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manetteska

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Posts posted by manetteska

  1. Here is an auction for the regular cover. $157 with 2 days and 17 hrs to go

    http://www.ebay.com/itm/Manifest-Destiny-1-CGC-9-8-/281314791334?pt=US_Comic_Books&hash=item417fab0fa6

     

    Same seller with an auction for the Ottley $96 with the same time left.

    http://www.ebay.com/itm/Manifest-Destiny-1-Ottley-Variant-Cgc-9-8-/281314806402?pt=US_Comic_Books&hash=item417fab4a82

     

    I think it will be interesting to see where they end.

     

    Those look a little shilly, but it will be interesting to see what happens!

     

    You have reason to believe both of auctions are suspicious.

     

    Follow this link to see a post from the seller of both of the above books (follow the link he quoted):

     

    http://boards.collectors-society.com/ubbthreads.php?ubb=showflat&Main=163911&Number=7625470#Post7625470

     

    This seller has admitted to shilling his own auctions in the past:

    http://boards.collectors-society.com/ubbthreads.php?ubb=showflat&Number=7177906&fpart=1

     

    Not to mention he has been in Probation discussions before, is in one right now on another Manifest Destiny sale, etc.

  2. Nice books, Ryan! Hulk 102 is one of my favorites; not to mention the original Silver Surfer trilogy.

     

    (And a great slideshow. May have to teach a few others how to do that.)

     

    I'm eventually going to have to bite the bullet and submit a large order if these crazy prices stay where they are.

     

    I have yet to get a PLOD or GLOD, so :wishluck:.

     

    Sorry about yours :sorry:

  3.  

    Are those price tags on the 221s? What were they going for?

     

    No...they're not price tags. I got into the habit of placing 2 (or more) stickers on the top front of each bag. I've been doing this for over 10 years now.

     

    On the 1st sticker I state the issue number and year of publication. Why? Many of the old Gold Key and Whitman comics did not state an issue number on the front cover. You had to look inside to get the issue number. And I like stating the year of publication on the front also. It helps me to sort out Modern books from Economy books when submitting books to CGC.

     

    On the 2nd sticker I state the grade and asking price. I'll add more stickers for things like 1st appearances, whether a Marvel value stamp is intact or not or special notes to myself like a cover loose from one staple, centerfold loose, cutout or missing pages, etc.

     

    When I first started doing this, I was dumb enough to leave the comic in the bag when I wrote on the stickers. This caused an indentation on the front cover of the book that a few people griped about. I had to learn the hard way. No mas....no mas.

     

    And on average, I think I paid about 10 cents each for these books about 6-7 years ago. They came out of a shop in Chicago. :grin:

     

    So why no stickers on the 239s?

     

    That's a good system - and one that probably takes a lot of time. If only more sellers were as helpful.

     

    I don't sell at conventions, but I write the grade and comments in pencil on the back of the board.

  4. I have a good reason for asking. I have a few NM+ copies of X-Men #221 and X-Men #239 (Mister Sinister on cover). :grin:

     

    X-Men22169issues.jpg

     

    X-Men23981issues.jpg

     

    5wY23R5.png

     

    I remember when you talked about picking up that collection, and all the 9.8's that came out of it.

     

    Are those price tags on the 221s? What were they going for?

  5. I do hope to be selling before too much longer though.

     

    You just broke CBT's heart, good going there, he didn't need to know this.

     

     

    lol Im going to politely bow out of the :baiting: and what not.

     

    lol, it's all good. Dont mind the argument between me and some others. It's got nothing to do with you, and I dont think there is anything wrong with selling, speculating, etc.

     

    It's good to sell enough to cover your investment, comic books, or otherwise. I did that with my Saga collection, and definitely think its always good to be "in" for free whenever possible.

     

    So, after you sold enough Sagas to cover your investment, how many copies did you buy?

  6. I don't think anyone is arguing. Everyone knows the Ottley cover is small percentage of the regular cover. What no-one knows is exactly what that percentage is, and there are many theories.

     

    :shrug:

     

     

     

    -slym

     

    Yeah, no arguing about how/when the Ottley was presented for sale, just that you cannot put an exact ratio on it -- like the seller in that auction did.

     

    What I'm wondering is if this cover was truly meant to be a second option for the 1st issue -- not a ratio variant -- they should have made a good # of them, right And maybe the cover/art just wasn't ready in time for solicitations?

     

    But then where are all of these copies at? For those that have been to some of the early cons this year, I'm guessing they're not at the Image booth and/or the artist's booth.

     

    hm

  7. I thought the Ottley cover was a second cover added very late in the game (i.e. after initial orders for the regular cover were already put in), so there really is no way to put a ratio on it.

     

    I don't know if any minimum order requirements were put on it (you have to buy 10 to get 1) or if it was really just an alternate cover shops could order if they were really on top of their orders.

  8.  

    So help me out here. Is this book hot and climbing because Mr. Sinister is going to be in an upcoming X-Men movie?

     

    (shrug) I would say speculation

     

    Confirmation of Apocalypse means Sinister is highly likely.

     

    I have a good reason for asking. I have a few NM+ copies of X-Men #221 and X-Men #239 (Mister Sinister on cover). :grin:

     

    X-Men22169issues.jpg

     

    X-Men23981issues.jpg

     

    What, no newsstand editions? :baiting:

  9. A question of similar nature:

     

    Let's say you buy a comic from a dealer/LCS and it has a $5 sticker on it. At some point later you sell this comic -- either on eBay or via the board.

     

    Do you send the comic on its merry way as-is; remove the sticker at any cost; completely re-bag the comic?

     

    Does the amount you sell said comic for -- i.e $3 vs. $50 -- change the answer to the first question?

  10. If a 1:10 variant of WD #1 was published and available the same day as the regular #1 -- and was a true 1:10 -- how do you think the price would compare to the "regular" cover?

     

    a. A lot higher

    b. A little higher

    c. The same

    d. A little less

    e. A lot less

     

    -- Consider that for comparison's sake both copies are in the same condition, both are either graded or raw, both have the same "probability" of being 9.8's, etc. etc.

     

    Depends how good the cover is. If it was Saga RRP quality it'd be worth stupid money. If it sucked it could even be worth less than the awesome regular Tony Moore cover. Too many hypotheticals.

     

    It's all hypothetical. And though I may not have covered it explicitly in my last comment, assume the cover is "just as good" as the normal one. Essentially, the only difference is the rarity (ratio).

  11. I apologize if this has been asked before; just posing a hypothetical between issues:

     

    If a 1:10 variant of WD #1 was published and available the same day as the regular #1 -- and was a true 1:10 -- how do you think the price would compare to the "regular" cover?

     

    a. A lot higher

    b. A little higher

    c. The same

    d. A little less

    e. A lot less

     

    -- Consider that for comparison's sake both copies are in the same condition, both are either graded or raw, both have the same "probability" of being 9.8's, etc. etc.

  12. There are art forgers who make millions off of fakes that get by the art experts. There are decades-long debates between experts as to whether a painting is fake or not. They introduce various levels of microscopy, go back through provenance paperwork, conduct interviews, etc. And still they are at odds.

     

    And yet the art world continues to function, selling high value pieces that may or may not be real. They experts do their best and what you - the buyer - are left with are their opinions.

     

    If a 100% effective method of detecting restoration and/or forgery does not exist, you cannot blame a company when they are not 100% correct. This is not a pro- or anti- CGC statement; it is a general statement for any company and/or person that "detects" restoration.

     

    there's a big difference between original art and mass produced comics though.

     

    No doubt; one can spin off on many different tangents here, but in terms of "detecting restoration", the analogy is rather accurate.

  13. There are art forgers who make millions off of fakes that get by the art experts. There are decades-long debates between experts as to whether a painting is fake or not. They introduce various levels of microscopy, go back through provenance paperwork, conduct interviews, etc. And still they are at odds.

     

    And yet the art world continues to function, selling high value pieces that may or may not be real. They experts do their best and what you - the buyer - are left with are their opinions.

     

    If a 100% effective method of detecting restoration and/or forgery does not exist, you cannot blame a company when they are not 100% correct. This is not a pro- or anti- CGC statement; it is a general statement for any company and/or person that "detects" restoration.