-handedly completing the mission! However, Banshee tried to warn Thunderbird with these exact words, "For God's sake, Laddie--GET OFF THE PLANE!" Moreover, Professor X also tried to communicate with Thunderbird telepathically: "John Proudstar, GET OFF THE AIRPLANE BEFORE IT'S TOO LATE!" As quoted from the actual comic, this was Thunderbird's response to Professor X: "Butt out, baldy--I'm thru takin' orders! I've been a loner all my life, Xavier--dumped on by everyone I met--But I'm a man Xavier, a Warrior of the Apache--an' TODAY I'M GONNA PROVE IT!" Shortly after these last words, the plane exploded and Thunderbird died, while Count Nefaria survived! Unfortunately, Thunderbird could have avoided his untimely death, but due to his warrior pride and ego, he chose not to listen to the instructions and warnings of his team members...and the cost was his life! It seems that John "Proud"star was a bit too proud for his own good! His brother James (Warpath) would eventually take over the Thunderbird name, and John Proudstar would eventually be resurrected by Eli Bard, but this event ventures way beyond 1975, so I'll end the discussion here! What a story and superb character development by Chris Claremont! It's stories like this that m To see old comments for this Journal entry, click here. New comments can be added below.

The scarcest Marvel Bronze Age Grail in top CGC grade is now a part of the Professor's collection! I just finished adding my newly acquired X-Men #94 CGC 9.8 to my CGC Competitive Set, and wanted to document this major acquisition in a new journal post! Therefore, please enjoy the following front cover scan and complete commentary on my new pride and joy in the collecting world! -Professor Pecora _________________________________________________________________ X-Men #94 showcases the 1st New X-Men issue since X-Men #66, which was published back in March of 1970! After roughly 4.5 years of recycled X-Men stories, spanning issues #67 through #93, and with the X-Men title on the verge of its demise, writer Len Wein and artist Dave Cockrum introduced a new X-Men team consisting of "adult" mutants from around the globe! This was a momentous event that occurred in the summer of 1975 in Giant-Size X-Men #1! For the first time in history, the world was introduced to the dynamic characters of Storm, Nightcrawler, Colossus and Thunderbird! In addition, Giant-Size X-Men #1 also showcased the 2nd full appearance of Wolverine, who was also featured for the first time in his iconic yellow and blue suit with the extended face mask! It was a scorching hot summer in 1975, as the new X-Men team was born, which would not only revitalize the X-Men title, but would catapult a major cult following in the comic collecting community. Due to the diversity of the characters originating from various countries on different continents, thousands of X-Men collections would eventually be spawned worldwide in the years to come, and the X-Men title would later evolve into an international franchise! This movement inevitably ignited the demand for more new X-Men stories by the fans, which prompted legendary writers Len Wein and Chris Claremont, along with the artistic team of Dave Cockrum, Gil Kane and Bob McLeod, to launch the "official" All-New, All-Different X-Men series beginning with X-Men #94 in August of 1975! This ground-breaking 1st new X-Men issue showcases the 2nd appearance of Nightcrawler, Storm, Thunderbird and Colossus, and also documents Sunfire leaving the X-Men! Moreover, out of ALL the major Marvel Bronze Age Grails, X-Men #94 is and will always remain the scarcest in CGC 9.8, due to the dark green and partial black ink that surrounds about 75% of the cover! For instance, let's compare the statistics of CGC 9.8 graded copies of X-Men #94 to Giant-Size X-Men #1, Incredible Hulk #181 and Amazing Spider-Man #129. We will begin the analysis with X-Men #94. According to the CGC Census Report, as of 7/23/13, out of a total of 3,631 copies graded, there are only eighteen (18) copies (including my copy) graded as a Universal 9.8! Also, there are currently zero (0) copies graded as a Signature Series, Qualified, or Restored 9.8. In contrast, Giant-Size X-Men #1 has a total of 4,310 copies graded, with a staggering ninety-five (95) copies graded as a Universal 9.8, four (4) copies graded as a Signature Series 9.8, and one (1) copy graded as a Restored 9.8! Out of the 4 Bronze Age Grails discussed here, this one will remain the most abundant in CGC 9.8, hence why I have chosen to acquire this book at a later time in my collecting career! Next up is Incredible Hulk #181, which has a whopping total of 5,945 copies graded, with only one (1) copy graded as a Universal 9.9, sixty-six (66) copies graded as a Universal 9.8, and four (4) copies graded as a Signature Series 9.8. Based on the fact that almost 6,000 total copies have been graded, Incredible Hulk #181 would be considered the second rarest book in CGC 9.8 out of the 4 major Bronze Age Grails! Finally, we have Amazing Spider-Man #129, which has a total of 4,794 copies graded, with only sixty-one (61) copies graded as a Universal 9.8. Further, there are currently zero (0) copies graded as a Signature Series, Qualified, or Restored 9.8. From these statistics, Amazing Spider-Man #129 is just slightly less rare than Incredible Hulk #181 in CGC 9.8, which would place this book third in overall rarity. With this information in mind, rudimentary economics tell us that due to the high demand and very low supply available, that X-Men #94 in CGC 9.8 will most-likely either maintain its marketing sales trend, or even exceed overall sale prices compared to its Bronze Age Grail counterparts! Although several recent X-Men #94 CCC 9.8 sales realized between 6K and 10K, make no mistake that this trend is NOT the norm and prices WILL demand much more in the near future, especially when the time arrives when you hardly see a 9.8 example surface on the market, due to collectors (such as myself) tucking away their copies in private collections! Therefore, if you are an X-Men fan or collector, or seeking the highest-graded Bronze Age Grails, X-Men #94 should be your TOP PRIORITY! In terms of the condition of my 9.8 example -- it is one of the best copies in existence--period!! Although I prefer my books not to show any part of the back cover from the front, I made an exception with this copy, because the white strip to the left is PERFECTLY STRAIGHT and actually coordinates well with the cream, white, and light blue colors on the cover! Further, all of the previous 9.8 examples I have seen up for auction also show parts of the back cover from the front view, but those examples were not perfectly wrapped, like this copy is! In addition, the color gloss is extremely bold and vivid--it looks like this book arrived straight off the printing press yesterday! Also, the corners are razor-sharp coupled with a perfectly solid spine devoid of any minor spine stresses, with the staples perfectly inserted in the right location! So once I saw this book listed on eBay, I told myself, "THIS is the example that needs to be showcased in The Professor's collection!" In closing, I would like to personally thank Mr. Robert Letscher II of KEY Comics and Mr. Doug Schmell of Pedigree Comics for helping me to acquire this MEGA Bronze Age KEY! -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.

Is this KEY Bronze Age book going to surge in value...? Well the answer is YES, because due to recent sales, it has already begun! I just finished editing my official write-up for my newly acquired Daredevil #111 CGC 9.8 WP in my Registry Set, and I decided to share it with the collecting community, as this acquisition is a significant one! Therefore, please enjoy the following commentary and the high resolution front cover scan! :-) -Professor Pecora _________________________________________________________________ Daredevil #111 showcases the 1st appearance of Kenuichio Harada, who is better known as the supervillain...the Silver Samurai! Moreover, high-grade examples of this classic Bronze Age KEY are extremely scarce, due to the fact that it predates the 1st appearance of Wolverine (Incredible Hulk #180) by 3 months and contains a large portion of black and gray inks, which make super high-grade examples very difficult to acquire! For example, according to the CGC Census Report as of 5/25/13, there are only a total of six (6) copies (including my copy) graded as a Universal 9.8 and only sixteen (16) copies graded as a Universal 9.6! With that said, as of May 7, 2013, my copy was officially graded by the CGC as the "6th" Universal 9.8 in existence! Further, of all the CGC 9.8 and 9.6 examples, very few of them contain perfect "white page" quality, as this copy displays! As a native New Yorker, I can also appreciate the cover art, as it displays the spectacular NYC skyline in the background, with the Empire State building featured as the central iconic structure! Moreover, the attention to detail by Mr. Bob Brown & Jim Mooney is superb, as the accuracy of the NYC landscape is impeccable! They drew the Hudson River with sailboats and ships in motion with the water, and if you look closely, they even included a portion of the Jersey City skyline located directly to the East of the Hudson! Suffice it to say, the imagery depicts a realistic view of a typical NYC day, while the Silver Samurai slashes his sword against Daredevil, while suspended on a rope ladder hanging from a cargo plane in midair! Truly, this is a Bronze Age KEY that I will cherish for a LONG TIME to come! The Silver Samurai's popularity is going to increase exponentially in the near future, as he will be featured as the main villain in The Wolverine, which is scheduled to premiere at the box office on July 26, 2013! Therefore, considering the following books have the same CGC grade and page quality, I can easily see a copy of Daredevil #111 competing in overall market value with an Iron Fist #14 (1st appearance of Sabretooth)! Although Sabretooth will always remain Wolverine's arch enemy, this book might eventually exceed Iron Fist #14 in overall value, due to it being more rare and harder to obtain in high grade, as it was published a little over "5" years before Iron Fist #14 was initially published! In closing, I am sending a HUGE shout-out to my fellow CGC Registry and Board member Chin, AKA "Manifesto," for selling me the original book prior to submitting it to the CGC for grading! THANK YOU my brother!! For those interested in the history of the Silver Samurai's character development, please enjoy the following information retrieved from http://marvel.com/universe/Silver_Samurai: _________________________________________________________________ Keniuchio Harada is the mutant son of the former Japanese crime lord Shingen Harada. As a youth, Harada mastered the attendant disciplines of the medieval samurai and sought employment as a warrior for hire. He first worked for the criminal Mandrill and clashed with the blind hero Daredevil. Harada then served the Viper, an agent of the terrorist organization Hydra, as her bodyguard. In that capacity, Harada battled opponents such as the costumed crime fighter Spider-Man, the martial arts master Shang-Chi, and the team of mutant trainee heroes the New Mutants. Following his father's death, Harada sought the leadership of Shingen's Clan Yashida from his half-sister Mariko Yashida, but was opposed by the ronin Yukio and Mariko's lover, the mutant adventurer Wolverine. Later, Harada worked with Wolverine to free American private investigator Jessica Drew from the influence of Black Blade of Muramasa, a sword mystically imbued with its creator's madness. Wolverine himself fell under the sword's spell, but managed to overcome his possession after which Harada took up the sword, finding himself worthy of its power. After Mariko's death, Harada claimed leadership of Clan Yashida and was briefly employed by the Japanese government as leader of their fledgling super-team Big Hero 6. Ultimately, his inability to lead Clan Yashida allowed the Mongolian crime lord Haan Kaishek to take control, and he allied with Wolverine to defeat the Kaishek's. However, the disgrace of losing leadership was too great for Harada, and he returned to his mercenary ways. Eventually falling into the service of Hydra once more, Harada was dispatched to battle the female ninja Elektra and was seemingly killed. Revealed to have survived, the Silver Samurai resumed his criminal career following an encounter with the mutant Blindspot. Allied with known terrorist Lady Deathstrike, Harada attempted to establish himself as the "Silver Shogun," leader of the Yakuza. He was also briefly a prisoner in The Raft as part of a super-villain stockpiling conspiracy, but he escaped and returned to Japan. Harada subsequently became a member of the Japanese Prime Minister's security cadre. During the course of his duties, Harada faced Wolverine, who cut off his hand in search of information on the Muramasa Blade! To see old comments for this Journal entry, click here. New comments can be added below.

Which rare book do you own or know of, that is drastically being short-changed in terms of its CGC point value? In this segment of Ideas for Enhancing CGC Competitive Sets, I will be discussing reasons in which the CGC should consider reassigning point values for certain rare/ low-print run books, and the possibility of designing a point value system for recognizing pedigree books. Before I begin, I just want to thank all of you who contributed to my previous journal, which addressed "Page Quality Points!" Some of you came up with some interesting solutions and ideas, and I was very pleased with all of your feedback! With that said, the topic of reassigning point values for low-print run books and whether or not pedigree books should be allotted bonus points came up quite often. So let's get the ball rolling on this topic and see where it takes us! First of all, I have to give the CGC credit for explaining how they generate a point value for each book based on their current method. I am not sure if all of you read this information, but if you drag your mouse over "My Collection" and scroll down to "Registry and Ranking Info," they delineate the various methods they used to generate a point value system from when the Registry was first created up until now. Basically, early attempts towards deriving a book's score were based on price value & individual grades. However, both of these methods proved to be impractical towards the CGC's goal of creating a "competitive but fun vehicle for both serious and beginning collectors to gain recognition for their sets." Due to the constant and unpredictable fluctuations with market value prices, and the fact that grades alone could not account for a book's 'rarity,' their solution was to create a scoring algorithm to venture beyond these limitations. To quote the CGC specifically, "The goal of the scoring algorithm used by the Comics Registry is to represent accurately each comic book's scarcity, desirability, and value, while ensuring a fun and competitive collecting environment." If you continue to read the CGC's explanation as to how they calculate a book's final score, you will learn that they begin with a 'raw' score that equates to the market value of a Near Mint copy of that book (which we will never know of), which is then multiplied by a figure of "standard weights," - which is definitely ambiguous. In contrast, the CGC states that "The algorithm attempts to weigh the relative value, scarcity, and desirability for each grade and category, and varies based on the comic age and other variables." I think that based on this information, the CGC has come a long way since its inception. However, I believe it is now time for the CGC to update their algorithm and to analyze the market more thoroughly, in order to generate a point system that more accurately reflects specific books. For instance, I will use my copy of Wolverine #145 Dynamic Forces Edition CGC SS 9.8 with White Pages (see image below). This is one of the rarest books of the entire Wolverine (1988) series! There were only a total of 3,000 copies printed and most of them were signed for promotional purposes, without a CGC affiliate being present to witness the signing, so at best most of the books would be graded as a Qualified (green label) example. To provide more insight, a raw near mint copy of this 1999 published Marvel book will sell for $222.00 on Mile High Comic's online store! That is pretty expensive for a book nearly published in 2000! Now if any of you are familiar with the rare issue of Wolverine #145 Nabisco Variant Cover, which one had to mail a specific amount of UPC's in order to attain a copy of this book, the CGC has allotted a whopping 352 registry points for a CGC SS 9.8 example - which I also currently own! Aside from issue #1, this book has the second highest amount of registry points in the Wolverine (1988) set type! On that note, the #145 Dynamic Forces Holofoil book that I have scanned below had a similar print run compared to the Nabisco Variant Cover. However, guess how many registry points I received for this book at the same grade, which is a CGC SS 9.8 (highest graded)? Are you ready ... "39" points! Now, does that make any logical sense? Basically, the #145 DFE CGC SS 9.8 would receive as many points as the regular issue #144 signed as a CGC 9.8! This is ridiculous! I paid $400.00 to attain this beauty, and although I don't purchase my books solely to gain registry points, it just seems downright degrading! I feel like the book doesn't get the proper "respect" that it deserves. This is a clear indication that the CGC needs to consider the variables they include in their current algorithm, so that books like these and others (many of which you probably own) can be appropriately recognized! I would at least ascribe 200 registry points for a Wolverine #145 DFE CGC 9.8 SS with White Pages. However, the CGC has a rebuttal on this as well, "Comic scores do not equate to market dollars. A more valuable book will in most cases receive more Registry points, but its score is not directly correlated to its value. The algorithm is also designed to enhance and encourage competition in the Registry by reducing extremes in value differences between grades and categories. For this reason a very valuable book may receive fewer points than might be expected, or a relatively common book will receive more points than might otherwise be expected." I think a recurring theme you hear from the CGC is that they want the collecting experience to be "fun" for the novice or inexperienced collectors. However, those newbie collectors will soon mature into more serious collectors, who will also still know how to have fun, but will now know the actual "value" of specific books and would like that worth to simply be reflected by its corresponding point system! Nevertheless, the CGC appears to be open-minded with their closing statement on the issue, "Research is continuing into more advanced methods to provide a ranking system that recognizes the intelligence of the market, while offering a better reflection of relative rarity in higher grades and adjusting for market distortions. The goal of the system is to continually increase the breadth and depth of available sets, taking into consideration valuations and opinions in order to fairly and objectively apply Registry point values." Now the question is, "when" will the new changes take effect? If it is comparable to your standard comic submission, we might be waiting for a very long time! :-) Thank you for reading! I am looking forward to reading all of your feedback! I will have to write about "Pedigree Books" in a separate journal, which will serve as Part 3 to the "Ideas for Enhancing CGC Competitive Sets." -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.

Does your favorite book contain White Pages, Off-White to White Pages, Off-White Pages, Cream to Off-White Pages or just plain Cream Pages? This journal is going to focus on my proposal that the CGC should begin thinking about allocating points to each registered book according to its "page quality." If page quality wasn't such a big deal, then why is it even noted on the CGC label for each professionally graded book? If page quality wasn't important, why is it highlighted in professional online auctions, such as Heritage Auctions, where they will write a comment under the book's description like, "the CGC has designated this book with perfect page quality as is contains WHITE PAGES! Therefore, this is the finest example available!" If page quality wasn't important, then why do I see a copy of The Incredible Hulk #181 CGC 9.8 with Off-White Pages sell for 12K, and 9.8 copies with White Pages sell for 14K - 18K? If the market is so critical of "page quality," then why wouldn't the CGC initiate a page quality point system, to differentiate between the quality of books registered in sets with the same grade? After all, it is the CGC who classifies this information on the label of every book they graded ... so, why not? For instance, let's say that two competitors are working vigorously towards completing their sets in the same set type with the highest possible points. Since I am primarily a Wolverine collector, I will use the set type, Incredible Hulk #180-#182 (Wolverine) for my example. With that said, the highest graded copies of issues #180 and #182 are 9.8s. However, we are all aware that the highest graded copy of issue #181 is a Universal CGC 9.9, which there is only 1 copy on Earth and recently sold for 150K! Ok - definitely NOT attainable! We will be lucky if we even see it surface in the market within the next 10 years or so! Back to discussing matters in a practical sense, the current top-ranked Incredible Hulk #180-#182 (Wolverine) set [Logan Gems: owned by iecarus], showcases a spectacular spread of 9.8s - all of which sport the prestigious CGC Signature Series gold label! This is quite impressive! However, NONE of these 3 books contain white pages! In turn, my personal goal is to also attain all 9.8s of these issues and have them signed by artists and writers specific to these books. However, I typically only purchase books with WHITE PAGES! I already own a copy of I.H. #182 CGC 9.8 with White Pages, and I am currently working on paying off the only CGC 9.8 pedigree copy of I.H. #180 with White Pages! My final piece would be to acquire the I.H. #181 CGC 9.8 with White Pages and then have them all signed! So then what ...? Will we just remain tied forever as owning the number 1 Incredible Hulk #180-#182 (Wolverine) set? This would be weird, because unless one of us were to somehow acquire the single I.H. #181 CGC 9.9, it is simply NOT POSSIBLE to gain any further points! Maybe we will eventually have "4" people tied for a number 1 ranked set! This is why I think the CGC should begin allotting points for page quality and show the amount of points in ( ) next to the page quality description for each registered book! The importance of page quality in the marketplace should transcend in the CGC Competitive Sets, as we represent the community of the most hard-core collectors in the world! I would suggest a 10-point system that may look as the following: WHITE PAGES = 10 points OFF-WHITE TO WHITE PAGES = 8 points OFF-WHITE PAGES = 6 points CREAM TO OFF-WHITE PAGES = 4 points CREAM PAGES = 2 points The CGC would still maintain their point system that calculates scores for Restored, Qualified, Universal, & Signature Series labels, that correspond to their ascribed CGC grades. Moreover, the page quality points would serve as "additional points," which would increase the odds of two competitors becoming stuck in a "dead end" situation - a "non-tiebreaker" scenario as described above. I know that I am not the only CGC competitive collector who has shared these sentiments. I am hoping that others who share a similar view will support me in this theoretical CGC Registry enhancement, as it would make things more interesting, exciting, and ultimately more "accurately" competitive! I would love to hear from others regarding this topic. Maybe we can have a strong enough response so that the CGC actually considers adding the Page Quality Point System in the near future! Stay tuned for the next few journals I will be writing in regards to "Ideas for Enhancing CGC Competitive Sets." "Page Quality Points" serves as Part 1 of a series I intend to author. Thanks for reading! -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.

This post is intended to be "interactive" and fun! With that said, we all have books that we own in which were published during our birthday months! However, which book out of your personal collection is your most prized book published in that month, and the closest to the actual year you were born? What is the significance of the book to you? For me, it is my copy of Wolverine Limited Series (1982) #2 CGC SS 9.9! The book was published in October of 1982, and I was born in October of 1978! Therefore, there was only a 4 year difference from the time I was born until the time this classic issue was published! Moreover, this book means so much to me because Wolverine will forever be my favorite comic book character for LIFE! However, it gets deeper! If we look back at Wolverine's very first appearance in existence, we have to venture back to October of 1974, where Wolverine appeared in a cameo on the last page of The Incredible Hulk #180! Once again, there was only a 4 year difference from the time Wolverine was brought into existence from the time I was born! In essence, Wolverine and I are both October "babies!" :-) So when I look at this copy of Wolverine Limited Series (1982) #2 CGC SS 9.9, I feel "connected" in a special way! However, not only because it was published on my birthday month 4 years after I was born, but simply because this is the only 1 in the WORLD like it ... just as there is only 1 "me" in the world! Furthermore, it is the highest graded representation of this issue, and it was signed by the legendary Stan "The Man" Lee, which elevates this book as the only Wolverine Limited Series 9.9 Signature Series in the world! So these are the reasons this is my most prized CGC book from my personal collection that represents my birthday month! :-) NOW, WHICH ONE IS YOURS & WHY? I can't wait to see scans of your most prized comic published on your birthday month, and your personal thoughts, comments, and/or reflections! SO POST & TELL! :-) Have a wonderful Memorial Day Weekend! -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.

Have you ever seen several KEY issues of various comic titles and just go bananas and say, "I have to have these books," when you know you already have sets you started working on, but never completed? Well if you are like most hard-core CGC Comic Collectors, such as myself, you probably have! What I have learned is that this behavior is strictly impulsive, and can sometimes impair our good judgement! I grew up collecting primarily Wolverine (1988) comics and secondly Amazing Spider-Man comics. Although Wolverine has always been and always will remain my favorite character, I couldn't help but to get into buying Amazing Spider-Man comics - especially because I personally feel that they contain the BEST VILLAINS in the entire Marvel Universe! Just look at all the silver age ASM gems that depict Spider-Man VS a Villain on the front cover! They made Spider-Man look like the champion superhero as they advertised & promoted those early issues like a prized boxing match!! Anyway, if we fast-forward into my adult years - primarily my early 30's, as I just recently got into collecting CGC comics, this passion, or "impulse" ... compelled me to buy certain comics at random, sometimes when I really couldn't afford it! I had the collector's "itch," which meant that I saw an opportunity and I did not want another collector to grab ahold of the book-I needed to have it! With this in mind, I began my CGC collection by attaining a few 9.8 graded books of Wolverine Limited Series (1982). Since I was always a Wolverine fan first, I thought this would be a good set to begin with, as there are only four (4) issues with one (1) Trade Paperback to complete the set. Great! After gaining some momentum, I continued to expand my FOCUS on collecting Wolverine books, so I branched out my search engines towards finding several KEY Wolverine (1988) books of a 222 book set! It was going pretty good at first, but then, the Amazing Spider-Man threw me off course! () So now I purchased 9.8 copies of ASM #298, #299, and #301! Then I purchased a 9.6 copy of issue #300! Then bought 9.8 copies of issues #200 and #361! I even purchased "two" raw copies of ASM #129 off of eBay; one I acquired for $345.00 and the other for $811.00. I submitted them into the CGC for grading, and the $345.00 copy received a Universal 6.0 and the $811.00 copy received a Universal 8.5. WOW! Now I am like $2,000.00 into ASM comics that I never planned on purchasing!! IMPULSES got the best of me!! It came to a point where I had to really sit back and evaluate my collecting goals, the buying patterns - or lack thereof, and devise a realistic financial plan in attaining these collecting goals. I had to be honest with myself, as much as I loved my new ASM CGC collection, my real goal was to focus on assembling one of the strongest Wolverine collections, with the future potential of being one of the best in the world! This is a lofty goal to say the least! From this point on, I made some decisions. So the first one was to start working on the Incredible Hulk #180 - #182 set, because you cannot possibly have one of the best Wolverine colletions if you do not own any of these Bronze Age classics! So what I managed to do, was make a CGC Comic Trade Agreement with another seller on eBay. He had a copy of Incredible Hulk #182 CGC 9.8 with White Pages (see attached below) for sale and boy I REALLY WANTED THAT GEM! So I reached out to him, we made a deal that was also in "writing" in the form of a contractual agreement, and I traded both of my ASM #129 books (the 6.0 and the 8.5) for the Incredible Hulk #182 CGC 9.8 with White Pages! YES! I was ecstatic that I got myself back on track with my collecting focus, and just attained the highest graded copy of that KEY issue with white pages, without paying with any cash!! It was a tremendous collecting accomplishment and "come back!" I also ended up selling the majority of my ASM books on eBay, along with several other Wolverine books not used in my competitive sets, and generated all my money I previously invested in the ASM books and more! I continued my collecting focus, and the result is that I am currently ranked #1 for the Wolverine Limited Series (1982) set and currently ranked #6 for the Wolverine (1988) set! In addition, I am in the process of paying off the only 9.8 pedigree copy of Incredible Hulk #180 in existence! So my collecting FOCUS has been shifted in the right direction, and once I am thoroughly finished with completing and achieving the highest possible rank in the following sets: Incredible Hulk #180-#182 (Wolverine) Wolverine Limited Series (1982) Wolverine (1988) THEN, I will entertain the thoughts of investing in some KEY ASM books! I won't have to meander in different directions this time! HAVING A CLEAR, FOCUSED APPROACH TO COLLECTING CGC COMPETITIVE COMICS MAKES LIFE EASIER & RELIEVES THE ANXIETY OF FEELING PRESSURE TO ACQUIRE EVERY BOOK THAT APPEARS ON THE MARKET THAT YOU DESIRE! With that said, there is no stopping me now!! Watch out for Professor Pecora in the coming months and years! I know I blessed someone with this Journal Entry! Thanks for reading! :-) I plan to write on a more consistent basis, so look for more journal postings in the near future! HAPPY COLLECTING! -Professor Pecora To see old comments for this Journal entry, click here. New comments can be added below.