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Comics, Pulps, and Paperbacks: Why such a discrepancy in values?
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6,958 posts in this topic

On 6/25/2022 at 2:29 PM, pmpknface said:

There are a ton out there that doesn't have his sig on them, you can tell by the style. I've been holding on to this info, but you asked so here you go. This is what I have. Notice the bird book, he is credited in the book. 

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Very nice! Faithfully Yours is exceptionally tough!  It looks like you have all of the mainstream titles except for the two Stork Novels.

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Is the credit in the bird book for the cover? That's an impressive realistic painting if so.

As for the soft core. I'd be very hesitant to attribute them to Cole unless it was known that he painted for those lines or signed some of them. Is there any documentary evidence you know of?

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On 6/26/2022 at 11:58 AM, Surfing Alien said:

Very nice! Faithfully Yours is exceptionally tough!  It looks like you have all of the mainstream titles except for the two Stork Novels.

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Is the credit in the bird book for the cover? That's an impressive realistic painting if so.

As for the soft core. I'd be very hesitant to attribute them to Cole unless it was known that he painted for those lines or signed some of them. Is there any documentary evidence you know of?

Here is the cole sig on the bird book. There is another version of it I haven't found yet. His animal art is astonishing, look it up on comicconnent. If you see the style on the 3D cover below you can see the connection between some if the pulp covers.

I believe he had different styles at different times depending on his gig. His 40's work is different from his other work, and a lot of these pulps look like he did them in 5 minutes. Either case, he was awesome. 

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On 6/27/2022 at 7:54 PM, frozentundraguy said:

Great cover, but the octupus on the back of the man's shirt really sells it.

My copy of the March 10 1934 issue of Argosy arrived today. A check on the ISFDB shows that the "Jungle Girl" story was never reprinted and it's a 4 part story. If only they didn't have the covers overhang the pages. hm 

 

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These Argosy issues have always been very cool to me.  Thanks for sharing, sir!  (thumbsu

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On 6/28/2022 at 8:03 PM, Surfing Alien said:

Those overhangs look fine to me FTG! Much better than usual. Killer tiger on that cover by Paul Stahr.

When the pulps were dying out he did some of the only truly great covers in the early Avon run, including the classic, nn#3820220628_210227.thumb.jpg.a079e0f2d2f2a03d112512f2ac4b341e.jpg

Thanks, the drawing of the tiger is what stood out for me also.  In my initial searching of old Argosy covers I have noted that covers by Stahr are routinely excellent.  The Big Sleep cover, with the eyes behind the skull, is quite riveting! 

Has anyone devised a technique for reading these fragile pulps without damaging them?

Edited by frozentundraguy
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On 6/28/2022 at 10:27 PM, frozentundraguy said:

Has anyone devised a technique for reading these fragile pulps without damaging them?

Take a large 4 mil mylar, like for a magazine, and cut off the edges except leave one long side sealed. You'll be left with a stiff mylar book sleeve that you can lay the spine of a pulp or digest into and the mylar should be bigger than the cover so you can leaf through the pages without sweating on, or rubbing the spine👍

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On 6/27/2022 at 7:07 AM, Surfing Alien said:

Love those 1930's Argosy issues. Here's my favorite from 1932  - previously posted in the pound you to a pulp thread but I don't get tired of showing it. This was Frank Brunner's personal copy I bought from him on ebay 3 years ago. Barebreasted Woman/Giant Octopus cover as well as one of Merritt's most famous stories

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Love it and first time I've seen this one (at least that I remember). 

Like frozentundraguy mentioned, I think the octopus on the back of the robe takes an excellent cover and makes it a real standout. The Merritt story doesn't hurt either.

Edited by damonwad
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