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Posts posted by themagicrobot
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Aren't there more appropriate infant-style magazines than Archies which are really for teenagers? In the UK for a 3 year old girl I would say My Little Pony. When they were 7 or 8 The Beano and when they were 13 The 17 issues of Patsy Walker AKA Hellcat. (The boys would like The Beano too!).
https://www.marvel.com/comics/issue/61041/patsy_walker_aka_hellcat_2015_17
PS: I will be babysitting a 5 year old boy on Thursday. He loves me to read him stories from old Rupert Annuals. There are 6 drawings per page with a few words beneath each picture. I read and he looks at the pictures.
- aabruzzese and Tons Of Style
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Weird but true. A dozen years ago I put some Hotwheels Batmobiles into a Tesco supermarket plastic bag and placed it at the bottom of a wardrobe. A few days ago I noticed what looked like confetti next to the bag. I picked the carrier bag up and it literally turned to dust in my hand as if it had been zapped by some futuristic ray gun. The toy cars fell to the floor amidst dust and plastic confetti. Never seen that before. I have saved some old 1970s LP record bags from long defunct shops and they are still perfect.
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I thought Gen Z were youngsters but it seems there is now a Generation Alpha born since 2010 (which is practically yesterday). When it comes to music I will admit to living in the past. But I'm not as bad as a former friend and his wife who re-created the interior of their terraced house to imitate 1958 (even down to the old copy of Melody Maker on the coffee table). They wore the fifties fashions and drove a 1960 Ford Zodiac.
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That is the biggest difference between myself and many people here. As a child old comics were valued at half the price of new comics. Even when I first went to Comic Marts and had to pay a slight premium to get ND Marvels I still didn't see my collection as having a monetary value greater than its cost price. I still see things that way and may end up giving stuff away if I find someone deserving rather than selling it further down the line. My advice to the people with collections/individual comics that they think someone else will buy at top price today like a Ponzi scheme is SELL SELL SELL. When the world ends/Martians invade they won't care less about Incredible Hulk 181.
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I guess we have to blame the Interweb for making everything available on demand and virtually free. If I didn't get the latest Superman comic when it appeared on the spinner rack I might never see another copy unless I was lucky a year or so later at the second-hand book stall. If I wasn't in front of the TV at 7.30pm on a Sunday for Batman I wouldn't get another chance until the following week. The scarcity of everything made them both important and valuable. Once you could download every Spider-Man comic or CD for free on the Pirate Bay the world shifted on its axis.
- B2D327, Gonzimodo and factory sealed
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In the 1960s I collected anything that was free or very cheap. Matchboxes, coins, stamps, comics. I used to cut out the comic strips from newspapers. I got into a routine of visiting relatives and neighbours for the Daily Mirror (for Garth and Andy Cap and the Perishers), the Daily Sketch (for Peanuts) and Evening papers for Modesty Blaze and many others. These were pasted into scrapbooks. Pre 1971 you could still get Victorian coins in your small change and it was relatively easy to get a collection of pennies from 1890 to 1967. I collected stamps because that was completely free. People still wrote letters. My mother worked in an office and they got parcels delivered with exotic £2 stamps. I had one of these albums and didn't think anything odd about what it was called. Now you can buy one of these on eBay full of stamps for peanuts. That desire to acquire stuff has been lost in the more recent generations. Most of my friends that are a decade younger than me pride themselves on their perfect minimalist living and are aghast at my heaps of boxes of comics and my shelves of books. My garage is full of stuff. They have knocked a wall between house and garage to extend the kitchen and utility room. Different generations have different priorities. As soon as I was old enough I wanted a bike/car. I know people now in their thirties that have never bothered or needed to take a driving test. Today you don't need to own a mountain of LPs to listen to your favourite music whenever you want to. Different strokes etc etc.
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how do you balance your own pursuits of nostalgic bliss and collecting goals vs. an appreciation for living and enjoying in the present moment?
Yesterday I purchased another motorbike when I already have too many. It is a 1978 Honda, the same model and colour I owned 45 years ago. My thoughts are that I need it in my life as I should never have parted with the first one. It is old but it can be used in the present. If I turned right at the bottom of the street and it was suddenly 1978 again I would keep on going and never return to 2023
Similarly with comics I buy a few old ones now and again (more like daily) cursing my younger self for having sold previous collections of the things
I am buying the new She Hulk comics but they aren’t a patch on the old ones
But most of the writers and artists of new comics are much younger than me with different outlooks on the world
Kids today have so much more disposable income than my generation
Comics and bubblegum cards were all I could afford
Kids today may like the Spider-man movies but will they want an AF15 for £thousands in years to come any more than I would want a Magnet comic from 1923 featuring Billy Bunter.
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T V Boardman books and paperbacks often had covers by the skilled artist Denis McLoughlin. Sadly he committed suicide using the Colt 45 he had used for reference on his Buffalo Bill Annuals. You can read more here https://en.wikipedia.org/wiki/Denis_McLoughlin
- Surfing Alien, pmpknface, comicjack and 5 others
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Many of these "well read" paperbacks must have a story to tell, having passed through a number of hands. Most of this batch of "Authentic Science Fiction" series paperbacks have various second hand bookshop stamps within.
The numbered John Spencer/Badger Books contain those weird "Joan the Wad" adverts inside.
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Dunno what the OP means by "Independent Editor"? Does he perhaps mean any company that is nor DC or Marvel? D.C Thompson's Commando must take some beating as far as numbers of comics published as it is currently at number 5670 since the year 1961 (still published, I believe, 8 times per month) with no sign of ending any time soon.
https://www.commandocomics.com/2023/08/01/the-long-way-back/
PS: And there have been over 4000 (mostly weekly) Beanos as it is now in its 85th year of publication.
https://magsdirect.co.uk/magazine/beano-29-july-23-85th-year-special-issue/
- BA773, southern cross, Ken Aldred and 1 other
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From the Charlton Compendium book, here is a pic of a Gladys or possibly an Ethel happily working in the comfortable and glamorous surroundings of the Derby Connecticut factory. Perhaps she stacked the pallets with individual sheets. Or perhaps she specialised in collating the pages and stapling them slightly off-centre so that the comics had that special wonky look so beloved by those six people who collect Charltons. Gladys (or Ethel) usually left work early on Fridays to get a top-up of hair lacquer.
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And another letter asks:-
Did Sandman Number 1 come over to Britain? Are T&P planning to bring over any more DC Famous First Editions?
Alan replies:-
Sandman Number 1 wasn't officially distributed, but as is often the case, one or two did turn up. Asking what T&P are planning is like asking for the timetable of the 277 bus route. They don't seem to have any kind of organised system when it comes to distributing comics - often they'll jump ahead and miss a couple of months' issues, then we'll get the missing ones later. However the large size issues such as the Action Number 1 reprint have been delayed so long that I doubt if we'll ever get any from T&P, and as for future issues, who knows?
I did have a C26 Famous First Edition at the time but may have bought it either from a comic shop in London or perhaps a Comic Mart. I also owned a Winter 1974 Sandman 1 which I'm pretty sure I just picked up at my usual newsagents. What I didn't know is that there was a purple variant of Sandman 1.
- OtherEric and Albert Tatlock
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Whilst Roswell the Alien was asleep I borrowed his Fantasy Uninhibited fanzine. This letter caught my eye:-
A few years ago I had an experience I'm sure your readers would like to hear about. It was on a Saturday, when I make my usual trip to second-hand bookshops around London looking for old comics. It was in one of my favourite haunts, a Popular Book Centre, that this happened. I went into the shop and it was empty apart from a young girl who appeared to be browsing through the paperback section. She was, I'd say, in her early twenties, blonde and quite attractive. Anyway, I headed straight for the DC piles, and started carefully going through them. By this time the girl had come towards me, and walking past she accidentally knocked my duffel bag from my shoulder, for which she quietly apologised. I carried on looking through the DCs, and was just about to pull out an issue of The Brave and the Bold I needed to complete my run, when, imagine my surprise, the girl's hand touched mine.
I looked up and she was smiling at me. Puzzled, and slightly embarrassed, I pulled away and walked over to the piles of Marvels. The girl followed me. I looked up and she said, in a soft silky voice, "Would you like to come upstairs?". Imagine my surprise! Well, falteringly, I said "Yes", (who could have refused such an offer) and followed her to the back of the shop, and up a short flight of stairs.
We entered what was obviously her bedroom, and she showed me to a chair. "I've got something to show you" she said. What could I say? I was struck dumb! She went into another room, and for a few minutes I sat there, not able to believe what was happening. A short while later she returned. Imagine my surprise when I saw her carrying a large suitcase, which she put on the floor in front of me. My surprise was even greater when she opened it - it was full of comics! DCs going back to the 1940s, hundreds of them!
She explained that her father, the owner of the shop, had asked her to show me the comics while he was away, since he knew I was a keen collector. Needless to say, a price was negotiated, and I left the shop with some of the best comics I'd got in ages. And at a bargain price! I wonder if any of your readers have had similar experiences?
I think that date of the fanzine might give us a clue.
The letter is a lovely pastiche of those letters in Penthouse only comics replace the sex element. The mention of a duffel bag is a nice touch.
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If "9.0 or better" is what turns you on then good luck, but there are a lot more comics than just Showcase that I'd still like to own so I sensibly have set my sights lower and now have 53 out of the 104 with 6 more on order. Realistically I won't ever own a Showcase 4 but the later reprint will be fine.
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That book may have originated in the UK but the ink stamp says Swanston Street Melbourne Australia!?!
PS: I recently acquired this history of John Spencer/Badger Books. They produced hundreds of paperbacks (many in numbered series) in the UK from the late 1950s to the late 1960s.There were a handful of comics too. Many of the SF paperbacks were written by the prolific R.L.Fanthorpe using dozens of pseudonyms.
- PopKulture, Pat Calhoun, Sarg and 4 others
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the pursuit of nostalgia vs. living in the present
in Comics General
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If 13 year olds could still easily get reasonably priced Marvel and DC comics from every corner shop and newsagent as things were for me in the UK from the 1960s to the 1990s there would have been three more generations into comics still. And as for music all I can say is