grapeape

To the right one of my favorite Jones paintings, just a tease of Age of Innocence ( see Rob Pistella CAF ). Henry how did you let some of these go? Just beautiful art work.

I really dig the Todd Nauck Spidey and shucks who wouldn't want a Toddy M in the collection???

I I

Planet of the apes

Where’s Caps feet? The chest enhancements came off nicely. Who’s the plastic surgeon?

Professional special effects artist.

Awful concept drawing of The Thing for FF movie. Crappy Dr Doom also. Garbage as this concept Doom is —- the actual Doom appearing on screen couldn’t have come off worse.

It’s up to the individual. I would not want a “spot on” line for line recreation. Ever. Now something that captures that moment, represents the essence of that original creation is what stirs me. Ive seen great work where I said, “ I know what that is or what that’s from.” Not drawn line for line but done in a way that reimagines that previous conjuring. Whatever you like though! It’s totally up to what would make y o u happy!!

Can’t unsee that.

His mustache is there but.....

You dang skippy Jay O E !!!

I want to take a minute to wish all of you health and success in 2020. I appreciate all of your input. I feel like I learn a lot from all of you. its a community of shared interest in an eclectic array of comic art, history and pursuit. My brother Zach came home for the holidays and pulled out a portfolio of art I helped him amass as a teenager. We shared so much joy looking at the art and trying to recall the stories behind each acquisition. Thank you all for your contributions serious and humorous. Cheers

NelsonAl made a comment about the process that I feel is correct. It was something about the effects he wanted to create in the SS cover. Byrne the GOAT of course. Tom Palmer certainly is no slouch either.

gulp........

I have tons of correspondence with Mark from private discussions. I can’t share it with you I’m afraid but Mark made some good points. In the end it all worked out and I think it was better to have that book broken up anyways.

100% correct

That’s prudent. I also think in terms of my family dealing with the art should I pass away. Not planning on it !! I have some plans but it’s quality over quantity at this point of my collecting career. No more wild spending sprees. Agreed good conversation.

Bingo *

You can find that thread but I dare not link it here. Mark's "detailed" writing went on a bit to make a point. Lots of board members kept quoting and we soon had the manuscript of War and Peace II. In the end my buddy Mark got things resolved and I'm glad. I want everybody to be happy if they can.

You are right my friend. Just having fun. I believe you have info.......and....well.......

Ok....fair enough but if someone tells me that a collector bought an Entire BWS Conan story with enough money to buy a mansion in Oklahoma—-Then—- wanted to return it because the condition of the back of the pages was not disclosed——I’ll be the one eating my own shorts.

You’re not going to get a consensus opinion. I struggled with this with John Byrnes Silver Surfer 1 annual cover 1982. When I realized Palmer inked Byrne by light box it left me stumped on how to value it. I passed. artistically COOL $ value.....uggghhh

What next? Gonna tell me JN from that other auction house bid $100,000 K on the ASM 238 cover that one of his consignors was selling? H8 H8 H8 H8 H8

$87 K today !!!! In fairness to the Brothers Raise the Rent $35 K looks like a bargain.

The usual suspects. Jeff Singh cool dude love that Tin Tin. A good post because any exposure is good. However I’m looking for ambassadors that really get to the heart of what collectors are doing in the comic art world. “Reporting is focusing on money and that’s fine. Nothing in that article is likely to persuade anyone outside our community to get involved. James Halperin doesn’t help couching our field as something you can still get in before the bubble bursts. Sounds like he’s selling oil rigs on properties Exxon left five years ago. There really is something special about comic art. I can think of fresh and forward thinking ways of 1) reassuring new and existing comic art fans that this “thing of ours” is worth staying invested in 2) attract outsiders with solid material reasons to join us based on sound economics related to inventory minus the pie in the sky buy slash and burn mentality. Its time for publicity about the artists to shape our field. The artists, through their rich history as well as their talented outputs are what sell. Simon and Kirby and WW II and many others. The sixties, seventies eighties nineties. Money is the least of it. I almost never talk money with fellow collectors unless they want my opinion. The owner of Batman 251 I want to believe cares about the art and history of the cover more than the money. Money or value is what you share with people that don’t get why a grown human would purchase kids drawings. So we tell them, that Batman or Tin Tin is worth X dollars and KPOW they understand $$$.