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Weird Paper

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Posts posted by Weird Paper

  1. On 6/5/2019 at 9:33 PM, Mmehdy said:

    Here are my top 3 art items and top comic book in my opinion in the entire sale

    1- Kelly Freas  "The Long Road Home"...Kelly's Astounding run of 1950's cover are amazing, including "Martains  go Home" and many other. This painting is a masterpiece., the story is interesting....just the mix of colors and mood on this one. I had heard that Jerrry W had this painting and it cost him about 40K.......its worth it.

     

    Makes sense. They were very good friends. I ran into Glynn in an airport once and he said he was just coming home from a get-together of the late collector's friends in remembrance of him. He also helped Jerry produce the Art of Ray Bradbury book.

  2. In the spirit of Huey, Dewey and Louie from "Maharaja Donald" (March of Comics #4), I went to the 1978 Houston Con (my first out-of-town comic con) with a little (very) bit of cash and five low grade issues of Crack and Smash with Lou Fine art. I traded the five comics for a Golden Age Murphy Anderson page from Planet Comics and a complete Fiction House jungle girl story. I then traded the complete story to some guys for $300 credit toward an Amazing Fantasy 15 that a friend wanted. My friend gave me the $300 cash, which I used to buy a pretty decent copy of Police Comics #1. Forty-one years later, I still have the Anderson page, though the Police Comics #1 is long gone -- a victim of the normal post-graduate poverty that many of us have experienced. I had bought and sold other pieces of art for the years preceding the mid 1980s when I would get back into buying art to keep. I took another respite from about 1988 to the mid 90s to have a kid, start a business, etc, but held on to most of my collection. Been buying art ever since.

    anderson.jpg.a546d583e5c0302a92627833d8617bca.jpg

  3. 20 hours ago, Collectr said:

    Unsurprising that Beerbohm would have likely had some pretty good stuff in that stack. He was at the forefront of the market in those days.

    I asked him about it a couple of years ago. He didn't mention Fiction House art... the only specific thing I recall him remembering was a stack of Perez Teen Titans pages.

  4. 11 minutes ago, comix4fun said:

    One big reason that people may not think about when searching for them is that, compared to Spider-man pages, there were far far less produced. 

    The Strange Tales stories were shorter in length (usually 8 pages as opposed to 20-22 for ASM stories) and a good chunk of the Dr. Strange Ditko stories were inked by George Bell, changing the look from the more desirable "all-Ditko" pencil and ink work.

    I did the math at one point of every page produced there were over 900 All Ditko Spider-man pages (including pin ups and annuals) and something like 289 All Ditko Dr. Strange pages produced. I have to double check my numbers but that's what I remember.

    So before we even get into what happened to them since, lost, destroyed, not properly stored, etc. the starting point was more than 3-1 of Spider-man pages created to Dr. Strange pages created. 

    What do you think is the ratio of value of a Ditko/Ditko to a Ditko/Bell?

  5. It's a great piece and should pull in $150-$300K or more. That said, and not to denigrate this cover at all, but it is, arguably, the weakest of the Frazetta FF covers. I mean, if you had to rank them top to bottom, keeping in mind that it's like pointing out the weakest team ever to win a Super Bowl.

  6. On 8/13/2014 at 12:27 AM, AKA Rick said:

    Go to BAGS UNLIMITED they have all sizes of mylars for original art and documents (showing specific dimensions for size customization)

     

    They've become a good go-to place for supplies.

    I've used them on a few occasions and have always had quality issues. The seal on their edges is frequently very weak. About one out of every five large (12x18+) sized mylars has been split.

  7. On 11/13/2018 at 10:59 AM, vodou said:

    ...If Axman has the time and money, I'd suggest getting the piece chemically analyzed as to age of materials used...

    You don't even need to go to that effort. Tossing aside the fact that positive transparencies were never used in the comic book web printing process in the U.S., you can easily determine if a transparency is a proper photographic transparency. If it was printed on a water-based inkjet like an Epson, it is water soluble. On the printed side, run a wet q-tip along the edge of a crop mark where a little bit of damage wouldn't matter. If it smears, it's not a photo-based transparency. If it was printed on a eco- or bio-solvent printer like a Mutoh, you could do the same thing with a little alcohol on the q-tip, as water wouldn't affect those inks, but those printers are more expensive and less likely to be used for these purposes.