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alxjhnsn

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Posts posted by alxjhnsn

  1. On 7/7/2023 at 6:53 AM, Khazano said:

    I own the original cover to 36. The Donellys took a recreation that a collector commissioned after unsuccessfully trying to buy my cover from me,  and then slapped those logos on it and called it an alternate. That was probably the angriest I've ever been in this hobby.

    You might add that to any or all of these threads on that topic:

    Recreations as the real/alternate/unpublished cover

    or, perhaps, Altered Original Art for Sale...

  2. On 5/7/2024 at 6:00 PM, Dr. Balls said:

    Had a conversation with someone regarding this, which seems to either be happening more now - or I'm just noticing something that's always been there. He states that for almost all of his art, he buys and posts up a whorehouse price and if it sells, he makes money, if it doesn't sell - it sits in his collection and he's happy either way. I know people joke about dealers doing this, but I was curious if anyone on the collector level looks at posting their art this way?

    Not I.

  3. On 5/8/2024 at 12:40 PM, Silver Surfer said:

    So I’m assuming that Walt has all his stuff from his Thor run including the cover of issue # 337?

    What I've heard Walt say is that he has (pretty much) everything published that he drew and inked. He has his share of things drawn or inked by others.

    So, the Simonson stuff "out there" is either inked only by Walt or drawn by Walt and inked by someone else. I'm sure that there are minor exceptions, but I've never seen one that is published and all-Walt.

  4. I use a label maker and packing tape.

    My label has my name and number, Kathy's name and number, and a clue as to the type of material in it (Published, Commissions, etc.)

    I use the packing tape to make sure that the label stays on.

     

    I do the same with my sketchbooks, my phone, and my iPad. It's saved my hash a few times! 

  5. I've added another prelim to my collection. This one is a Pint-Size Pin-Up from Sugar and Spike #83.

    It's fun to see how he changed and strengthened even these drawings. For example, note the change in direction of the dog head. The printed version is better. Most of my pages have patch panels as he worked to nail the story even after a page was completed. Remarkable work. Click to get a bigger picture.

    image.thumb.jpeg.7bca90c830c8352fc0409f0025e62713.jpeg

  6. I've added another prelim to my collection. This one is a Pint-Size Pin-Up from Sugar and Spike #83.

    It's fun to see how he changed and strengthened even these drawings. For example, note the change in direction of the dog head. The printed version is better. Most of my pages have patch panels as he worked to nail the story even after a page was completed. Remarkable work. Click to get a bigger picture.

    image.thumb.jpeg.7bca90c830c8352fc0409f0025e62713.jpeg

  7.  

    Here's my standard reply when asked about restorers.

    In the many threads on paper conservation, the names that recur the most were:

    • Robert Dennis
    Comic Art Restoration Service (on Facebook)
    Robert's legal problems preclude recommending him at this time.
     
    • Gordon Christman
    Gordon doesn't seem to have a web presence, but his snail mail address and phone number are:
    Gordon G. Christman
    Restoration & Conservation
    960 Vine St
    Oceanside, CA 92054
    TEL:  760 439 7970
    CEL:  760 458 2290
     
    • Tracey Heft - Eclipse Paper
     
    I used Alexandra VonHawk to restore several pieces 
     
    Alexandra VonHawk
    P.O. Box 546
    Paisley FL. 32767        
    Lab phone is 352-669-7776 
     
    She did exactly what she committed to do and I'm very pleased.
     
    I've also had one recommendation for each of these:
     
    I would add that most major museums know of paper conservators. You might want to contact someone at a local museum and see if there is a conservator close to you.
  8. On 4/15/2024 at 2:01 AM, RBerman said:

    if I had a prelim of someone else’s finished piece, I would link to its CAF page on mine.

    That's what I did with my such piece. I discovered that in the CAF gallery of Georg Schell there are three more versions.

    Georg was the original commissioner. He bought a finished and colored commission that Mike turned into a print. As part of the process, Mike sent him a scan of the pencils which he then inked and colored. James inked a scan of the pencils. So, here is the full progression. 
    Click the image to learn more.

    My Prelim by Mike Grell    Georg Schell's pencils  Georg Schell's inked             Print                    Inks on pencil scan
                                              by Mike Grell                 & colored by Grell                                            by James Pascoe
    image.thumb.jpeg.d4c8243a6dc8ad94ac743826d3d09c90.jpeg

  9. This one shows Carmine Infantino's ideas on how to improve a cover. It starts with a Curt Swan cover. It then shows Carmine's rough, Nick's inked pencils, and the finished cover.

    Note: I do not own any of the art though I do own the comics.

    Click to image to learn more.

    image.thumb.jpeg.181cdb4ee9af862204d70713233885fa.jpeg

  10. I forgot two.

    Note: I do not own any of the art shown though I do own the comics. :)

    This one shows the progression of a cover from Marie Severin's prelim to Kirby's finished pencils to Frank Giacoia's inks to publication. Click the image to learn more.

    image.thumb.jpeg.f4300483baa427e5e6adf4876494c5bb.jpeg

  11. A relatively recent acquisition found at the bottom of a bag or so I was told. I currently have it under some very large books to see if it will flatten and allow a better scan.

    I don't own the comic, but I'll fix that shortly.

    I do wonder if the OA survived somewhere. It dates to 1969 which is before art returns, but he seemed to get a lot of his art back.

     

    Click image to enlarge.
    image.thumb.jpeg.66f42de7a95bd5e1fc48da322e3b45d4.jpeg