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Golden Age Collection
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18,204 posts in this topic

I see some Herriman influence in the current strip, Prickly City, though it's really, really poorly done and a complete waste of trees. Just goes to show you that it takes more than good influences to make a good strip.

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I'm a big fan of many old comic strips.

 

I'm looking forward to seeing the Forgotten Fantasies book that was published by Sunday Press.

 

forgottenfantasy.jpg

 

Lost Treasures of the Comics World!

 

The greatest fantasy comic strips from the earliest days of comics. Feininger, McCay, McManus and more. 150 Sundays 1900-1915

 

The dawn of the 20th century saw of technological advances that were only dreamed of decades before. One such advance was four-color printing, which brought to life stories inspired by both the technology of the time and the children’s fiction enjoyed by a burgeoning middle class. This confluence brought about a unique genre within a new art form—the Fantasy Comic Strip.

 

These pages were a Sunday staple for less than two decades, soon replaced by humorous family comics that more closely mirrored the modern society. But from 1900 to 1915, American newspapers offered some of the most fascinating comics ever printed.

And while Winsor McCay’s Little Nemo in Slumberland is known worldwide,

many of the great fantasy comics have virtually vanished — until now.

 

Presented here in the original size and colors are the complete comics of Lyonel Feininger—

The Kin-der-Kids and Wee Willie Winkie’s World, along with the complete adventures of:

The Explorigator by Henry Grant Dart

Nibsy the Newsboy by George McManus

Naughty Pete by Charles Forbell

plus full-color Dream of the Rarebit Fiend Sundays by Winsor McCay.

With dozens more fantastical Sundays from, John Gruelle, Gustave Verbeek, Herbert Crowley, John R. Neill and others.

 

 

 

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The dawn of the 20th century saw of technological advances that were only dreamed of decades before. One such advance was four-color printing, which brought to life stories inspired by both the technology of the time and the children’s fiction enjoyed by a burgeoning middle class. This confluence brought about a unique genre within a new art form—the Fantasy Comic Strip.

 

These pages were a Sunday staple for less than two decades, soon replaced by humorous family comics that more closely mirrored the modern society. But from 1900 to 1915, American newspapers offered some of the most fascinating comics ever printed.

And while Winsor McCay’s Little Nemo in Slumberland is known worldwide,

many of the great fantasy comics have virtually vanished — until now.

 

 

 

 

Looks irresistible!

Edited by alanna
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The Ship that Sailed to Mars - very cool. Link said that the original was an exquisitely-produced 2000 copy run by George Harrap in 1923. Harrap was among the best of the upscale publishers- I have 2 of theirs that are right up there. Scan can't really capture either. Tales Of Hoffman with art by Mario Laboccetta and Dante's La Vita Nuova with art by Evelyn Paul.

 

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img531.jpg

 

 

Edited by pcalhoun
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Sunday press has done a fabulous job with their previous Nemo and Gasoline Alley editions so that should be another fine volume. I assume, like the others, that it doubles as a coffee table?

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00134krazykat01.jpg

 

I recognize that panel... :o

 

I own the original strip.

 

 

OriginalArtGA.jpg

 

herriman.jpg

 

Of course you do! (worship)

 

This blows my mind just a little bit. I can't tell if this was an incredible coincidence or a very likely outcome, given BangZoom's collection.

 

Either way, it's very cool. (thumbs u

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00134krazykat01.jpg

 

I recognize that panel... :o

 

I own the original strip.

 

 

OriginalArtGA.jpg

 

herriman.jpg

 

Of course you do! (worship)

 

This blows my mind just a little bit. I can't tell if this was an incredible coincidence or a very likely outcome, given BangZoom's collection.

 

Either way, it's very cool. (thumbs u

 

I expected BZ to have some original Herriman art but given how much has survived it's just a remarkable coincidence that he would have the very same artwork!

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kkproof03.jpg

 

1834130314_022704a8d9_b.jpg

I admire the art and wonder whether this cartoonist is the Cezanne or Picasso who should stand out from all the rest. Frank King also showed this type of genius but he was often wrapped up in telling the soap opera story that was Gasoline Alley.

 

Herriman's dialogue was sometimes a mystery to me. Perhaps his attempts at creating an ethnic character were a little too successful and some of the jokes were lost on the midwestern hicks, like me.

 

This scan is from one of the reprint books, I believe.

Edited by BB-Gun
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