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Comics, Pulps, and Paperbacks: Why such a discrepancy in values?
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7,926 posts in this topic

Some nice arrivals:

One of the rarest and most killer of the Monarch Books (and Ray Johnson covers:cloud9:)

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A sweet upgrade of the famous "boner" cover, a must for any JD collection

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Some nice Irish

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A scarce Kenneth Millar a/k/a Ross MacDonald Lion

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A Bill Ard Pop with a cool George Rozen cover

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and one of the only Barye Phillips Signet Fleming covers that I like. The later ones are pretty much all graphics

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On 7/30/2021 at 4:18 PM, Hap Hazard said:

Number four is always harder to find.

First time I've seen either of the Bart House Lovecrafts in person.  Very happy with the condition, the creases on the cover are the major flaw.  It's a solid copy, tight spine with no roll, and great pages.

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On 7/30/2021 at 7:27 PM, OtherEric said:

First time I've seen either of the Bart House Lovecrafts in person.  Very happy with the condition, the creases on the cover are the major flaw.  It's a solid copy, tight spine with no roll, and great pages.

They were very well constructed and made with great paper. Surprising for a war time book but most copies I've seen of either one had white or off white pages.

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A couple of recent Ace arrivals. The D39 and D439 are the copies Terry's comics posted here a while back. Saunders cover on the 39 and Maguire on 439.

Waltz into Darkness is un-credited anywhere, I'd guess it's Victor Olson but need to do some more comparing before I'd swear to it. Anyway it's great and conveys the central dilemma of the book :insane: (Which I could barely put down. I read it in 2 sittings.)

 

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Didn't take much digging to confirm that the Waltz Into Darkness cover was indeed painted by Victor Olson. I wouldn't call her smile Mona Lisa but she is enigmatic (and a bad, bad girl!). Fortunately Victor signed most of his illustration work although many of the signatures were cut off in the book design process like this one was. It's remarkable how good you had to be to get these gigs producing covers under tight deadlines for $100-$300 each.

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Heade got 13 pounds plus 2 pounds more if he did the lettering.

On 8/4/2021 at 8:03 AM, Surfing Alien said:

Didn't take much digging to confirm that the Waltz Into Darkness cover was indeed painted by Victor Olson. I wouldn't call her smile Mona Lisa but she is enigmatic (and a bad, bad girl!). Fortunately Victor signed most of his illustration work although many of the signatures were cut off in the book design process like this one was. It's remarkable how good you had to be to get these gigs producing covers under tight deadlines for $100-$300 each.

21178899_Waltzoriginal.thumb.jpg.11fdf7aca46a522a1856dcef10ef2526.jpg

 

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On 8/4/2021 at 3:04 PM, PopKulture said:

he still reads most of the pulps he gets! 

Nice selection - and glad you got to meet up again. I really need to get to a show or something soon. I always try to read some of the pulp stories, at least to get a flavor for it. For the paperbacks I'm always trying out new "old" authors if I acquire reader copies. I'll read anything by Woolrich/Irish, haven't been let down yet, and there's something about reading them in a vintage edition with the old paper smell that takes you back to the time. Woolrich isn't dated, but, when reading some of the authors who are dated, the old edition is somewhat of a reminder of the time it was written in and helps me at least understand/accept it better. Just finished reading Bloch's "Scarf of Passion" in the Avon edition, which was neat and a fast page turner and am starting my first Milton Ozaki novel, "The Dummy Murder Case" which I just picked up (you'll always know what I'm reading if it has the plastic sleeve on it)

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