• When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.

RedRaven

Member
  • Posts

    15,709
  • Joined

Posts posted by RedRaven

  1. On 10/12/2023 at 4:15 AM, Larryw7 said:

    His work on Justice League in the late eighties was priceless. God rest his soul.

    The Great Darkness Saga in LSH was my intro into comics. Before that I would occasionally buy issues of Adventure, JLA, Avengers, Batman, House of Mystery but after reading that storyline I became a monthly reader of LSH. That just opened the door into regular consumption of multiple titles.

  2. On 9/25/2023 at 9:27 AM, Bosco685 said:

     

     

    It would be better to generalize this statement as, "Fight back against bad movies by supporting directors that make good movies".

    The interpretative part here is Comic Book Movie Culture. What exactly that means is not clear, surely it does not mean all comic book movies. To me Comic Book Movie Culture (CBMC) is a pattern of consumption that lacks discretion in regards to quality and consumes almost solely based on the genre. Something along the rationale of If I support comic book movies across the board then more comic book movies will be made. More accurately, more bad comic movies will be made IMO.  I suppose it is possible there are consumers that truly enjoy this whole mediocre mess. I would liken it to stray dogs that had to subsist on poo during periods of starvation. Once brought into a home with a large pack they now have the choice of eating good nutritious food. However they still continue to eat poo as well whereas the other dogs will not touch the stuff. Cmon boys, its dinner time, drop the poo.

    image.png.e987e85db4a08e1cec7de82651e6d239.png

     

  3. On 9/19/2023 at 10:17 PM, Dr. Balls said:

    Dear CGC,

    There I was, waiting for the mailman to bring me my special delivery - I couldn’t wait any longer. My hands, throbbing with excitement at the chance to slide open the box and reveal the tantalizing slab inside.

    Finally, he came. It was glorious. Magnificent. My hands working the shaft of the pen as I signed for delivery confirmation, i caressed the package as he released it to me.

    My fingers, gliding over the brown box, feeling the excitement build - I gently slid my digits under the glistening tape, unsealing the flaps. I surrendered my restraint, giving way to passionate abandon - I tore away the bubble wrap, flinging it to the left and right - not caring where it landed. I needed to feel it in my hands, and there is was in all it’s plastic glory. I slid it out of it’s cheap plastic sleeve to admire the shiny new plastic case, Newton Rings and all.

    The sweet release of excitement came and went, I was spent. All that was left was the promise that I would never sell it, no matter how high it went on GPA. 

    I think you may have just invented a new category of kink.

  4. On 8/25/2023 at 9:05 PM, Jayman said:

    Warren tried to compile these issues into a trade paperback book in 1972. The first book contains issues 1-6 but did not sell as expected and never finished the set. The book however is spectacular in its own right with its bold magenta cover. Many of these books suffer from the glue on the spine deteriorating, which results in the pages falling out.

    I don't know the history behind the printing process for this trade but Warren was notorious for its cheap printing process on specials, especially on the HC versions.

  5. Lots of good Western recommendations here.

    I will add one that is often overlooked. The Long Riders - Wikipedia

    undefined

    Long Riders is noted for casting four sets of brothers to play the four sets of brothers in the James/Younger gang...

    David Carradine
    Keith Carradine
    James Keach
    Stacy Keach
    Dennis Quaid
    Randy Quaid
    Christopher Guest
    Nicholas Guest

    And for those who haven't seen Open Range, best shootout in any Western movie. If you disagree you are wrong :)

  6. The development surge was also great for established writers — at least at first, as the new economics of streaming made it easier than ever to cash in fast. Under the old TV model, if a show was a success, its creator stood to get rich on the back-end profits. With all of linear TV’s revenue streams combined (ads plus syndication plus overseas rights), a studio might bring in $3 for every $1 in costs on a hit. The problem for writers was that most shows flopped, so there was no back end to get a piece of. Streamers offered something different. Their model, called “cost plus,” might pay $1.30 to $1.50 up front, making every show a winner — just not a very big one.

    To make up for the lost back end, streamers floated performance-based incentives. Schur describes a scenario in which a platform might promise a showrunner a $100,000 bonus for season one, $250,000 for season two, $500,000 for season three, and $1.7 million for season four. “So you’re like, Holy mess. This is great!” he says. There was a catch. Many seemingly successful series began to vanish after just a couple of seasons. “What no one saw coming was they’d just kill the show before they ever had to pay that money out,” Schur says. “They kind of tricked everybody. Now if you get to 20 episodes, it’s a miracle.”