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Et-Es-Go

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Posts posted by Et-Es-Go

  1. Ran across this in a trivia type of posting of rare photographs.  

     

    Conrad Veidt, the original inspiration for the Joker, from the 1928 film "The Man Who Laughs."

    Conrad Veidt was the master of changing his look to suit his roles, and in The Man Who Laughs he transformed himself completely in order to look like a sideshow freak who was forced to smile for the rest of his life. More similar to The Hunchback of Notre Dame than modern horror films, Veidt’s turn as the character has influenced both the horror genre and one of the most beloved villains of the 20th century. While creating the initial design for the Joker, Batman’s nemesis, the artists behind the world’s greatest detective studied Veidt’s look and used it to create their favorite forever smiling character.  This is what Bob Kane had to say about the origin of the Joker.

     

    "Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. But he looks like Conrad Veidt — you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. There's a photo of Conrad Veidt in my biography, Batman & Me. So Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker.'"

    Original Joker.jpg

  2. I do remember as a kid seeing the commercials and then the cereal at the store.  Being a little squirt at the time mom's took you along for grocery shopping.  I vividly recall digging through the piggy bank for 35 cents and sending in the two proof of purchase seals of the cereal box to get my full set of seven Freakies.  I checked the mail box every day.  Ralston used 3rd class mail so it took forever for the package to arrive.  To this day I have all of those original seven, they are in that shadow box picture.  Where I grew up (Colorado) was a test market, so not all parts of the country had a shot at getting the rubber figures.  Later they became hard plastic and cast in the colors that they were intended to be on the front of the cereal box.  You can find them from time to time on Ebay.  Their marketing plan was to always include some premium within the box of cereal, but for me the little rubber guys were always the best.  You can get into your way back machine and watch the commercials on You Tube.  This marketing campaign was genius now that I look back on it.  The folks that built and designed this whole thing also had a great deal of fun building it and seeing its response and success.  Yup, those were fun times.  I had no bills to pay, and no job.  I was about 10 or 11.  Wish I still had that really cool bike my dad got for me.

    Here is another fund picture.  Original artwork still from the commercial spots they did.

    Freekies & Their Tree.jpg

  3. Artistic credit from top left to right are:  Charles Quinlin, Alex Schomburg, Leonard Cole, Mr. Schomburg again, and Briefer.  The Silver Streak book has no number so it is a bit odd.  I have seen copies of this book with a little black rooster on the cover, and it looked like a give away promotion for a shoe company.  The book does not seem to be incredibly hard to find, but I posted it as it fits the genre.  The Torture Meter Scale has these settings:  Mild Pain, Shooting Pains, Severe Headaches, Unbearable Agony, Near Death, and finally Death.  A pretty significant jump from headache to severe agony in my opinion.  How did they calibrate that thing?  

  4. I am looking for cover wrap, or only the front cover for Amazing-Man 22 (Green Gorilla Cover, you know it).  

    I also need 4 center wraps for a Whirlwind #3 (A Hillman Publication)

    I am also on the hunt for a cover proof of Suspense Comics that sold way back when in a Wooley's auction in 1983

    I have some early Exciting Comics (#2, #4, and #5) that can be organ donors if you need pages from those books.

  5. What I think helps is to visualize this weird comic book construction by getting sheets of paper and fold them in half as if they were all going to be stapled at the spine together to form a comic book.  Ignore the front and back cover and the inside of that outer wrap folio in this example.   Also get four half pages that you can tape or glue to folios in the front half of the book. 

    • If you have 12 sheets of paper and fold each of them in half, then nest them one on top of the other you should have 4 pages per folio, 2 front of folio and 2 on the back.
    • So this gives you 48 pages.
    • So now visualize that first folio, normally it would be page 1 and 2 of the book, and the last two pages of the book.  A single page (half a folio) is tipped in and glued to the inside of the first folio.  It is glued to page two.
    • On folio four the next tipped in page is glued to the inside of that folio as well.  This would be page 11 & 12 if you are counting pages from page 1.
    • On folio nine the next tipped in page is glued to the outside of the folio, so this would be pages 21 & 22.
    • The last tipped in page is glued to the outside of the centerfold folio (12th folio), making this pages 29 & 30.
    • All the tipped in pages are before the true centerfold.
    • 32 pages to the centerfold
    • 24 pages after the centerfold
    • 56 pages total and this does not include the front and inside cover wrap.  
  6. Some time ago I scanned a complete copy of Suspense Comics #3, so I will do some digging to see if I can retrieve that file and post the life raft centerfold story.  Art was by L.B. Cole and this was in his prime time.  Meanwhile, I do have a very nice Suspense Comics #3 cover that was restored using Photoshop to what the book likely looked like on the news stand.  What kid would not pay a dime for this book?  If the resolution for viewing is not quite right I will see if I can fix it.  The raw data file is too big for upload.

    Suspense 3 copy L.jpg

  7. It's been a long time since I trolled the boards or posted anything, but that copy the Digital Comic Museum has the scans of is mine.  It is indeed missing the centerfold story, and that story does have a page tipped in and glued to the folio.  My theory is that the books that are deemed incomplete I believe are usually missing the entire centerfold story, not just the tipped-in page.  It is not hard to imagine that a number of copies were assembled and sent out to distribution without the centerfold story.  Holyoke did this with a few other titles around this same time frame, Terrific Comics, Catman, and Captain Aero.  The practice employed on Suspense Comics #1, #2, #3, Terrific #1, and #2 had the following:

    1) Page 3 is glued to first folio (inside of folio)

    2) Page 11 is glued to fourth folio (inside folio)

    3) Page 21 is glued to ninth folio (outside of folio)

    4) Page 29 is glued to twelfth folio (outside of folio) and this one is the centerfold story.

     

    So there are 12 total folios comprising a total of 4 pages per folio, so 48 pages.  Add the four tipped-in individual pages before the centerfold and you have a 56 page book.  32 pages before the centerfold and 24 after the centerfold.  They stopped that nonsense and stuck to 48 page books thereafter.  The centerfold story by the way did feature L.B. Cole artwork and story by Jerald Altman.  Another thing that adds a little more mystic to the Suspense #3 is the last panel in the Life Raft story says; "And so after 83 days, they were rescued, thus ending one of the most harrowing adventures ever experienced by Man!  Don't miss the next Terrific Comics!"  So that centerfold story seems to have been originally meant for an issue of Terrific Comics.  Suspense and Terrific alternated with each other every other month.  This was about the time that L.B. Cole came into Holyoke and Charles Quinlan departed.  Cole's first cover for Holyoke was Terrific #3.