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alxjhnsn

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Posts posted by alxjhnsn

  1. The yellowing is probably a stain from the glue and it's not good for the paper. You might consider getting it cleaned and restored.

    Free advice in the Spoiler text.

    Spoiler
    In the many threads on paper conservation, the names that recur the most were:
     
    • Robert Dennis
    Comic Art Restoration Service (on Facebook)
     
    • Gordon Christman
    Gordon doesn't seem to have a web presence, but his snail mail address and phone number are:
    Gordon G. Christman
    Restoration & Conservation
    330 South Horne Street #L
    Oceanside, CA 92054
    TEL:  760 439 7970
    CEL:  760 458 2290
     
    • Tracey Heft - Eclipse Paper
     
     
    I've also had one recommendation for each of these:

    I would add that most major museums know of paper conservators. You might want to contact someone at a local museum and see if there is a conservator close to you.

     

  2. On 12/11/2020 at 1:22 PM, RBerman said:

    Having commissioned a reproduction cover myself, I was impressed with how much it matched the original. As more pages/covers sell for six figures, it is hard to imagine the market won’t attract high quality forgeries.

    It's happened. Mark Landis was really good.

    New Yorker article: https://www.newyorker.com/magazine/2013/08/26/the-giveaway

    Felix Comic Art Interview with Mark: http://www.felixcomicart.com/podcastdetail.asp?pId=32

  3. In the many threads on paper conservation, the names that recurred the most were:
     
    • Robert Dennis
    Comic Art Restoration Service (on Facebook)
     
    • Gordon Christman
    Gordon doesn't seem to have a web presence, but his snail mail address and phone number are:
    Gordon G. Christman
    Restoration & Conservation
    330 South Horne Street #L
    Oceanside, CA 92054
    TEL:  760 439 7970
    CEL:  760 458 2290
     
    • Tracey Heft - Eclipse Paper
     
     
    I've also had one recommendation for each of these:

    I would add that most major museums know of paper conservators. You might want to contact someone at a local museum and see if there is a conservator close to you.

     

  4. FWIW, I've installed flush mount LED lights. The part that clips to the sheet rock is very thin. Above it and connected by an electrical cord is the box that has the controls and transformer. There are 3 light settings on that box (3000, 4000, 5000 lumens). We set it for the middle, but that might change.

    We like them a lot.
    UNADJUSTEDNONRAW_thumb_76c0.jpg.6ed838bdc2db6c0a2a52badd951164de.jpg

    I can get the brand name if you want it.

  5. So, Friday was our 38th Wedding Anniversary and guess what I received as a gift?
     
    Surprise! It's comic book related art. In this case, it's another of my faux Sugar and Spike #100 themed comics. S&S never made it to issue 100, but one day DC will publish one and I will have a wonderful collection of variant covers that they can use. 🙂

     

    In this case, the artist, Charles Paul Wilson III, launched S&S into an adventure in The Dark. In the main story, the Boogeyman captured The Boy and pulled him through his closet door into The Dark, a strange world that he controls.

    Some of The Boy's bravest toys decided to pursue and free him. It has not been an easy journey and victory has not been achieved, but still they struggle.
     
    It appears from this cover that S&S have stumbled into The Dark by way of The Boy's closet, they must be neighbors. More disturbing, they look like they may have been touched by the Boogeyman's influence. Will our kids be able to help The Boy's toys or will they fall under the influence of the Boogeyman!
     
    You can learn more on the image:

    Wilson, III, Charles Paul - Sugar and Spike 100 cover featuring The Stuff of Legend.jpg

    You can see the full by clicking on the image

    Mayer, Sheldon (inspired) - Faux Sugar and Spike Cover Collection.jpg