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Everything posted by aokartman
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There are lots of reasons to be wary of auction statistics, as you say. At this value, I think there is a chance the buyer just changed their mind. Possibly when they got the piece in hand. Keyword spam noted, and it seems ebay just can't completely audit the volume of submissions these days. From HA on this lot..... Internet/Mail Bids: 19 Lot Tracking Activity: N/A Page Views: 588
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Everything I have is in a sleeve of some sort. I have an E. Gerber lifetime 10% discount for mylar. I have an old chest of drawers, and some free standing four drawer file cabinets. Apple crates. Comic boxes under the bed. David
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In my college years, my art professor suggested that if you tested and made slight alterations to known formulas, the new result became your own. This may have been flawed advice, but I note that it did encourage productivity without the haunting spectre of being cast as a copyist. Sadly, he was completely, and flawlessly, copied in a senior year project gallery show, which caused quite a stir.
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Glued-on piece fell off...how do I reattach it?
aokartman replied to Turtle's topic in Original Comic Art
I once bought a lot (30-40 pieces?) of the Berdanier "How It Began" daily panels, and the owner provided multiple titles and syndicate strips he fabricated to account for ones that may have fallen off. Worked for him, and works for me and if I detect or restore later such activity on anything, I disclose it when it changes hands. Best, David S. Albright -
What I like about HA is the live auctioneer in the signature auctions, and if that goes away, it's a big loss. David
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LINK TO THE MUTT AND JEFF COVER ART AUCTION ON EBAY Thanks for checking this out! Here is a nice piece of original comic book cover art from 1960 for a Mutt And Jeff, possibly by Al Smith? It is an auction that ends in a day or so, and has the opening bid of $300, so it will sell. SOLD $300. My seller name on ebay is bakeralbright, and you can just click on the link to get to the auction. Sometimes, these pictures on this site are better than ebay's, so click on these and magnify to get a good idea of the piece. I created the title, and it is just lightly attached to the board. Underneath is just the old glue stain from the now lost original title (I never had it). Questions and comment welcome in the thread, or send me a personal message! Best wishes, David S. Albright
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OK! So, I picked up a couple of the comic books just for fun to compare the book art to the Lichtenstein art. Comic art credit to Mike Sekowsky on the "Kiss With Cloud" and Jack Abel on "Torpedo Los". Alternatively, the comics.org database now credits the Kiss With Cloud art to Bernard Sachs.
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I'm working on some stuff that came from the attic (I was actually looking for something else, my MSH #13, still looking) and I found this Mr. Anthony's Love Clinic #1. Quite nice condition! CLOSED, thanks! Within the book there is an early signed (in the printing) story by Richard Rockwell, who was following in his famous uncle's footsteps. Rockwell also ghosted for Milton Caniff for over 30 years. I take Paypal, US only please. Actual Priority shipping included for flat and sturdy package. Front and back scans to follow. Questions or comments in the thread, or send me a personal message. Best, David S. Albright
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The point is that the artist has worked a lifetime, and should be credited with that experience when considering the "how long" question. It's a bit of an affront to the artist to suggest a work in question could be reduced to an hourly calculation, since the questioner likely couldn't do it ever, even if they tried. So, when the client is told the actual #, it can have a real multiplier effect, like, "Wow, you can do something in just a few hours that I will never be able to do." And then you can move on to the next topic, since the hourly calculation is exposed as a bit of a fraudulent approach to valuation in art. David
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My wife gets this question frequently. How long did it take you to paint that? She does realistic still life oil painting. Her answer is usually tempered by a reflection on how long she has worked to get this good, but ultimately buyers really want to know, actually how long? She now acknowledges her workplace schedules to collectors as best she can just to satisfy their curiosity. It is a place where a conversation can then continue, since everyone uses their time in a personal way. David
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Maybe the enforcement arm of the US Postal Service, could help. The United States Postal Inspection Service. David
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Sorry, I guess I just got spoofed by Pete Marino. David
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Pretty sure Mr. Yoe has decided to forego selling by himself at shows if he has already lined up a Heritage date to disperse his collection? The top pieces would go first, and the rest becomes a lot of work better left to the selling professionals anyway. David
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LINK TO THE CHEAP COMIC STRIP ART AUCTIONS There are three strips I put up with $5 starting bids, including How It Began by Paul Berdanier, BERRYS by Carl Grubert, and SPATS by Pickering. Check them out! Thanks for your consideration, and send messages in the thread or through the personal messages. David S. Albright
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According to Colleen Doran on CAF, this was from a "Special Projects" 8-page greeting card, 11 X 17 original art format which may or may not be published (final format?) in coordination with Stan Lee. Hope this helps, David
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There is a local (10 miles) auction house near me, and I can drive to the preview, and view lots in person. Then, I can sit at home at my computer and bid without wasting my day sitting in a warehouse watching lots I have no interest in. It's a beautiful thing, modern technology! I drive over and pick up winnings on Monday, pay with a check. Not much original comic art, however. I will be curious if Taurus comes out with another comic art auction or if it was a one-off. David
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Crom! HELP AN OLD GUY OUT! Need some advise?
aokartman replied to I am not Glenda's topic in Original Comic Art
The #5 title page sold previously for $10 K in 2011 at HA. David -
Does Heritage "production art" scare you off the same?
aokartman replied to RabidFerret's topic in Original Comic Art
Agree, there have been questions from book collectors/investors/speculators with concern about reliability of the original comic art market, and whether they should take the plunge. Without clarity for the potential new collectors, it may remain a narrow field of collecting interest. Maybe the architect of this site could pin a "definitions" memo? David -
Does Heritage "production art" scare you off the same?
aokartman replied to RabidFerret's topic in Original Comic Art
I agree that within the lexicon of original comic art collectors, describing color guides as original art is confusing, and potentially deceptive. However, there are doubtless some tremendous color guides extant of historic pages which should be of considerable collector interest. David