Electricmastro

Punch and Judy Comics #v2#1 (August, 1946) has numerous caricatures of what one assumes to be editor Edward Cronin and various comic book artists. Can’t recognize any of them though:

Real Clue Crime Stories v2 08 (October, 1947):

Reminds me of this comic here. No Frank Frazetta, but having artists like Wally Wood and Everett Kinstler involved is still great nonetheless!:

Mysterious Adventures (1952-1954): #7: #18: #20: #21:

Mister Mystery #18 if only for that added smoke effect. Helps give the cover more atmosphere.

Air Fighters Comics #11 (August, 1943):

Dan Barry (Weird Thrillers #1, September 1951): John Giunta (Weird Adventures #3, October 1951): Vince Napoli (Dark Mysteries #3, October 1951): Gerald McCann (Eerie Adventures #1, Winter 1951): Lou Cameron (Mysterious Adventures #6, February 1952): Basil Wolverton (Weird Tales of the Future #3, September 1952): Ben Brown (Tales of Horror #3, November 1952): Pete Morisi (Weird Terror #2, November 1952): Tony Mortellaro (Weird Tales of the Future #4, November 1952): Ed Goldfarb (Nightmare #2, Fall 1952): Alvin Hollingsworth (Witchcraft #5, December 1952): Norman Nodel (City of the Living Dead, 1952): Ed Robbins (Mister Mystery #10, March 1953): Hy Fleishman (Weird Tales of the Future #6, March 1953): John Forte (Beware #15, May 1953): Gerald Altman (Beware #5, September 1953): Rudy Palais (Horrific #7, September 1953): Steve Kirkel (Chilling Tales #17, October 1953): Ellis Eringer (Mister Mystery #14, November 1953): George Olesen (Tales of Horror #9, February 1954): Bill Savage (Mysterious Adventures #19, April 1954): Bill Discount (Weird Terror #11, May 1954):

Avon: Jon Small (Cow Puncher Comics #1, January 1947): Joe Kubert (Cow Puncher Comics #2, September 1947): Manny Stallman (Frontier Romances #2, February 1950): Joe Orlando (Space Detective #1, July 1951): Everett Kinstler (Geronimo #3, November 1951): Tex Blaisdell (U.S. Tank Commandos #2, August 1952): Alvin Hollingsworth (Witchcraft #5, December 1952): Norman Nodel (City of the Living Dead, 1952):

His first was probably for Street and Smith in 1948, like Red Dragon. I haven’t seen any of his work for that and for Marvel, but the few stories he did for Avon amused me quite a bit: Geronimo #1 (1950):

U.S. Paratroops #3 (June, 1952):

Was never my intention to genuinely claim any of those were mine, and apologies if I gave off that impression. I suppose I’m not like the rest of “most of us” in the sense that my intention is being more keen on the appreciation of art and sharing the art for others to enjoy where and when it’s appropriate. I feel confident that I’m going about it fine, but that said, if it turns out that it’s truly inappropriate to go about sharing art the way I do, then in that case perhaps it would be more appropriate to be redirected to a more appropriate thread, if not, website, and go about things there and have less confusion here as a result. Otherwise, I’ll just be going about enjoying myself the way I have, which some others seem to enjoy as well, and leave it at that. In any case, thanks for the message.

And first appeared in issue 1. In issue 10, she was actually drawn by Reed Crandall, which is distinct from how Pierre Winters drew the witch in issue 1. I suppose it’s appropriate considering how Crandall would draw the Old Witch at EC years later: Hit Comics #1 (July, 1940): Hit Comics #10 (April, 1941):

1939:

Sam Gilman (Stars and Stripes Comics #6, December 1941): Allen Ulmer (Captain Aero Comics #2, February 1942): Rafael Astarita (Yankee Comics #4, March 1942): Charles Quinlan (Blue Beetle #23, July 1943): George Appel (Captain Aero Comics #17, October 1944): Sam Cooper (Red Band Comics #1, November 1944): DickRyan (Snap Comics #9, 1944): Sam Glankoff (True Comics #43, Spring 1945): John Giunta (Triple Threat Comics, Winter 1945): Ellis Chambers (Hi-Ho Comics #1, 1946): Jon Small (Cow Puncher Comics #1, January 1947): Howard Larsen (Jack Armstrong #4, February 1948): Mort Leav (Wanted Comics #13, May 1948): Boody Rogers (Big Shot #98, February 1949): Gustav Schrotter (Captain Science #2, February 1951): Charles Miller (Wanted Comics #40, August 1951): Vince Napoli (Dark Mysteries #3, October 1951): Harry Harrison (Captain Science #7, December 1951): Tex Blaisdell (U.S. Tank Commandos #2, August 1952): Ben Brown (Tales of Horror #3, November 1952): Roy Krenkel (Attack #4, November 1952): Tony Mortellaro (Weird Tales of the Future #4, November 1952): Ed Goldfarb (Nightmare #2, Fall 1952): Harry Anderson (Wanted Comics #52, February 1953): Gerald Altman (Beware #5, September 1953): Ellis Eringer (Mister Mystery #14, November 1953): Bill Savage (Mysterious Adventures #19, April 1954): Bill Discount (Weird Terror #11, May 1954): Mel Keefer (Tell It to the Marines #7, May 1954): Myron Fass (Dr. Anthony King, Hollywood Love Doctor #4, May 1954):

Paddock was about 54 by the time he drew those stories and it makes me wonder how he had come to understand sci-fi over time.

Fred Meagher (Tom Mix Comics #5, January 1941):

Everett Kinstler:

I suppose more could have been gotten out of it, even on the grounds of being a fun little experiment, but I felt that Schomburg’s interior art was still solid, well-proportioned, and still pleasing to look at than at lot of lacking interior art from other comics. He definitely could have done what Mac Raboy did for Green Lama #7 and have presented the story using Craftint Doubletone paper though. Not sure if Schomburg was ever familiar with that approach, but the results using it can be quite interesting:

Gotta say, I find it amusing how Everett Kinstler went about drawing grass in western comics. He just zigzags the grass lines all over the place in some areas (Wild Bill Hickok #14, March 1953):

Romantic Love #6 (July, 1951):