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dem1138

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Posts posted by dem1138

  1. Vincent --

     

    That interview you did wth Jay Maybrook was phenomenal! I knew Jay pretty well when I was 13-15 years old. I used to buy/sell from Sparkle City and Jay at local Philly shows all of the time. I remember before he disappeared that he had offered me a summer job to work for him but he scared the cr*p out of me. He had an unbelievable temper and I remember seeing him lose it at more than one show. He also is the first person I ever suspected of doing coke. I remember one show where he wouldn't stop sniffing and it didn't seem like the sniffles you get when you had a cold. I remember that he notoriously overgraded and the one time that bought a comic from the catalog via mail-order, it was a Flash #123 that he graded VG+ that came in the mail as a tattered mess. It was lucky to have the cover still attached.

     

    I have always wondered whatever happened to him and had heard stories from other dealers but when I saw that you had him on your show -- I had to listen. That was an absolutely fascinating interview!! Thanks for getting him to do this!

     

    --David E. Miller

  2.  

    Sorry, I don't believe I have anything from It Happened One Night.

     

    I definitely like that era. We don't have the wall space to hang many posters from my collection but I do have a few classics framed. In our bedroom we have Mr Smith Goes to Washington, Gone With the Wind, and a Terry Toons poster. Also, an Enoch Bolles painting.

     

    In my den I have the noir classic, Out of the Past (starring Robert Mitchum) and Orson Welles' Journey into Fear. Immediately in front of me is a Superman 3-Sheet from 1948, and next to the door is The Thing From Another World

     

    In the hallway is Double Indemnity.

     

    And, in the living room we have Gaslight, Lifeboat, Val Lewton's Cat People, The Treasure of Sierra Madre, and Frank Capra's You Can't Take it With You.

     

     

    What about The Big Heat?? The Big Heat never gets the love it deserves...

  3. Not trying to rain on anyone's parade, just sharing my thoughts, since, y'know, this is a message board. I believe if you read my comments you will see that there was no judgement call on anyone other than myself and how I felt about the piece. The main point of my post was really to bring up an interesting topic on art inspired by the posting of that piece - which is that often times, there are other emotions that come up, that are not inherent to, or inspired by, the artistic value of the piece itself, but rather the events surrounding the piece. I mean, in essence this is an aspect of art that cannot be separtated from the art itself.

     

    In any event, my apologies BZ, your posts are so awe-inspiring - I count myself among the many who comes back on a daily basis to see what new treasures you have posted. I have read every page of this massive thread, and look forward to reading many more...you have helped make the GA forum what I believe to be the best forum on this message board.

  4. My apologies. Those of us who swim more in the original art waters are bred to be more cryptic - agreed, that it's a terrible habit.

     

    Yes, all that has been said is true.

     

    Ferzoco gave it to Lu, who had a booth at SD '06, to sell. Lu was completely unfamiliar with the Frazetta market and misunderstood the asking price of the piece (which was not written down anywhere) and sold it for $1500, I guess to the first person who asked. The new buyer was quickly tracked down and was explained the misunderstanding. The new buyer refused reason, more than fair trade/cash back, whatever - and even apparently claimed to have already sold the piece at the show. The topic was then discussed ad naseum on the boards as to who was at fault. In the end, as I recall, there was no reimbursement to any parties - and no one was really blamed for the unfortunate occurance. Ferzoco tried to search out the piece for quite some time, and then I guess Mr. Bedrock got wind of this and let him know that he was the current owner. It's one of those situations where, as someone who is friendly with both Lu and Ferzoco, looking at that piece just leaves an ugly taste in your mouth, even though it's a really cool piece. Similar to when you sell something for 10% of what it later sells for and you can't remove that bitterness from seeing that item again.

     

     

  5. All of this Burroughs stuff is making me giddy! (Great pulps BZ and Jeff)

     

    Here's my contribution...

    tarzan.jpg

    It is Frazetta's prelim to the "Tarzan and the Lost Empire" Ace paperpack.

    Essentially this was Frazetta's first solo paperback cover.

    This is a scan of a photo as the original is framed, and being small doesn't scan very well.

    There is about 1/2 inch additional on the bottom of the original with Frazetta's signature.

     

    this being the piece you told me about at Geppi's museum?

     

     

    VERY nice. (thumbs u

     

    i'll give you fifteen hundred bucks for it. lol:baiting:

     

    Yes, it's interesting how some art you can look at - and see it for the art itself - but some art, you can't help but see the story as well as the art...and unfortunately, this piece of art carries a very ugly story behind it.

     

    I mean no disrespect to Mr. Bedrock, who owns it fair and square...but I can't help but look at that and feel bad for the person that used to own it who is one of the more decent human beings on the planet and didn't deserve to lose it the way that he did.

  6. To follow along the same line as Clem's comment -- pages from Amazing Spider-Man Annual #2 - because the Crime Master pin-up was up for auction from Sotheby's many years ago, this means that the book exists and is out there...could you imangine Ditko Spidey AND Dr. Strange...and there are some GREAT GREAT pages in that book...

     

    However, I have heard stories of books where a certain number of pages show up and that's all that anyone knows about or has seen...which could mean that other pages were given away early on and lost forever or are buried deep in collections somewhere. Remember, Marvel would send pages to business clients far as Japan...so as far as we know, there's an entirely different OA sub-culture over there where children of these former high level executives have A+ pages on their wall or buried somewhere amongst other "trash" and aren't aware of what's going on here...

     

    For me, right now, I would really like a nice Watchmen Rorschach page -- and I have plenty to trade as well...and I'm always looking for 60s/70s Kirby...

  7. I've said it before, and I'll say it again:

     

    Wimbledon Green is a must read for anyone who enjoys Golden Age comics.

     

    I read a review of it here.

     

    Review

     

    It sounds like something I would enjoy.

     

    I'm going to ask the library to try to get it and "It’s a Good Life if You Don’t Weaken" as interlibrary loans.

     

    Great choice - "It's a Good Life..." is a very powerful GN.

  8. It seems pretty clear that the Joker was chasing him and Robin was trying to create more space between them until the Batman could arrive and save the day. The only place left for him to go was the pole - which appears to be breaking. Thankfully, Batman has arrived in the nick of time to save the day.

     

    If you need me to explain any of these other Detective covers, Stephen, please just let me know!

  9. Bang,

     

    Please continue to share! Your collection is amazing.

     

    One question that no one seems to have asked you --

     

    What are your feelings with regards to this being a Pedigree? Do you have any desire to have this collection garner Pedigree status? It seems that others who do not own this collection are motivated to annoint this a Pedigreed collection -- but, as the owner of this collection - what are your thoughts? Do you care?

  10. I agree that this might affect pricing. The splash went for more than was reported on Comiclink for the ASM 12 splash -- and at San Diego - OK, and I mean OK pages were offered at 15K-20K which many thought was way too high.

     

    Interesting to see what happens the next time I see a Ditko Spidey page and ask the price and am told 20K. It will also be funny (but not ha, ha funny) to see a few of these pages reemerge at at least twice the purchase price.

  11. The pages are now in the lead with about 1 day to go...

     

    Interesting to see 2 key pages w/o Spider-Man top the page bids - it seems very likely that the individual pages will exceed the total book price. ASM #10 went for 161K and that had a number of battle pages and a great splash. This book has a great splash, a few key first appearances, and very few Spidey pages...

     

    This auction continues to intrigue...

  12. Someone seriously needs to write a book or post the details on a website for everyone to read so we can refer to that work when anyone asks instead of retreading the same questions every few months when something new gets us talking. From my experience, if you want to know the details, go to the cons, go to the OA gatherings, and network. Most people who know the information first or second hand will tell you what you want to know face to face or through PM, but a public forum makes everyone a little...shy.