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Jaylam

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Posts posted by Jaylam

  1. On 6/26/2018 at 5:40 PM, Unca Ben said:

    I recall the controversy surrounding this page.  It's fairly amusing, given a holstered gun is pretty darn suggestive in itself :grin:

    Yeah, more of a visual metaphor than the original drawing! Of course, being 9 years old at the time the book originally came out, it kind of went over my head, however years later...well, here we are still talking about it.

  2. After going through my records of buying from both Metropolis and ComicConnect, they have been very close, usually a half grade plus/minus or equal to that of the CGC grade 90% of the time. I am also very discerning and have either not bought the book to start with based on the images provided or sent back books or requested an adjustment on books I thought were over-graded once I had them in hand, so those misses never got sent to CGC in the first place. I mean, seriously, if you can tell a book is a Fine that is listed as a Very Fine just by the images, why would you proceed to buy it as in the Tales to Astonish #98 as shown above that has at least a 2" color breaking crease (which is really too bad because that book looks amazing otherwise). 

    Here are some examples, all books cleaned and pressed after purchase.

    Amazing Spider-Man #28, Metro/CC grade 7.5, CGC grade 7.5

    Amazing Spider-Man #50, Metro/CC grade 7.0, CGC grade 7.5

    Fantastic Four #39, Metro/CC grade, 9.0, CGC grade 8.5

    Fantastic Four #49 Metro/CC grade, 5.5, CGC grade 6.5

    Justice League of America #43, Metro/CC grade 9.2, CGC grade 9.6

    X-Men #64, Metro/CC grade, 9.2, CGC grade 9.2

  3. I'd say my experience with Metropolis/ComicConnect as far as grading is concerned is about 50/50. You must also understand, they sell raw books that the seller lists and sets the grade and price on those books themselves just as a seller would on ebay. My only suggestion to them would be to disclose on the site if a raw book has been directly listed by a seller or if it's one of their books that they have screened and graded themselves.

  4. To me back in the 60's, the FF was much like the Jonny Quest cartoons. The concept fit the times and resonated with the world stage at that time. We actually hadn't been to the moon yet and JFK presented that as the challenge of the decade and the FF fit or fell right into that sentiment of the times. Once a lot of those challenges had been met, the framing of the FF that had been their bread-and-butter kind of fell by the wayside. Obviously by the interest and comments of this thread, a lot of us really care and appreciate the impact and importance of the FF in the genesis of Marvel, but the truth is that ship has sailed and the best and uniqueness of the FF is locked in the time they were conceived. Marvel used them to launch and bring attention to other concepts and characters that eventually outgrew the FF, but no one has been really able to make them fly again like they did in the beginning. 

  5. On 1/8/2023 at 4:23 PM, Topnotchman said:

    How true. When I reported a damaged CGC book, they would only pay me 50% of the insured value saying the damaged item was not a complete loss even though the CGC case was crushed by what looked like the package being run over (it had an obvious tire track on it where it was crushed). 

  6. On 1/4/2023 at 8:54 AM, frozentundraguy said:

    I recall watching that episode, and thought they packed quite an armful of suspense into 30 minutes at the bus depot. About 4 years ago I watched all of the episodes of Twilight Zone. One of my favorites was episode 13 from season 3. Buster Keaton travels from 1890 to 1961, and back. I think it the only episode played entirely for laughs.

    I love those old Twilight Zone episodes. They did so much with so little. The story telling, pacing and acting carried the show, something that seems lost today. You couldn't help but get sucked in and invested in the suspense and tension of the story. 

  7. On 12/21/2022 at 10:26 PM, flashlites said:

    If it weren't for Julie and the success of Flash and the Justice League Stan Lee would have never had been given the assignment to come up with a group hero title (FF#1) instead he would have quit Marvel and its likely comics would have been non existent by 1962-63.

    I think it's interesting to note that Julie understood something about the market, that readership turned over about every four or five years and the core readership in those days was 8-12 year olds. Stan not only understood that, but did something to try to maintain readership past that age group my creating more complex and mature themes. That phenomenon actually happened in the late 40's and early 50's as comics delved into more mature and explicit territory in order to maintain readership, of course we know that resulted in tremendous push back. Stan tried to navigate that territory within the confines of comics code and was quite successful at it and made Marvel great in the process while Julie kind of lagged behind at first, locked into that 8–12-year-old demographic, failing to realize the potential of cultivating older readers or just not thinking he could do it within the confines of the code, based on what had happened before.

  8. Showcase #13 is a pretty rare book in any grade with only 201 Universal copies showing up on the CGC census and there are probably less than that if you consider the re-subs that the labels weren't turned in for. Since so few show up for sale, it's hard to get a bearing on the prices, but overall, it looks like it trends upward every time one comes up for sale.

    Addendum: After taking a look at all four Flash appearances in Showcase, #13 has the least graded copies of the four.