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L'Angelo Misterioso

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Posts posted by L'Angelo Misterioso

  1. On 6/30/2023 at 2:34 AM, Telegan said:

    Schomburg is my "most consistently favorite" artist from the Golden Age.  I love his stuff because of all the stuff that goes on on his covers.  I could stare at some of them for hours.  I'm sure he has a few "meh" ones, but the good ones far outweigh those.

    Now, L.B. Cole ... that's another story.  I think some of his covers are some of the best of the Golden Age whereas others I just don't get at all.

    In short, this is my way of saying "you're wrong and boy is your opinion unpopular". :D

    I definitely think LB Cole is overrated, no matter what the cover is, as long as it's not one of his funny animal works, people will pay through the nose just because he did it. In contrast, the market will sleep on bad Schomburg covers.

  2. On 6/29/2023 at 12:53 PM, Frisco Larson said:

    I know this isn't a popular opinion at all, but I think restoration and conservation on comic books is just fine, especially if they REALLY need it. Example: I had a Daring Mystery #2 a long time ago (mid 90s) that was complete, but the covers and pages were all completely split ... no two pages were connected anymore. I left it with Matt as a "long term project" to see if he could save its life. Chippity at the edges and difficult (but not impossible) to thumb thru, it was clearly circling the drain, on its last legs and needing extensive resuscitation. One must remember, at that time, Daring Mystery #2 was nearly IMPOSSIBLE to find and was once thought to be the rarest Timely. Now he only worked on it when he had some down time, so it took 2 years, but by gosh he hung that thing back together (HOW still remains a mystery unrevealed) and turned it back into a handleable, readable, ENJOYABLE comic book! Sure, it was EXTENSIVELY restored ... it had the FULL MONTY ... pages treated (I don't know the process), the entire spine of the comic was completely rebuilt, and it had a chemical smell to it, BUT he saved its life, which allowed me to enjoy it for quite a while until a life situation forced the sale of most of my prized Timely collection. I'm almost completely CERTAIN that had nothing been done with the comic, it'd be a pile of dust by now (some 25 + years later)!!! They don't make Golden Age anymore, so saving that Daring Mystery kept a copy in the hobby. I have NO idea where it is now, but I'd know it if I saw it again. I hope whoever has it is enjoying it!  (thumbsu

    I definitely agree that collectors overreact to restoration. I have a raw copy of Haunt of Fear #17 that has minor restoration to the back cover, and I find it bizarre that this high-demand EC horror book, that is in 5.0-6.0 range, has its value slashed practically in half because of a small piece glued back onto the back cover. I'm interested to see how collectors' views on restored Golden Age will change in the future, if it will at all. I would think people will become slowly more interested in "PLOD" copies of books that are hard to come by in universal grade, due to cost and/or scarcity.

    Incidentally, I inherited a complete copy of Human Torch #13 that is taped up along the spine and has pieces missing from the cover. I have long contemplated getting restoration work done on, because although the book is not profoundly rare, it is sufficiently difficult to find copies on the open market, let alone an affordable copy. As much as I would like to find an upgrade. I am not sure how this compares to your Daring Mystery #2 in its pre-restoration state, but I have always thought some touch-up would do this book nicely. 

    HT13.png.cc01f90498b91daf6598414b007e3140.png

  3. I want to give a shoutout to Haunt of Fear #17 for being the comic that exposed me to EC. I inherited a copy (I've already shown in this thread so no need to be redundant) and holding that book was the first time I had ever heard of the publisher. They are probably the most enjoyable 1938-1955 comics to read. Wally Wood, Graham Ingels, and Feldstein are my top 3 EC artists.

  4. On 6/23/2023 at 5:51 PM, wolverine180 said:

    No he has an AF15 of mine as well. Just came across this thread as well. Currently trying to read everyone's comments before I make a big response as well. But I paid 3200 as well for work to be done to improve my restored af 15 which was a CGC 4.5. He advised 18-24 months at a cost of 2500 or I could fast track it for 700 more and get in 6 -8 months. That was over 3 years ago. I will chime in later with all my details. And I did threatened legal action.  I just have not followed through because he assured me he will get to my book but no time frame. I was trying to be sympathetic but I am losing my patience. Will respond at a later date. On vacation currently and don't want to get all jacked right now thinking of it. 

    A new victim joins the fray :facepalm: How many people has he conned?

  5. On 6/22/2023 at 1:19 PM, PopKulture said:

    Great books, Steve!! :applause:

    I don't know how this isn't designated a "classic cover" - it was one of the most well-known and regarded covers for the first thirty or more years of fandom.  

    There aren't enough skulls or headlights on it

  6. On 6/21/2023 at 10:00 PM, Kamenliter said:

    I submitted my books in person at a show, so didn't see the terms. It's true, I could have researched a bit more on their website, so that's on me. I had sent books in the past (just two or three in 2018) and didn't have any problems. I had read they were a reputable business and considered one of the better ones, but hadn't really delved that far into it. Folks really do need to do their due diligence, it's true. 

    Isn't your fault though, really. And, as established, his terms of service are BS and likely don't even hold any weight.